Homecoming Was the 2012 reboot pointless?

The thing is that I actually was intrigued by the parents storyline. What they should have done is skipped the origin and start off with Peter as Spider-Man. He could have still went to Oscorp to investigate and find out more about his parents. Maybe there would have been more time to resolve the parents storyline so it wouldn't have been crammed into the sequel.

This is why I'm encouraged with Marvel's plan. They have no interest in revisiting the origin. Plus, telling the story we saw back in 2002 flies entirely in the face of the "Untold Story" angle of the promotional tour.
 
This is why I'm encouraged with Marvel's plan. They have no interest in revisiting the origin. Plus, telling the story we saw back in 2002 flies entirely in the face of the "Untold Story" angle of the promotional tour.
Right, Marvel has no interest in ever doing "reboots." I totally respect that. I think James Bond serves as a great example of why you can just continue making movies without having to officially "reboot."

EDIT: I always wondered if Marvel had some blueprints for a Spider-Man movie or an unused script in case they ever got him back.
 
Right, Marvel has no interest in ever doing "reboots." I totally respect that. I think James Bond serves as a great example of why you can just continue making movies without having to officially "reboot."

EDIT: I always wondered if Marvel had some blueprints for a Spider-Man movie or an unused script in case they ever got him back.

I wouldn't be surprised at all if they do. Obviously, they wouldn't use the same one, but they must have been floating ideas around for years now.
 
I wouldn't be surprised at all if they do. Obviously, they wouldn't use the same one, but they must have been floating ideas around for years now.
Yeah, it would either be some sort of draft or blueprint for what they want to do with the character. It would have the ability to be updated depending on the current status of the MCU films at the time of Spider-Man's arrival.
 
What's funny to me is the people bemoaning the fates of the actors tied to this franchise. Garfield, Stone and DeHaan have seriously lofty futures ahead of them. Foxx is a bona-fide ****ing superstar. So, save your tears lol.
 
I don't think any comic book movie is totally accurate to the comic books. Liberties should be taken when necessary as long as the films capture the spirit of the source material,
Totally agree...you can't tell 10, 20, 30 year old comic book stories, and not put a modern spin on it, that those of this era can identify with, while those of the bygone era, feeling the nostalgia of it being similar to what once was. These films are based off comic books; not great novels, like a Hobbit, LOTR, Harry Potter, The Witch & the Wardrobe, Moby Dick, Lord of the Flies, A Catcher in the Rye, etc.

The thing is that I actually was intrigued by the parents storyline. What they should have done is skipped the origin and start off with Peter as Spider-Man. He could have still went to Oscorp to investigate and find out more about his parents. Maybe there would have been more time to resolve the parents storyline so it wouldn't have been crammed into the sequel.
I was too...and agree, the origin should have been skipped. I just think, they didn't have a clear formula, or idea, a clear picture to proceed forward in whatever direction, they thought they had; and it simply got to big for them, and lost, because, as mentioned before, they only came up with that angle, as a way to differentiate from Raimi's trilogy. That's a terrible reason to kick start a reboot, with no clear picture, how to move forward.
 
I think I know where the parents thing was originally headed: I think, I don't, maybe in TASM3, it was to be revealed that Richard Parker set the whole Spider-bite thing up, I think Peter was destined to be Spider-Man, while Harry was destined to be The Green Goblin.

I think the final fight should've been Peter vs Harry in TASM3.
 
yes they could have. a lot of people (myself included) weren't even satisfied with that ending. but I suppose there will always be complaining about everything, no matter how critically acclaimed a product may be. with that being said, a lot of people (myself included) weren't willing to accept a new face to batman, after the favorable and massively successful 2005-2012 batman trilogy. but some of the hardcore fans who will see mostly the good in everything and set aside the bad have accepted affleck from the getgo, and now that we are over a year since the announcement, it seems most of the internet have accepted him as well.

the difference with spiderman is that the internet has been very divided with the asm series. i really cannot tell if the majority of people want andrew to stay on (in the mcu or not) or a new face to spiderman.

I understand a lot of people were not satisfied with the ending, however you went into it knowing it was the ending. If you went in thinking anything different that is entirely your fault as the marketing and everyone involved in production made it clear this was the final chapter in the trilogy. You might not have been okay with a new Batman, many people were not, but regardless of if you liked the ending you got one. Not to mention given the reaction from critics and the general audience, most people WERE satisfied with the ending.

The fact Sony handled the reboot very differently than DC/WB are handling Batfleck. They gave you an ending, they're not stepping on any toes by avoiding retreading ground, and they're easing the character in by holding his solo outing until 2020 at the latest (8 years after TDKR).

The thing is the internet has been divided since day one about Garfield's performance and a lot of the general audience just never warmed up to him. Bale on the other hand was very highly praised for his performance and became a household name because of it. If Ben Afleck can be accepted after Christian Bale, then an actor who's much more divisive can be replaced as well.
 
I think I know where the parents thing was originally headed: I think, I don't, maybe in TASM3, it was to be revealed that Richard Parker set the whole Spider-bite thing up, I think Peter was destined to be Spider-Man, while Harry was destined to be The Green Goblin.

I think the final fight should've been Peter vs Harry in TASM3.

They don't have the movie figured out, they didn't even have an outline for the second film figured out until when TASM was released. Electro was chosen as the villain because he was teased in the end credits scene (look it up, Marc Webb revealed Man in the Shadows- aka Gustov Fierz, was originally conceived as Electro, until the sequel was shot and they needed someone to set up the Sinister Six.) They sort of just create unresolved mysteries in the name of creating suspense and try to figure them out later. See retconning works very well sometimes (ie. I am your father) and other times it just ends up feeling like Fan Fiction.

The Oscorp was behind our murder reveal in TASM2 was very cheap, the audience already knew this from the moment it was revealed Richard worked for them. The end credits scene and the destruction of Richarad's home office made it seem like Oscorp had other super-powered/cross-species beings prior to the existence of Spider-Man. Infact I'd go as far as to say TASM did a better job setting up a massive universe than TASM2.
 
With how the franchise has turned out, I think the reboot definitely was pointless at this point. A waste of the talent of Emma Stone, Andrew Garfield, Rhys Ifans, and the rest of the excellent actors involved in these two films. When Spider-Man 4 was announced as cancelled and a reboot was on the way I was furious, I joined these boards to talk about Spidey 4! After seeing TASM I ended up liking far more than I thought I would, I had hope things were going to get better. They didn't. We may of gotten the best Spider-Man suit ever, but so much quality was sacrificed by Sony's and Avi Arad's incompetence.

It makes me sad to think we may never see Andrew Garfield and Emma Stone play thier characters again, especially considered that things would of been good from the beginning if Spidey just went to Marvel after the cancellation of Spider-Man 4. Sony has wasted this franchise and in some ways tarnished the name of "Amazing Spider-Man" which is one of the best comics around.

It's like when I joined the boards all over again, except my disappointment is much different this time.
 
Right, Marvel has no interest in ever doing "reboots." I totally respect that. I think James Bond serves as a great example of why you can just continue making movies without having to officially "reboot."

EDIT: I always wondered if Marvel had some blueprints for a Spider-Man movie or an unused script in case they ever got him back.

Back in 2010 Marvel hired writers to pen scripts for Jessica Jones, Black Panther, The Inhumans, Iron Fist, Black Panther, Doctor Strange, Guardians, Luke Cage, Ms.Marvel etc. and some of these aren't even getting adapted until 2018. Sony had already commissioned the script for the Reboot of Spider-Man while SM4 was indevelopement incase plans fell through so they could keep the rights. I'm pretty sure if Fiege offered up a deal, there's at minimum a version of Civil War floating around that features a small role for Spidey.
 
Totally agree...you can't tell 10, 20, 30 year old comic book stories, and not put a modern spin on it, that those of this era can identify with, while those of the bygone era, feeling the nostalgia of it being similar to what once was. These films are based off comic books; not great novels, like a Hobbit, LOTR, Harry Potter, The Witch & the Wardrobe, Moby Dick, Lord of the Flies, A Catcher in the Rye, etc.

Spot on!

I was too...and agree, the origin should have been skipped. I just think, they didn't have a clear formula, or idea, a clear picture to proceed forward in whatever direction, they thought they had; and it simply got to big for them, and lost, because, as mentioned before, they only came up with that angle, as a way to differentiate from Raimi's trilogy. That's a terrible reason to kick start a reboot, with no clear picture, how to move forward.
I was genuinely excited that they were doing the parents storyline (if you haven't read the Sinister Six books then you should give those a shot) and I thought Oscorp's involvement in TASM1 was somewhat eerie. It felt like even though Norman never made an appearance, he was always there and "lurking" in the shadows. Seriously, the man in the shadows SHOULD have been Norman. Would have been a great nod to the classic 616 comics and would have been an interesting way to introduce his character.

EDIT: Was Michael Masse originally going to be Norman Osborn or was he always Gustav Fiers? Because I thought the Norman Osborn silhouette resembled him a little bit with the crazy hair and all...

But I digress... they honestly had no clue of how to move forward with the franchise. It felt like they had a certain plan for the series, but after the Avengers came out, they decided they wanted to go with a cinematic universe and got sidetracked.

Didn't the parents storyline get resolved in TASM2?

Technically yes. But it felt like they had something else in mind for the parents when writing TASM1 and sort of forgot about it. They just threw in the plane sequence and some lines of dialogue to wrap everything up and that was it.

Back in 2010 Marvel hired writers to pen scripts for Jessica Jones, Black Panther, The Inhumans, Iron Fist, Black Panther, Doctor Strange, Guardians, Luke Cage, Ms.Marvel etc. and some of these aren't even getting adapted until 2018. Sony had already commissioned the script for the Reboot of Spider-Man while SM4 was indevelopement incase plans fell through so they could keep the rights. I'm pretty sure if Fiege offered up a deal, there's at minimum a version of Civil War floating around that features a small role for Spidey.

Good to know! :up:
 
Didn't the parents storyline get resolved in TASM2?

No it didn't. Peter didn't find out anything more about who was responsible for his parents death, as be did Uncle Ben. Still unresolved.
 
I'm a bit confused on how everyone seems to be saying that TASM2 didn't make Sony money.

Look, no argument, the profits weren't what they were with the first movies, but as you look at each one it seems as though the profits decline.

But, isn't a $92 million US opening decent?

Isn't a $708 million combined US and International decent?

From what I've been able to find TASM2 is the 11th top grossing movie of 2014, just behind Winter Soldier.

So I'm a bit confused. Can anyone explain how much profit this movie has made for Sony so far? And yes, maybe they haven't met the coveted $1 billion mark, but hasn't this movie done pretty good profit wise for Sony???
 
I'm a bit confused on how everyone seems to be saying that TASM2 didn't make Sony money.

Look, no argument, the profits weren't what they were with the first movies, but as you look at each one it seems as though the profits decline.

But, isn't a $92 million US opening decent?

Isn't a $708 million combined US and International decent?

From what I've been able to find TASM2 is the 11th top grossing movie of 2014, just behind Winter Soldier.

So I'm a bit confused. Can anyone explain how much profit this movie has made for Sony so far? And yes, maybe they haven't met the coveted $1 billion mark, but hasn't this movie done pretty good profit wise for Sony???

Ok, look at it like this....you make $1500 a week, so you budget your week expenditures base on that weeks salary, but you forgot, that particular week, you only worked 4 days, so the amount of expendable capital will be less than forecast. Your money was already spent before you got your check, base on what you expected to receive that week.

Now with that said, the reality is slightly different; but, it's the same principle. Sony projected a billion dollar return, base on their speculation & tracking. So they start allocating what percentage of revenue will go to re-invest where ever in that division and paying off debts. Then they allocate what remaining surplus, to pay themselves, and possibly allocate funds to other divisions within the company.

When their project comes up short, after they have literally "spent" the bank, then they have to force "some" departments, to cut expenditures, because they did not meet expectations....maybe even, cut investors returns & CEO's bonuses(which pist them off). That cause a drag on their future investments, although, technically the film was still profitable.
 
I'm a bit confused on how everyone seems to be saying that TASM2 didn't make Sony money.

Look, no argument, the profits weren't what they were with the first movies, but as you look at each one it seems as though the profits decline.

But, isn't a $92 million US opening decent?

Isn't a $708 million combined US and International decent?

From what I've been able to find TASM2 is the 11th top grossing movie of 2014, just behind Winter Soldier.

So I'm a bit confused. Can anyone explain how much profit this movie has made for Sony so far? And yes, maybe they haven't met the coveted $1 billion mark, but hasn't this movie done pretty good profit wise for Sony???

They spent too much on the film. We now know from the Sony internal email hacks that they made $65 million on the film BEFORE overhead.

As for Winter Soldier grossing about the same there are three major differences that makes it a hit and not TASM2:

1. It was significantly cheaper. The production and marketing costs for TASM2 is believed to be around $450 million. For TWS, it is around $250-300 million. That is a big difference. TWS's break even point was a lot lower than TASM2's.

2. TWS did a lot better in the domestic box office, where studios keep a higher percentage of the gross. Every dollar made in China is worth approximately half of every dollar made in the US. Simply speaking, the markets in which TWS was a big hit are more important to studios than the ones where TASM2 was a hit in.

3. Marvel makes money off of Captain America merchandise. Sony makes nothing off of Spider-Man merchandise. They sold 100% of the merchandise rights to Marvel a few years back.

So while they grossed about the same amount of money world wide, TWS was significantly more profitable.
 
I'm a bit confused on how everyone seems to be saying that TASM2 didn't make Sony money.

Look, no argument, the profits weren't what they were with the first movies, but as you look at each one it seems as though the profits decline.

But, isn't a $92 million US opening decent?

Isn't a $708 million combined US and International decent?

From what I've been able to find TASM2 is the 11th top grossing movie of 2014, just behind Winter Soldier.

So I'm a bit confused. Can anyone explain how much profit this movie has made for Sony so far? And yes, maybe they haven't met the coveted $1 billion mark, but hasn't this movie done pretty good profit wise for Sony???

In addition to what's already been said the negative critical reception combined with the downward trend at the box office over the past two films is very alarming to the studio.

See Sony was banking on a massive opening in the US, headed by positive word of mouth over seas. Unfortunately it was negative word of mouth that caused for a mediocre opening (for a spider-man movie). This was very bad for Sony because they were banking on this film to not only serve as the big 2014 tentpole, but to kickstart their spin-off's they'd already begun production for.

The Sony has already contractually agreed to pay Bob Orci close to 10 million dollars for Venom, Sinister Six, and ASM 3, regardless of if they get made. They are also obligated to pay to out to the rest of the Spidey think tank, as well as people like Drew Goddard, who've already signed onto the project.

Not to mention the negative trend at the box office along with the bad reviews means that likely the next film (films) in the franchise regardless of quality will be hurt at the Box Office. Look at Origins Wolverine for a moment. That movie was not by any means a flop, however the negative reception killed audience interest in the X-Men franchise. The Wolverine was well received and X-Men First Class was very well received, however neither movie earned more than 500 million at the Box Office (FC didn't even break 400) and neither earned as much as The Last Stand. Fox's planned series of origins spin-off's was dead on arrival.

Sony is in a similar situation. See Spider-Man has had three films that were received poorly - meh (SM3, TASM, TASM 2). Even with The Amazing Spider-Man, one of the main points of praise was the world they'd set up, and many critics claimed they felt the film was simply taking the bullet for a fantastic sequel. Unfortunately the sequel did not deliver so the promise of the first film's reception is even bit hampered. Sony is in a bad spot where TASM 3 could be monumental, but because of a general lack of interest they've created, it's poised to be an X-Men First Class with disappointing returns despite whatever quality there maybe.

Fox rebounded by returning to what fans liked (Bryan Singer and the original cast from nearly a decade ago), and now they have a foundation to build a universe on. Sony has even considered this by asking for Raimi to return in some capacity, however the return of a director won't have the same impact as the return of a familiar star like Maguire (who frankly isn't coming back). So this makes a deal with Marvel more tantalizing as they could hope to breathe some new life into the franchise by marketing Spidey as being a part of the same universe as Iron Man and co. However they would be on Kevin Feige and Bob Iger's terms if this were the case, and likely would get the short end of the stick- making it a better (if less likely) option to find a way to successfully solve the problem on their own. This is why they're having the big Spidey summit to begin with.

It's a really complicated scenario, and it's one someone who isn't very closely following movie news would be able to understand at a glance.
 
Harry Osborn said:
In addition to what's already been said the negative critical reception combined with the downward trend at the box office over the past two films is very alarming to the studio.

Yes, that is definitely a problem going forward. Based on the downward trend of the franchise and the poor reception of TASM2, the next film (be it Sinister Six or TASM3) is almost certain to do quite a bit worse than even TASM2 did. And TASM2 did poorly enough that anything worse is going to be a real money loser.

They could try cutting the budget, but that could cause the box office to drop even further and there is only so much they can realistically cut for such a special effects intensive character without badly damaging the film.

If they don't make the film and give the character a break to recharge the audience, the rights revert to Marvel.

So Sony is between a rock and a hard place.
 
Yes, that is definitely a problem going forward. Based on the downward trend of the franchise and the poor reception of TASM2, the next film (be it Sinister Six or TASM3) is almost certain to do quite a bit worse than even TASM2 did. And TASM2 did poorly enough that anything worse is going to be a real money loser.

They could try cutting the budget, but that could cause the box office to drop even further and there is only so much they can realistically cut for such a special effects intensive character without badly damaging the film.

If they don't make the film and give the character a break to recharge the audience, the rights revert to Marvel.

So Sony is between a rock and a hard place.

Realistically Sony has been trying to cut the budget, but ever since SM3 the studio's had a real problem with bloating during production. I believe SM3 with marketing was reported to cost in the ballpark of 500 mil, this was another reason the studio wanted to get rid of Raimi- unfortunately the problems didn't end with him.

What I would do if I were Sony, isn't what I or many fans would want in an ideal world, but I'd try to make some sort of event/soft reboot out of the third film. I'd bring back Maguire, Garfield, and a third new actor, who all have to band together from the corners of the multiverse to stop the man in the shadows. Maguire's arc would be adapted from Spider-Man Reign (only he'd be happily married and retired with MJ), Garfield's arc would be adapted from the Death of Spider-Man (giving him peace with Gwen), and the new actor would be introduced as the future of the franchise. This way you get all the fans in the theater, put out something great with the new actor, and you give everyone closure by easing them into the reboot.

The deal with Marvel would be great for fans but I don't see it in Sony's best interest to accept an even smaller cut of the pie than they're already getting, especially when they've tasted massive success with SM1 and SM3 especially. If they go forward with a straight reboot, TASM3, or Sinister Six, they're doomed. I really see this idea of bringing the previous actors back and the Marvel deal being the only two options the studio has if they want to keep the rights at all.
 
The multi-verse thing might work in something like the comics, but I can't see the general audience buying such an idea.

I think the Marvel deal makes the most sense to revitalize the franchise and make MORE money for BOTH studios. Let Marvel Studios have creative control and then possibly give a small percentage of the profits of any Marvel cross over he appears in.
 
The multi-verse thing might work in something like the comics, but I can't see the general audience buying such an idea.

I think the Marvel deal makes the most sense to revitalize the franchise and make MORE money for BOTH studios. Let Marvel Studios have creative control and then possibly give a small percentage of the profits of any Marvel cross over he appears in.

If they make the Man in the Shadows character some kind of Morlum type who's out to kill each of the Spider-Men, it might work. In any case there needs to be some form of familiarity, JK Simmons and Alfred Molina both expressed interest in returning, bring those guys back.

If Sony doesn't pull some elements from the past or from another successful franchise (i.e. the MCU), then the next Spidey film isn't going to fair well at the box office.
 
I'd love to see a superhero multiverse on film, I have hope one of the big two (Marvel and DC) will consider this route down the line...eventually.
 
Sony was on top at that time. Thor actually moved to late May to avoid risking competition with Spider-Man 4. The reason Sony didn't continue with Spider-Man 4 was because Raimi was getting to be too difficult to work with, the budget was inflating, and Maguire/Dunst were too expensive. When SM4 was getting pushed back Sony was losing money, so they decided if they'd have to wait until 2012 anyway they might as well start over with a new crew to avoid these problems recurring in the future.

Maguire made a good deal of money when he agreed to return for SM2, Garfield only made about a million dollars from Amazing 1. Sam Raimi has experience, an already established franchise, and pull in the industry. Marc Webb had one major release under an indy banner of the 20th Century Fox production company. It was purely based on greed and not on the reception to SM3, as many fans have come to believe.

Oddly though Sony were planning a reboot while SM4 was being produced. They definitely didn't want to pay up any more, so I wonder why they bothered with Raimi at all.

I've always wondered if Lizard was off-limits to Raimi for the 4th film because he was in their sights for the reboot. He seemed to like that character, and it would have been a logical choice for SM4, but it didn't even seem to be entertained. Purely speculation of course.
 

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