godisawesome
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To me, this is always more damning by faint praise, because Kylo’s character can be summed up as:It can also be part opportunity. I would agree that Kylo Ren is a more interesting character as consistently written in these movies, so he has the best material of the three to work with.
“In TFA, he’s a horrible and moody human being who could maybe turn good!...Psyche! He won’t! In TLJ, he’s a horrible and moody human being who could maybe turn good... again!...Psyche! He won’t! In TROS, he’s a horrible and moody human being who could maybe turn good! And he does! Because magic!”
Like, on the one hand, the role of Kylo isn’t nearly as demanding as Driver’s total talents could be used for, and frankly, it mostly just repeating the exact same story of inner turmoil fighting fanaticism for three films in a row... but at least the inner turmoil is a constant, as is the Kylo persona’s evil nature towards anyone he’s not related to. The most inconsistent thing about Kylo is how the films and characters view him. That’s a stability that makes Driver’s job a bit easier - he knows what to focus on, and does so.
In contrast, I’d argue both Ridley and Boyega had better characters and opportunity in TFA than Driver, simply because their characters were much more dynamic, had more screen time and better pacing to themselves, and didn’t *yet* have to worry about consistency. Ridely as Rey was the most popular character immediately afterwards, and LFL reportedly ordered Johnson to include more Finn in TLJ because of Boyega and Finn’s reception. Driver was doing a lot with a little, but Boyega and Ridley were more than capable of making their greater share of responsibility get maximized...
...Until TLJ.
Frankly, TLJ simply wasn’t a kind script towards the characterizations and emotional cores that Boyega and Ridley had started with, and neither script was really intuitive or even really one you’d want after TFA.
Rey was never given a “Luke finds out who Vader is/Anakin kills the Sandpeople and is horrified” moment; in fact, she’s mostly used as an audience POV character... well, at least an audience POV character that follows Johnson’s priorities. She’s there to help Luke’s plot get explained (like if ESB’s Dagobah scene’s were more about Luke interviewing Yoda rather than Luke’s growth) and whenever with Kylo, she reflects Johnson’s out of universe view of Kylo instead of any natural progression from their story in TLJ. The role has the screentime of the lead, but not the true focus, and if I can be blunt, the entire subplot with Kylo wound up being a liability to the character and Rey’s performance - greater priority was placed on Kylo’s feelings than on what he had done to Rey previously or on where her character would go next. Kylo, while I’d argue not as well used as in TFA, at least becomes Supreme Leader. Rey just kind of stays where she was at the end of TFA... but now less emotionally powered because fo the way she was written around Kylo.
Finn and Boyega just got stuck in a meaningless Saturday Morning Cartoon subplot that definitely proves that Johnson wasn’t lying when he joked he found Finn and Poe too similar to go on an adventure, or that he could hav just left Finn in a coma for the whole film, or that he cut out a potential Finn and Rose dramatic scene because he just didn’t want to write it. Writer apathy is something that’s almost impossible to overcome.
Both Ridely and Boyega simply entered TROS without any momentum. Boyega was being supplanted by Kylo, and Ridley was being treated a bit like her character was handicapped without some Skywalker on screen to talk to.
If I had to choose, I’d say Boyega’s role in TFA is the best scripted story to take, with Ridley’s second, then Driver’s a not bad place at third for recurring major ST characters. But when you take in the other two films... Driver’s roles are better written, Ridley’s roles are highly dubious overall, and Boyega’s are a giant waste of his time.