I like how women and black people being successful is against the statue of liberty. Gives a nice insight into the thought process of these chuds.
That's the Onion's cartoonist. By nakedly stating the racist sentiment, it underlines the ridiculousness of the premise of itself.
That said, in today's political climate, many cartoonishly evil things are totally acceptable politically, and so I can see how it's no longer funny for some.
Just the simple contradictions of the third act. The stated theme, that man is a complicated creature and not merely evil by the work of Ares is torpedoed by the end of the film where Ares' death does end the war, it seems, and so much of the pathos and much of the dialogue is diminished in that choice. The subtext of female empowerment is strong, but it seems to end when she leaves Themyscira, and drops in for a moment for the NML scene. Beyond that, she is directed, and gains power only through her love for Steve in his heroism, which grants her aggressive power that is usually coded masculine, so that what she ultimately brings to save the world is more muscles and violence, as opposed to something inspiring.
In comparing how these two will be viewed after their release, deeper reflection on Wonder Woman leads to a less fulfilling experience, while with BP, someone today hit me with: "T'Challa and Killmonger's fight was, get this, on an underground railroad! WHOA!" Which is silly, and likely coincidental, but it both invites and bears that kind of thematic analysis. Whatever theme you pick out of BP, whether it's the African's relationship with the Diaspora, the empathy due the radical extremist, or the conflict between bonds of love and love of country, the value of tradition and the consequences of when that tradition is weaponized against you, these ideas are never undermined, and so they can be reflected on for an incredible amount of time.