Themanofbat
Never Mind the Buttocks...
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- May 23, 2000
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I might get them in trades (once they're discounted)... I have little to no interest as to what came before.
I just read an interview with J. Michael Straczynski and he brings up a very, very good and fair point about writing for characters created by Moore:
"Leaving aside the fact that the Watchmen characters were variations on pre-existing characters created for the Charleton Comics universe, it should be pointed out that Alan has spent most of the last decade writing very good stories about characters created by other writers, including Alice (from Alice in Wonderland), Dorothy (from Wizard of normal">Oz), Wendy (from Peter Pan), as well as Captain Nemo, the Invisible Man, Jekyll and Hyde, and Professor Moriarty (used in the successful League of Extraordinary Gentlemen). I think one loses a little of the moral high ground to say, “I can write characters created by Jules Verne, H.G. Wells, Robert Louis Stevenson, Arthur Conan Doyle and Frank Baum, but it’s wrong for anyone else to write my characters.”
I was hoping for him and Bermejo.
Damn. Most of the concern I had about this project has washed away after seeing these creative teams. Azz and Bermejo on a Rorschach book? Darwyn Cooke writing and drawing Minutemen? Those two are instant buys. Everything else looks great as well. Label me excited.
Darwyn Cooke-whose own highly regarded superhero work includes The New Frontierexplained his vision for Silk Spectre: One of the first things I did was go back through the original book and look at all the female characters and their position in the story and the arcs they had. What I realized is that as much as I really like Laurie, shes really only just Dr. Manhattans girlfriend and then Nite Owls girlfriend. We never get to see her being self-sufficient and dealing with herself and dealing with her own problems. Shes there for a man. I came up with the idea of looking at the brief period of time when she becomes an adult. And so the series will take place in the mid-1960s, and track Lauries maturation and heroic evolution in the year prior to joining a team of superheroes known as the Crimebusters. Cooke says the book will also focus on how Lauries superhero stage mom, the original Silk Spectre, influenced her daughters life. Sallys very interested in the legacy that can be created from the Silk Spectre brand, says Cooke. Theres a little bit of that Toddlers and Tiaras thing going on. He adds that collaborating with Conner was essential: The only way I could do this is if Amanda drew it. I desperately wanted this to not feel like a guy who is pushing 50 writing a teenage girl.
Every couple months on a slow Saturday I would go down to the store and pick up a few books, says Cooke. I could remember picking up the first couple of Watchmen and being fascinated by it. Alan had completely reinvented how comics told stories. But Cooke does find himself less enamored these days by one of the storys defining aspects: The pervasive darkness of its worldview, which was largely an expression of the British Moores perspective on the Cold War, the legacy of 60s counterculture, and the conservative policies of Margaret Thatcher and Ronald Reagan. While Cooke believes Watchmen was note perfect for its time, Id consider it a masterpiece if it had been able to have found what I would refer to as a hopeful note. Again, its not hard to understand [where Alan was coming from], and that sort of storytelling does have an allure for young people. [But] I think the older you get, the more you look for hope or positive things. Maybe Im just getting old. With that in mind, Cooke says Silk Spectre is probably going to be the most hopeful of all the books.
When you’re talking about “creators,” I suspect you’re mostly talking about Alan Moore. David Gibbons’ judicious phrasing about the endeavor, I think, expresses a positive mindset in seeing the work as a tribute, an homage, especially when one considers that Watchmen began its creative life as an updating of the Charlton characters; if it had remained that, then Moore would have had nothing to say about ownership to begin with, “draconian” contracts or no.
I think Moore is on more slippery grounds, asserting that these prequels are DC's simply depending upon 25 year old ideas of his, implying that it’s a sign of some sort of creative bankruptcy. Yes, Moore — whom I’ve never had the honor of meeting — is correct that there is no sequel to “Moby Dick.” But Moore’s position is odd considering he took characters created by Jules Verne and Bram Stoker and turned them into superheroes, and transformed beloved literary heroines into subjects of erotica. Does public domain automatically make one morally superior in recycling the iconic characters created by authors who are no longer around to voice their protests? Considering his Moby Dick comparison, apparently he doesn’t think so. Does the fact that it's a corporation taking the initiative rather than a single individual automatically make the endeavor inferior? That’s a hard argument to make considering that a corporate entity desiring to utilize its properties led to “Watchmen” in the first place. The fact that Moore is so vehemently opposed to the other authors working upon his characters — characters that are pastiches of Charlton Comics creators — might tell you something about how L. Frank Baum would likely have reacted to Moore's handling of Dorothy. And if that's the case, people who stridently protest Watchmen prequels might want to reconsider the moral validity of their ire.
To me, DC's announcement simply means that Alan Moore's work has reached the iconic status of such characters as Superman and Swamp Thing, about both of whom Moore has graced us with some of the most compelling and memorable stories ever told. Let us hope that the storytelling bar that Moore has set in his own work on other people's creations will be met — and perhaps even exceeded — by those who are now following his lead.
People who say that there isn't a difference between LOEG and Watchmen prequels are wrong.
And damn you DC! Cooke writing and drawing Golden Age superheroes is something I can't pass up. Probably check out Rorschach and the Comedian.
Alan Moore told The New York Times: "I tend to take this latest development as a kind of eager confirmation that they are still apparently dependent on ideas that I had 25 years ago."
I swore to myself that if this ever happened, I'd be firmly against it...... but........ That ****ing Minutemen cover. ****ing Cooke!!! And Azzarello and Bermejo on Rorschach?! Good God....