Zodiac Review -- B-
From the first hour this had the makings of another great film from Fincher, but it's not sure what it wants to say, and a few plot turns seem out of character. Still, the film is commendable for what it does get right.
David Fincher’s thriller, Zodiac (opening in January), plays like an uneven follow-up to Seven (at 165 minutes) without the classic ending and rich layers. This is a film that builds upon its serial killer premise, but is too heavy on talk and too light on action; many scenes drag on for too long, and some are just unnecessary. Though Zodiac can stall in that regard, there are parts of this film that Fincher pulls off really well. The film looks really classy in its office settings (an obvious throwback to All the President’s Men), and Fincher does a great job of generating suspense. However, the pace is a real problem. From the first hour this had the makings of another great film from Fincher, but it's not quite sure what it wants to say, and a few plot turns seem out of character. Still, the film is commendable for what it does get right.
Zodiac is set in the late 60’s and early 70’s in San Francisco and is about a real serial killer who called himself the Zodiac. The murderer communicated with police throughout his string of endeavors, and fed them clues (through puzzles) as to what he might do next. The film starts off with an unsettling opening sequence that resembles Mystic River’s haunting intro; there is a sheer sense of realism in the way matters unfold (in a commonplace), and it sets the tone very well. Zodiac achieves this level of suspense several times with terrific atmosphere, but too much screen time is spent in the offices as characters endlessly talk about the synonymous Zodiac.
The film stars Jake Gyllenhaal, Mark Ruffalo, and Robert Downey Jr., and also features Anthony Edwards, who I thought delivered a surprisingly Oscar worthy, subtle performance. Ruffalo might steal the show for some (as the main detective), but I found his character type as more of a cliché even though he does well with it. It is Robert Downey Jr. who really shines as his partner, but one can make the argument that he’s merely the same kooky character he’s commonly portrayed. Downey Jr. has been catching my eye in the last few years with some eccentric performances, and he brings a lot to this role (which was perhaps average before he signed on).
Zodiac ends up being more of a conventional detective thriller, but certain stretches save the film from being average. This was a work print when I saw it, and there were certain technical mistakes that will probably be cleared by the time of its release (a boom mike was in one shot, and a tracking shot {rail} was seen at the end). If the film does get edited down, it should help the flow a little bit, but the film still plays more like The Game (B-) and Panic Room (B-) than Seven (B+) and Fight Club (B+). It’s not a return to form for Fincher, but is still worth a shot.
Grade: B- (advanced screening version)