• The upgrade to XenForo 2.3.7 has now been completed. Please report any issues to our administrators.

“Hear Me X-men” - Music Composer

Who should compose the score

  • John Williams

    Votes: 0 0.0%
  • Son Lux

    Votes: 1 25.0%
  • Michael Giacchino

    Votes: 1 25.0%
  • The Newton Brothers

    Votes: 1 25.0%
  • Get a popular artist to do the score

    Votes: 0 0.0%
  • John Ottman

    Votes: 1 25.0%
  • Someone else

    Votes: 0 0.0%
  • Danny Elfman

    Votes: 0 0.0%
  • Dario Marianelli

    Votes: 0 0.0%

  • Total voters
    4

Silvermoth

Krakoan native
Joined
Oct 31, 2006
Messages
23,610
Reaction score
7,964
Points
103
I can pretty much guarantee Son Lux will compose the score. Which would be cool, their school for everything everywhere is awesome and not just a generic John Williams rip off
 
I can pretty much guarantee Son Lux will compose the score. Which would be cool, their school for everything everywhere is awesome and not just a generic John Williams rip off
Going by their work on EEAAO and Thunderbolts, it’s probably going to be very much in the vein of X-Men:TAS/X-Men ’97.
 
I don't remember the music of Thunderbolts*, so I had no idea who Son Lux are, until I opened this thread.
 
As much as John Wiliams and Danny Elfman would be great choices, I don't think either would do it. Elfman is Tim Burton's go to guy aka if it's a Burton movie, it's an Elfman score. John WIlliams also tends to have the same dynamic with Steven Spielberg.

Hans Zimmer has worked with Disney before on the Pirates of the Caribbean films so there is already a working relationship between him and the studio so he'd be a pretty safe bet on quality if they did choose to go with him.

The Newton Brothers did well with the Five Nights at Freddy Score and captured the spirit of the franchise, which has a large fanbase, with their score. The chances are the X-Men movie will use the animated theme in some capacity so they could easily find away to incorporate that with the tone of the movie.

John Ottman and John Powell did the score for the Fox X-Men movies so whilst it would be a nice call back to the older movies, I think Disney would want to move away from that and make the MCU X-Men it's own thing once they've given the Fox cast their last hurrah.

Ben Foster/Murray Gold could be an interesting choice for composing the score. They did the scores for the older (and better) New Doctor Who series (the Eccleston, Tennant and Smith eras) so they know how to do iconic character motifs eg Cybermen and Daleks as well as emotional moments from sadness to triumph etc.
 
I hate to say it but the music in x3 was the best part. Hated everything else but yeah, Powell did really well with not much
 
I hate to say it but the music in x3 was the best part. Hated everything else but yeah, Powell did really well with not much
It was. Its really the only thing I can't criticize in that movie.

The other departments - costuming, power displays/visual effects (like Psylocke/Phoenix), locations/sets didn't look an improvement from X2, editing (they could have edited it to be a longer movie). And of course, the script/the fate of several characters.
 
Even when I first watched X3 for the first time, I thought, “What was the purpose of Magneto moving that bridge?”

Then, recently, I find out in a New Rockstars video and other sources that it was originally made for a scene that was a part of a different version of the film where the bridge was used to break Mystique out of Alcatraz, which had been transformed into a special mutant prison, and Magneto led an attack in Washington, D.C. on Worthington Labs and subsequently the White House. Then, Brett Ratner came on board at the last minute and got his greasy hands over it, had the script rewritten and decided that, for some reason, it would be a great idea to have Worthington Labs be the repurposed Alcatraz prison, which doesn’t make any sense because it’s a national monument protected by the government and can’t be owned by a private company. And, since they still had this whole bridge constructed, they didn’t want to get rid of it since they had spent so much money on it, so they just had a new scene written for it to be used for the final battle of the film. So, if you’re wondering why it’s in the film, that’s why.

What a f**king mess that film was. And we all thought, “Hey, this Fox X-Men can’t get much worse than this, can it?” Oh, how naïve we all were.
 
Back
Top
monitoring_string = "afb8e5d7348ab9e99f73cba908f10802"