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I would like to take a moment to personally welcome these two 1927 masterpieces to the Public Domain:

tumblr_mjurogKIKs1qc2bleo1_500.gif

2d1375fb733ecf4e499ccf2e176b5132.gif

metropolis.gif


Fritz Lang's Metropolis and


ezgif-2-dc680ae33745.gif

tumblr_ljtosf5d9i1qdx4k4o1_500.gifv


Alfred Hitchcock's The Lodger: A Story of The London Fog. Two of my absolute faves of the silent era, in the year that marked that era's swan song. :hrt:

Honorable mention to F.W. Murnau's Sunrise: A Song of Two Humans, the movie that truly affirmed my growing belief that "romance" is bulls***. :o
 
I would like to take a moment to personally welcome these two 1927 masterpieces to the Public Domain:

tumblr_mjurogKIKs1qc2bleo1_500.gif

2d1375fb733ecf4e499ccf2e176b5132.gif

metropolis.gif


Fritz Lang's Metropolis and


ezgif-2-dc680ae33745.gif

tumblr_ljtosf5d9i1qdx4k4o1_500.gifv


Alfred Hitchcock's The Lodger: A Story of The London Fog. Two of my absolute faves of the silent era, in the year that marked that era's swan song. :hrt:

Honorable mention to F.W. Murnau's Sunrise: A Song of Two Humans, the movie that truly affirmed my growing belief that "romance" is bulls***. :o

I really need to watch The Lodger: A Story of The London Fog. It's been missing in my Hitchcock classics. Thanks for reminding me, flickchick85.
 
I would like to take a moment to personally welcome these two 1927 masterpieces to the Public Domain:

tumblr_mjurogKIKs1qc2bleo1_500.gif

2d1375fb733ecf4e499ccf2e176b5132.gif

metropolis.gif


Fritz Lang's Metropolis and


ezgif-2-dc680ae33745.gif

tumblr_ljtosf5d9i1qdx4k4o1_500.gifv


Alfred Hitchcock's The Lodger: A Story of The London Fog. Two of my absolute faves of the silent era, in the year that marked that era's swan song. :hrt:

Honorable mention to F.W. Murnau's Sunrise: A Song of Two Humans, the movie that truly affirmed my growing belief that "romance" is bulls***. :o

I know Sam Esmail is working on a Metropolis series but I can totally imagine Denis Villeneuve taking on a movie remake.
 
I'm going to watch Tár at some point this weekend, which I thought was going to be pretty much it for me with 2022 films for a while, but I see She Said is now streaming on Peacock. Might be too tempting to pass up.
 
They're both pretty good but Tar is easily better mostly because of Cate's performance.
 
David Ehrlich posted his yearly best of list.

 
They're both pretty good but Tar is easily better mostly because of Cate's performance.
Tár was better but I enjoyed She Said more. For as long as Tár was
I didn't think enough time was spent on her downfall at the end and it ended a bit too abruptly. Funny enough, I had no idea what Tár was about going into it other than it being about a conductor so I unwittingly had a "Consequences of one's actions lead to their downfall" double feature with the two films.

Regardless, Blanchett was a powerhouse. As much as I want to see Michelle Yeoh win for Everything Everywhere I think the Oscar is Blanchett's to lose.
 
I’ve been digging into Pedro Almodovar’s movies and I’ve really liked all of them so far. He and Antonio Banderas always seem to be collaborating and Banderas is giving the best performances I’ve seen from him.
 
Yeah, Banderas has never been better in these past few years from his work in Spain. Really love him in Official Competition which kinda feels like an unofficial Almodovar movie considering it's got Banderas and Cruz working together.


I didn't think enough time was spent on her downfall at the end and it ended a bit too abruptly. Funny enough, I had no idea what Tár was about going into it other than it being about a conductor so I unwittingly had a "Consequences of one's actions lead to their downfall" double feature with the two films.

That was my problem too, I didn't really care for the first hour of it but I was pulled in the moment she goes to Juilliard.
 
Just waiting for the reviews to come in on The Devil Conspiracy to confirm just how bad of a movie I am going to pay money to see.
 
Tár was better but I enjoyed She Said more. For as long as Tár was
I didn't think enough time was spent on her downfall at the end and it ended a bit too abruptly. Funny enough, I had no idea what Tár was about going into it other than it being about a conductor so I unwittingly had a "Consequences of one's actions lead to their downfall" double feature with the two films.

Regardless, Blanchett was a powerhouse. As much as I want to see Michelle Yeoh win for Everything Everywhere I think the Oscar is Blanchett's to lose.
My thoughts on Tár are about the same. Brilliance by Blanchett and inarguably very well made, but it just didn't land for me. Abstract is not a substitute for depth, and far too many filmmakers use it that way these days. Tár never fully commits to what sort of movie it wants to be, and suffers for it, IMO. I won't begrudge it the inevitable noms it will rack up, but I don't expect it to make any of my lists save Lead Actress and Sound.
 
I would like to take a moment to personally welcome these two 1927 masterpieces to the Public Domain:

tumblr_mjurogKIKs1qc2bleo1_500.gif

2d1375fb733ecf4e499ccf2e176b5132.gif

metropolis.gif


Fritz Lang's Metropolis and


ezgif-2-dc680ae33745.gif

tumblr_ljtosf5d9i1qdx4k4o1_500.gifv


Alfred Hitchcock's The Lodger: A Story of The London Fog. Two of my absolute faves of the silent era, in the year that marked that era's swan song. :hrt:

Honorable mention to F.W. Murnau's Sunrise: A Song of Two Humans, the movie that truly affirmed my growing belief that "romance" is bulls***. :o

recently watched Metropolis and was blown away by it.
why didn't i watch this masterpiece sooner?

i have saved Sunrise onto my youtube queue. lol
 
Damnit Fathom Events, you gotta warn people that you use Candace Cameron Bure in your big promotional trailer before the stuff you show.

I really wish there was a better alternative for some of the stuff they do. Because I feel bad for supporting Fathom for some of the **** they show.
 
...i have saved Sunrise onto my youtube queue. lol

Sunrise was one of the movies in BFI’s “Top Ten of All Time” that I had not seen. So it was on my bucket list. In terms of narrative, the film is dated, simplistic and — typical of the silent era — hyper-melodramatic (not to mention sexist and misogynistic :ebr:). But emotionally and visually, Sunrise is quite amazing: engaging, weird and haunting. Definitely worth a watch.
 

Given the past few years, expecting this to go fully anitsemitic.
 
I'd have actually given Gibson credit if he recast the other Looney Toon Caviezel with a Middle Eastern actor to play Jesus.
 
At 75, Legendary Director John Carpenter Isn't Done Raising Hell in Hollywood - Variety

Are you going to be involved at all with the new “Escape From New York” film? The news just came out a couple weeks ago.

No one told me about it. This is the thing about my career in Hollywood — no one tells me anything. They never tell me things. Have they cast it yet?

Not that I know of. The group that did the latest “Scream” movie is going to do this one. I don’t know if it’s a remake or a third Snake movie.

Hey, great. The last I heard was they were developing it where Snake would be a woman. But, no, I haven’t heard about this latest thing. No one wants me around, and they don’t tell me anything to keep me in the dark. It’s safer for them. [His wife says something in the background.] Apparently, we got an email. My wife tells me we got an email.

Yeah I laughed out loud at work today. :o
 

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