TheComicbookKid
Swing n Miss
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http://comicbookresources.com/?page=article&id=22216
The painter has had his forays into the Hollywood world before, crafting things like the official poster for the Academy Awards and providing some early, unused character designs for the 2003 "Spider-Man" film, but overall Ross feels that comic book movie costuming could use a facelift to "get past the era of influence from the 1989 Tim Burton 'Batman' movie."
"I want to put my hands in on guiding people away from certain things," he said. "If I could have one effect on all this, it would be that there would be as little rubber used as possible on a human being. I don't want to see another superhero costume I've loved turned into a giant rubber mess...The way I've worked for several years has been to look at how costumes look on a person in one style of another, and also I've had a catalogue of costume ideas in mind knowing that there's no absolutely original thing I can come up with. But I know where to stay away from other people's creative territory, so you either use some stuff as a guide or know how to completely do the opposite.
In citing superheroes that have worked on film, Ross said, "If you're going to take a costume that is almost a protective accoutrement and bring that to film, then go all the way like they did with Iron Man where it really is a shell. I'm sick of having rubber pieces underneath cloth as if somehow they are representing the physicality of the person underneath. I'd rather see a human body painted a color, where you get a guy who's in shape and put the spotlight on that person. The human body in great, muscular shape is an amazing thing to study, and I think that could have a powerful effect if that's not filtered through layers and layers of crap giving an imitation of body form.
"Arguably, in the new 'Watchmen' movie, Rorschach is a much more exciting character in his rough-hewn texture versus the rubber costume of Night Owl. I would say that's the juxtaposition I would look more towards."
And even though his own approach to painting involves some careful and considered staging to bring characters to life, when it comes to costuming a character for State Street, Ross said simplicity is key. "We're in an era of over-thinking things. That's what it comes down to. Nobody argues how well Superman was pulled off by [COLOR=blue! important][COLOR=blue! important]Christopher [COLOR=blue! important]Reeve[/COLOR][/COLOR][/COLOR], yet when it was time to make the new movie, they over-thought the way to do the outfit. They couldn't help themselves from having a God awful, three-dimensional Superman shield. That's not helpful for these kinds of characters and where they come from."
Considering how old and fat he makes his heroes, I'm not sure if this is just one of those " it sounds/looks good in your head" but not in real life.
The painter has had his forays into the Hollywood world before, crafting things like the official poster for the Academy Awards and providing some early, unused character designs for the 2003 "Spider-Man" film, but overall Ross feels that comic book movie costuming could use a facelift to "get past the era of influence from the 1989 Tim Burton 'Batman' movie."
"I want to put my hands in on guiding people away from certain things," he said. "If I could have one effect on all this, it would be that there would be as little rubber used as possible on a human being. I don't want to see another superhero costume I've loved turned into a giant rubber mess...The way I've worked for several years has been to look at how costumes look on a person in one style of another, and also I've had a catalogue of costume ideas in mind knowing that there's no absolutely original thing I can come up with. But I know where to stay away from other people's creative territory, so you either use some stuff as a guide or know how to completely do the opposite.
In citing superheroes that have worked on film, Ross said, "If you're going to take a costume that is almost a protective accoutrement and bring that to film, then go all the way like they did with Iron Man where it really is a shell. I'm sick of having rubber pieces underneath cloth as if somehow they are representing the physicality of the person underneath. I'd rather see a human body painted a color, where you get a guy who's in shape and put the spotlight on that person. The human body in great, muscular shape is an amazing thing to study, and I think that could have a powerful effect if that's not filtered through layers and layers of crap giving an imitation of body form.
"Arguably, in the new 'Watchmen' movie, Rorschach is a much more exciting character in his rough-hewn texture versus the rubber costume of Night Owl. I would say that's the juxtaposition I would look more towards."
And even though his own approach to painting involves some careful and considered staging to bring characters to life, when it comes to costuming a character for State Street, Ross said simplicity is key. "We're in an era of over-thinking things. That's what it comes down to. Nobody argues how well Superman was pulled off by [COLOR=blue! important][COLOR=blue! important]Christopher [COLOR=blue! important]Reeve[/COLOR][/COLOR][/COLOR], yet when it was time to make the new movie, they over-thought the way to do the outfit. They couldn't help themselves from having a God awful, three-dimensional Superman shield. That's not helpful for these kinds of characters and where they come from."
Considering how old and fat he makes his heroes, I'm not sure if this is just one of those " it sounds/looks good in your head" but not in real life.