Am I the only one who feels like B'89 is vastly overrated?

Golden Age Superman threw people into the air and didn't catch them. The fact is: Batman was never "One of the darkest". He was always quite tame for his times.


Batman was far from tame. Yes, Superman killed too, the difference is Superman rarely ever killed, Batman killed in just about every issue. Just compare their Chronicles.
BatmanChroniclesVol01.jpg
SupermanChroniclesVol01.jpg

Batman killed in Detective #27, 28, 29, 30, 32, 33, 34, 35, 37 and Batman #1, and that's just in Batman Chronicles volume one. Superman killed in Action #2 and Action #13 and the death in #13 was not intended. The guy Superman was holding during his leap tried to escape and fell to his death because he tried to stab Superman with a knife. Unharmed but his great flying leap deflected, Superman smashed against a nearby building instead of landing on it like he intended and accidentally drops the guy. Superman thought to himself "If he hadn't tried to stab me he'd be alive right now."
 
I agree with superhobo but the arguement is going off topic, and you forgot as far as i can tell to mention the awesomeness that is the walking dead.
 
Well, once again it seems the original version of classic characters are quite different. Batman belongs to darkness. That's truer to the core. :cwink:
 
Truth (what a strange name) you are very well versed in Batman lore, but you seem to care more about action events and the fights than the character. To make him interesting in a movie requires exploring themes that writers in comics since the 1970s (which you liked) have done. You can ***** and moan about B'89 and BR, but what is Nolan doing? He tried to make Batman "believable" by setting it in a semi-realistic setting with versimilitude and psychologically grounded Batman. BB was extremely introspective for a summer movie and even bordered on existential (as far as popcorn and comic book fare go). In TDK, the entire central theme is escalation and whether he is a vigalante or hero and whether his presence is a force of good in the city or if he is in fact causing more problems than helping and the identity crisis that builds in Bruce Wayne. And if you don't think the movie will spend a long time developing his character and the morality graying questions the Joker raises,k especially with Harvey Dent then you must shut off your brain when you watch these movies.

But to like those and complain Burton was boring as he tried to be too artistic or creative with a "fictional character,' which is a beyond inane argument is...well inane. Sorry.
 
Of course he is.

Nay. He was never one of the darkest characters in all those eras. BTW: you do know that Batman used his "Batman persona" just as a tool to scare criminals and was quite nice without his costume? Well, okay then, they made him a psycho-ninja who sits in his cave 24/7. Brooding and thinking "my parents are dead!" What a loser!

I've already responded to this in the other thread, and that you think that Forever is anywhere near better than Returns proves me point.

Yeah. Batman Forever: better pacing, better action

facepalm.jpg

I don't see anything!


Yeah.

I know you said most of them, but this would indicate that comic writers can't have researched certain topics in order to bring them into their character's world. The creator of Wonder Woman was a psychologist, and he acknowledged this influence on his work.

Yeah. Superhero bondage :hehe:

He also loves Post-Crisis Batman, having praised TDKR and Year One numerous times, as well as having wrote a forward for the former.

THERE-IS-NO-POST-CRISIS-Batman, character-wise.

You don't read enough comics, then. "Maus?"

"Cerberus?"

"Berlin?"

Phoebe Gloekner's "A Child's Life?" (Well, any of Gloekner's stuff, actually)

"Stray Bullets?"

"Hate?"

"Love and Rockets?" (Anything by the Hernandez brothers, actually)

I mean, should I go on?

Yeah. When I would say "Men are taller than Women" you would answer "Well, once I saw a woman who was 6'8''"

How many people do you actually talk to?

Get over it. No one knows Watchmen, DKR, Maus outside the comic book "scene" and some literature interested guys.

There are still horror stories, crime comics ("Criminal Minds" by Brubaker is great), and 'real' science fiction.

See the point about "Man being taller than woman". Once upon a time superhero comics were ONE part of the whole output, nowadays they are almost the complete output.

I love how you're showing your complete ignorance of the history of the industry.

Yeah, an industry that totally imploded and will cannibalize itself if nothing will change.

Actually, much like The Shadow and Doc Savage, as well as most science fiction in fact, they sprung not up as tools of wish fulfillment, but as pulp heroes - the only era they were truly wish fulfillment tools was during the fifties-sixties. That's about it.

The Shadow and most science fiction was - of course - not. But Doc Savage, yes, and Batman and Superman and and and.

"The only reason genre conventions exists is that we may break them."

Also, comics were never truly just for kids - in the sixties, Marvel's biggest fans were largely college kids (Stan Lee recounts this in "An Evening With Kevin Smith") and so on - younger children were a larger part of the fanbase back then, sure - but, they've moved on to other things, for the most part. It isn't because 'we taken them away from their audience,' it's because they've found more attractive interests.

Yeah. You seem to accept the current "conventions" while I want to break them! Who is the visionary now?! :whatever:

What advertising?

Of "Graphic Novels" ( :hehe: ) like Watchmen, DKR. That's marketing-babble. They changed the comic book scene, but not the public perception. Don't lie to yourself.

Now? No. In the eighties? When he wrote TDKR, "Year One," "Ronin," and all of those? totally.

"Ronin" is boring, TDKR didn't stand the "test of time", "Year One" is great-- He is/was a good comic book writer--nothing more. But he said one true thing:

"People are attempting to bring a superficial reality to superheroes which is rather stupid. They work best as the flamboyant fantasies they are. I mean, these are characters that are broad and big. I don't need to see sweat patches under Superman's arms. I want to see him fly."--Frank Miller

I am with him. :hehe:


Wow. You really have a confined view of the comics industry. The ones I mentioned above, especially the writer of Maus, are critically acclaimed writers, who've also wrote books that met with warm reception as well.

Ed Brubaker's working on one as we speak, and I'd love to pick that up.

The name is "Spiegelman". Those aren't the big-selling creators. The big-selling creators are guys like Bendis and Miller. That says all to the state of the comic book industry :hehe:

I wish I had a gif from Scanners of that guy's head exploding.

Scanners is the quality of movie you like? :hehe:

I hope I don't overcharge you.

You know that quite a few novelists have started to branch out into comic writing relatively recently, right?

Orson Scott Card being one of them (writing Ultimate Iron Man), Tad Williams being another, as well as Warren Ellis (writing various series' in the Ultimate line as well as a few others that I haven't picked up). Stephen King, and on and on.

Yeah. Probably guys that liked superheroes when they were young and took the change to write them because of their name. I'm talking about NON-Superhero comics. You prove again that comics mean "superheroes" in most cases. And THAT's the shame!


If by 'right' you mean 'wrong,' then I agree.

witty-witty.
 
Truth (what a strange name) you are very well versed in Batman lore, but you seem to care more about action events and the fights than the character. To make him interesting in a movie requires exploring themes that writers in comics since the 1970s (which you liked) have done. You can ***** and moan about B'89 and BR, but what is Nolan doing? He tried to make Batman "believable" by setting it in a semi-realistic setting with versimilitude and psychologically grounded Batman. BB was extremely introspective for a summer movie and even bordered on existential (as far as popcorn and comic book fare go). In TDK, the entire central theme is escalation and whether he is a vigalante or hero and whether his presence is a force of good in the city or if he is in fact causing more problems than helping and the identity crisis that builds in Bruce Wayne. And if you don't think the movie will spend a long time developing his character and the morality graying questions the Joker raises,k especially with Harvey Dent then you must shut off your brain when you watch these movies.

But to like those and complain Burton was boring as he tried to be too artistic or creative with a "fictional character,' which is a beyond inane argument is...well inane. Sorry.

I don't think in black&white categories. I usually differentiate. Lines like "It's what YOU doooo that defines you" make me cringe, too. But really, "I mistook me for someone else", Bruce Wayne hanging down LIKE A BAT and such things... are just TOO much. Do you know why I don't care so much about characters? Because they are fictional AND they are written by different people with different views. So a real psychoanalysis becomes absolutely nonsense. Hey, and I am not only in for "fights", I liked well-plotted adventures, suspense stories... just not those pretentious psychobabble. That's awful.

And c'mon, everyone knows why stories like "Arkham Asylum" are rated high: No one knows what's going on there, no one wants to admit and so to show how "intellectual" they think they say it's "Wonderful". Gimme Batman versus King Kong over that anyday.
 
Batman was far from tame. Yes, Superman killed too, the difference is Superman rarely ever killed, Batman killed in just about every issue. Just compare their Chronicles.
BatmanChroniclesVol01.jpg
SupermanChroniclesVol01.jpg

Batman killed in Detective #27, 28, 29, 30, 32, 33, 34, 35, 37 and Batman #1, and that's just in Batman Chronicles volume one. Superman killed in Action #2 and Action #13 and the death in #13 was not intended. The guy Superman was holding during his flying leap tried to escape and fell to his death because he tried to stab Superman with a knife. Unharmed but his great flying leap deflected, Superman smashed against a nearby building instead of landing on it like he intended and accidentally drops the guy. Superman thought to himself "If he hadn't tried to stab me he'd be alive right now."

I didn't mind how Batman was killing in those comic books issues but i minded how he killed in BR and B89, though B89 i did not mind as much.
 
Nay. He was never one of the darkest characters in all those eras. BTW: you do know that Batman used his "Batman persona" just as a tool to scare criminals and was quite nice without his costume? Well, okay then, they made him a psycho-ninja who sits in his cave 24/7. Brooding and thinking "my parents are dead!" What a loser!

His nice Bruce Wayne persona was just a role Batman used to conceal the fact that he is secretly Batman. By all accounts, the cold-blooded murder of his parents is the seminal event in his life, the event which is responsible for him being Batman. As Bruce Wayne was the offspring of his parents' life together, so Batman is the offspring of his parents' death.
 
I don't think in black&white categories. I usually differentiate. Lines like "It's what YOU doooo that defines you" make me cringe, too. But really, "I mistook me for someone else", Bruce Wayne hanging down LIKE A BAT and such things... are just TOO much. Do you know why I don't care so much about characters? Because they are fictional AND they are written by different people with different views. So a real psychoanalysis becomes absolutely nonsense. Hey, and I am not only in for "fights", I liked well-plotted adventures, suspense stories... just not those pretentious psychobabble. That's awful.

Where is any psychobabble in B89?

I've seen some in some comic books though.

And c'mon, everyone knows why stories like "Arkham Asylum" are rated high: No one knows what's going on there, no one wants to admit and so to show how "intellectual" they think they say it's "Wonderful". Gimme Batman versus King Kong over that anyday.

The ones of us who actually understood what they were talking about didn't feel threatened by it though. I admit it could generate frustration in people who didn't get it and were are that they weren't getting it.
 
His nice Bruce Wayne persona was just a role Batman used to conceal the fact that he is secretly Batman. By all accounts, the cold-blooded murder of his parents is the seminal event in his life, the event which is responsible for him being Batman. As Bruce Wayne was the offspring of his parents' life together, so Batman is the offspring of his parents' death.

yeah right. When he was with Alfred, Dick or Jason he played "Bruce Wayne". Right :whatever:
 
And c'mon, everyone knows why stories like "Arkham Asylum" are rated high: No one knows what's going on there, no one wants to admit and so to show how "intellectual" they think they say it's "Wonderful". Gimme Batman versus King Kong over that anyday.
I don't see what's so hard to understand about Arkham Asylum. :huh: It seemed pretty straightforward to me. Sure, there were a few examinations and theories as to what made the villains (and Batman himself) tick, but over all, I thought it was one of the simplest comics I've ever read. Mind you, I'm sure it's not as simple as Batman vs. King Kong would be. :hehe: Btw, Arkham Asylum isn't rated that highly as far as I know. I think opinions on it are pretty mixed. Some people love it, and some hate it. Some think it was just meh. But the reason why it has such a reputation is because of the disturbing artwork, more than anything story related.
 
Intresting how a lot of posters seem obsessed with Batman (and indeed every comic character) being as dark as possible, but equally determined that he never ever kills anyone.

Every different version of Batman IS different. Frank Miller's Batman, Tim Burton's Batman, Chris Nolan's Batman, Dennis O'Neil's Batman, my Batman, your Batman, Adam West Batman, TAS Batman, The Batman Batman...there is no logic in arguing which is truer than any other. The only argument that would have any validity would be Bob Kane's orginal concept, and thas was a guy caped in shadow who said almost nothing and dispatched gangsters to their deaths.
 
Intresting how a lot of posters seem obsessed with Batman (and indeed every comic character) being as dark as possible, but equally determined that he never ever kills anyone.

Every different version of Batman IS different. Frank Miller's Batman, Tim Burton's Batman, Chris Nolan's Batman, Dennis O'Neil's Batman, my Batman, your Batman, Adam West Batman, TAS Batman, The Batman Batman...there is no logic in arguing which is truer than any other. The only argument that would have any validity would be Bob Kane's orginal concept, and thas was a guy caped in shadow who said almost nothing and dispatched gangsters to their deaths.

I can definitly agree with this one!
 
Nay. He was never one of the darkest characters in all those eras. BTW: you do know that Batman used his "Batman persona" just as a tool to scare criminals and was quite nice without his costume? Well, okay then, they made him a psycho-ninja who sits in his cave 24/7. Brooding and thinking "my parents are dead!" What a loser!

You know, I know hyperbole is an important tool, but how often, lately and in the last twenty or so years, have we seen Batman sitting and brooding in his cave obsessively, 24/7?

Honestly, it's an interesting dimension they've added to the character, I think.


Yeah. Batman Forever: better pacing, better action

Better action?

Stop it.


I don't see anything!

It's a meme.


...yeah?



Yeah. Superhero bondage :hehe:

That was one of the more obvious (and enjoyable ones), sure.



THERE-IS-NO-POST-CRISIS-Batman, character-wise.

Waitaminute...



Yeah. When I would say "Men are taller than Women" you would answer "Well, once I saw a woman who was 6'8''"

What?



Get over it. No one knows Watchmen, DKR, Maus outside the comic book "scene" and some literature interested guys.

Honestly, I'm almost entirely sure you know, like four people.



See the point about "Man being taller than woman". Once upon a time superhero comics were ONE part of the whole output, nowadays they are almost the complete output.

Except they're not, and most of those, par for "Maus," are relatively recent, and still going - well, Gloekner's stuff isn't really a series (she just puts out graphic novels, so).




Yeah, an industry that totally imploded and will cannibalize itself if nothing will change.

:whatever:


The Shadow and most science fiction was - of course - not. But Doc Savage, yes, and Batman and Superman and and and.

I disagree - even the first Batman story was almost completely lifted from a "Shadow" story.



Yeah. You seem to accept the current "conventions" while I want to break them! Who is the visionary now?! :whatever:

facepalm.jpg

Who's calling anybody a visionary, here?

Of "Graphic Novels" ( :hehe: ) like Watchmen, DKR. That's marketing-babble. They changed the comic book scene, but not the public perception. Don't lie to yourself.

*sob*




"Ronin" is boring, TDKR didn't stand the "test of time",

I just bust a gut - you know, like how you're the one person who thinks it didn't stand the "test of time." Ha ha ha.


"Year One" is great-- He is/was a good comic book writer--nothing more. But he said one true thing:

"People are attempting to bring a superficial reality to superheroes which is rather stupid. They work best as the flamboyant fantasies they are. I mean, these are characters that are broad and big. I don't need to see sweat patches under Superman's arms. I want to see him fly."--Frank Miller

I am with him. :hehe:


You seemed to have missed the point of what he was saying - which, honestly, isn't surprising.



The name is "Spiegelman". Those aren't the big-selling creators. The big-selling creators are guys like Bendis and Miller. That says all to the state of the comic book industry :hehe:

Bendis is a bad writer? Have you read "Powers" or any of his other stuff?



Scanners is the quality of movie you like?

I hope I don't overcharge you.

scannerscm2.jpg




Yeah. Probably guys that liked superheroes when they were young and took the change to write them because of their name.

Yes. That must be it. Must be.


I'm talking about NON-Superhero comics. You prove again that comics mean "superheroes" in most cases. And THAT's the shame!

Actually, Stephen King isn't, or Tad Williams, of the ones I listed. Warren Ellis also writes various other comics besides his Ultimate work.


witty-witty.

It wasn't an attempt at wit, but hey - I'll take what I can get.
 
Intresting how a lot of posters seem obsessed with Batman (and indeed every comic character) being as dark as possible, but equally determined that he never ever kills anyone.

Every different version of Batman IS different. Frank Miller's Batman, Tim Burton's Batman, Chris Nolan's Batman, Dennis O'Neil's Batman, my Batman, your Batman, Adam West Batman, TAS Batman, The Batman Batman...there is no logic in arguing which is truer than any other. The only argument that would have any validity would be Bob Kane's orginal concept, and thas was a guy caped in shadow who said almost nothing and dispatched gangsters to their deaths.

I agree.
 
where do people always get this from? He was wise-cracking all the time. He even talked to civilians.

He talked to no one in 'Tec 27 (except for "a fitting end for his kind"), or in any of the issues following up intil 'Tec 38, when Robin was introduced, which, besides allowing for broader audience appeal, was another reason he was brought in.
 
The Case of the Chemical Syndicate

that was the first story. Batman wasn't really dark in that one. He was dark in the story with monk or Doctor Death, Hugo Strange later. And in one of these "gritty" stories he asked for the way.
 
that was the first story. Batman wasn't really dark in that one. He was dark in the story with monk or Doctor Death, Hugo Strange later. And in one of these "gritty" stories he asked for the way.

Oh, I remember now -

"HE EVEN ASKED FOR THE WAY ONCE!!"


:lmao:
 

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