The following was originally reported by www.spidermancrawlspace.com:
Here’s what we know about the new 2010 Spider-Man video game.
1) It’s called Spider-Man: Shattered Dimensions
2) Dan Slott is writing it
3) Christopher Daniel Barnes is voicing Spider-Man. He voiced him in the 1990s cartoon.
4) More information will be unveiled at Wondercon in early April.
5) Here’s an image for the forum at Hero HQ. It seems to support the theory that multiple Spider-Man personalities will be in the game. Spider-Man: Noir is in this image.
There is a part of me, a gut part, that thinks that "NOIR" is there because they want to capitalize on the success of BATMAN: ARKHAM ASYLUM and I was thinking, "What is this, Spider-Man Arkham Asylum?" That said, the angle of inter-weaving the default Spidey with parallel universe versions of himself isn't a bad one. I wonder if Ultimate Spider-Man, which once got a game himself, will be one of the other parallel versions.
Barnes sounds good, although one can tell it has really been about 12 years since he played Spider-Man; he sounds older.
My feelings on Barnes as well as the 1993-1998 series is mixed. On the one hand, it was the Spidey cartoon of my generation. I'm old enough to have watched SPIDER-MAN AND HIS AMAZING FRIENDS when it was still on syndication on NBC, but those memories are vague and I really only got to watch that show as a teenager when UPN would re-air them on Sunday mornings (this would have been 1997-1999 or so). For it's time it was the best Spider-Man cartoon ever made, as well as one of the longest lasting. It had a solid, strong sense of seasonal story arc, a practice that is only now becoming a norm. It also capitalized on the fact that ANY Marvel hero from the animation library could appear; Cap, Iron Man, Blade, even the X-Men. All but Hulk, basically. And there are good performances there.
That said, I haven't watched it in years, and I fear a lot of it has not aged well in the decade since it ended. The animation quality got worse every season (especially after the middle of Season 2) and by the end you could make a drinking game picking out re-used stock footage. The editing got choppy and the digital effects were primative even for the time. While there were classic, iconic scenes, conflicts, and performances, there were also some miscast roles (MJ always sounded like she was 12), some over-acting, and some downright terrible episodes that had nothing to do with the censorship board, or the toy crazed producers (why did The Spot, Rocket Racer, and Big Wheel all DEMAND two episodes of their own; the Prowler one hardly accomplished anything either, and I could go on...). Fox's censors on violence rendered much of the battles almost non-existent, even compared to X-MEN; no show on their network had the restrictions this show had, and it was a top rated show! The time is long past due for another cartoon to be given a chance to retire this as the best Spidey's gotten. TSSM is the best chance of that in a good, long while.
We just need more than 26 episodes.
At the very least, TSSM hasn't quite ended on as much of an unresolved cliffhanger than S:TAS did in 1998, even after five seasons (assuming the harsh reality that TSSM is not renewed comes true). There are dangling plot threads; Peter realizes Gwen is the girl for him, but Harry is deliberately keeping them apart out of spite. Norman Osborn is a fugitive on the run. But that's not as bad as MJ never being rescued from some sepia colored dimensional void because the final episode decided that reruns of flashback animation was worth more than a few more minutes of animation (not to mention Spider-Man's final battle is against some whacked out version of himself that he beats with a hug from Uncle Ben; I get the point of it but it always seemed like an anti-climax). Compared to the series finale of X-MEN, which to this day can almost make even the sternest fanboy well up (the part where Xavier calls Cyclops a "true son" and seems to wish he was his biological father always gets to me), it doesn't hold a candle.