After a gripping finale to the critically-acclaimed and multi award-winning Life On Mars on BBC One, Kudos, Monastic Productions and the BBC are delighted to announce the next chapter Ashes To Ashes. DCI Gene Hunt (Philip Glenister) is back but he's no longer the self-styled "Sheriff of Manchester". Flanked by his faithful sidekicks, Ray Carling (Dean Andrews) and Chris Skelton (Marshall Lancaster), and drawn to the action and intrigue of the London Met, Gene turns his attentions to taking on the "southern nancy" criminal scum. However, Gene does not expect to be thrown together with sexy, intelligent, DCI Alex Drake. Single mother to daughter Molly, Alex has rapidly risen through the ranks of the Met and, in the modern world of 2008, skilfully uses psychological profiling to capture suspects. When Alex and her daughter are kidnapped she makes a daring attempt at escape, resulting in a horrific accident. Alex suddenly finds herself in 1981 interacting with familiar characters, not just from her own life-time, but also from the detailed reports logged by none other than Sam Tyler, which Alex has previously spent months pouring over. Alex is ripped from her current world of sexual equality and respect in 2008 and finds herself opposite an arrogant fellow DCI in a Two Tone, New Romantic Eighties London with a soundtrack of Adam Ant, Roxy Music and The Human League ringing in her ears. Alex finds some of Gene's team has dispersed yet others, loyal as ever, are still in tow. Now a technological whizz-kid in the squad's surveillance team, DC Chris Skelton has clearly moved with the times, along with a tight-permed DS Ray Carling who's keen to experience London's nightlife. Frustrated by each other's stubbornness, the friction between Alex and Gene heats up. However, as the two titans collide, it becomes apparent there is more than just a professional tension emerging. I'm not so sure about this, it could be very cool, with an 80's soundtrack and the always awesome Gene Hunt, but it sounds too much like a rehash and it could hurt the ambiguity of the Life on Mars finale.