B
bondreborn
Guest
Why can't the studio execs just leave the process ALONE?????!!!!!
HAHHAHAH HAH HAHHAH AHHA HATrue, but if they actually try LISTENING to the fans and the writers and directors for a change, they MIGHT end up with a film worth seeing.
why should they? they've been successful doing what they've been doing. their goal is completely different than the goal of the writer/director or fan. any weak parts or relative failures of the films are not because they didn't listen to the fans.True, but if they actually try LISTENING to the fans and the writers and directors for a change, they MIGHT end up with a film worth seeing.
Its better if they don't listin to the fans trust me. Because every time a company listins to the fans ***** about something and then they finnaliy do it. The fans just ***** some more.why should they? they've been successful doing what they've been doing. their goal is completely different than the goal of the writer/director or fan. any weak parts or relative failures of the films are not because they didn't listen to the fans.
Its better if they don't listin to the fans trust me. Because every time a company listins to the fans ***** about something and then they finnaliy do it. The fans just ***** some more.
True.Though I never heard that myself, I was aware that some Marvel execs can be unpopular. Just goes to show, better the devil you know.
Yeah....Yeah, I always thought it was silly to ignore Avi's contributions when a Marvel movie was a success but give him all the credit when the movies fail.![]()
Which crazy ideas?I'm glad Avi Arad is gone,he is always ruining things with his crazy ideas.
Well said dark you can't take on board every fan's opnion or else the film will be a mess. Having said that the majority opnion should be taken into consideration. And it looks like the majority would rather they not merge two classic Iron Man villains.listen to the fans? its not like their 3 fans on this whole world. their milions. and how could they listen to so many fans? they dont have the same opinion.
but fans aren't the only people who go see these movies. they aren't making a movie for the diehard fan; they're trying to attract everyone. they're listening to box office receipts, and the numbers so far for comic book movies have been very successful.listen to the fans? its not like their 3 fans on this whole world. their milions. and how could they listen to so many fans? they dont have the same opinion.
I don't believe this guy could be that stupid. Combining characters to save money doesn't make sense.
Why not just save the other classic villian for the sequel?![]()
Actually, it was already done in BB (though not for money) and it made sense.
Actually, it was already done in BB (though not for money) and it made sense.
Why it won't work with IM? Because idea is no longer old now and IM would look stupid with showing what has already been usedBesides, Mandarin is more iconic character than Ras.
I hope Jon didn't do that.
Which crazy ideas?![]()
^
He tried to make Doc Ock in SM2 a kid Peter's age and he wanted there to be a love traingle with Doc Ock MJ and Peter,and then he made Raimi put in Venom in SM3 which replaced the Vulture.
Well i stand corrected those are crazy ideas but in preproduction there are always crazy ideas thrown around and some of them actually work some don't.He's produced so many movies for Marvel and surely he deserves credit for some of the successes.^
He tried to make Doc Ock in SM2 a kid Peter's age and he wanted there to be a love traingle with Doc Ock MJ and Peter
I'm glad Arad suggested Venom over Vulture (even though the idea of Ben Kingsley in the role intrugues me). But unfortunately Raimi didn't show the character a whole lot of love with short screentime and [BLACKOUT]killing it off[/BLACKOUT].and then he made Raimi put in Venom in SM3 which replaced the Vulture.
You may want to read the qoute in the again.Then I hear how he was trying to combine two Iron Man villains into one for this movie.The guy is just trying to destroy the movies.
David Maisel is the one who's suggested combining two Iron Man villains to save money not Avi.Thanks for clarifying that.Avi was one of the main OPPONENTS of the young Doc Ock love triangle storyline. Watch the original DVD bonus features, Avi hated that idea.
Another reason to get this excellent looking book.I've also read some of "The Spider-Man Chronicles: The Art and Making of Spider-Man 3" by Grant Curtis. It's an amazing book that covers every aspect of the film. It discusses why Venom was used over Vulture and I have to say that I agree with their reasoning 100%.
![]()

why should they? they've been successful doing what they've been doing. their goal is completely different than the goal of the writer/director or fan. any weak parts or relative failures of the films are not because they didn't listen to the fans.
Why is that? These movies are almost 3 hours long now. Thats two movies in some cases.IMHO more than one villain per film RARELY works. Don't like the idea... most of the time it's too much.
Vic
We need word from Jon on whether or not these "suggestions" have come to pass.
i think it's pretty accurate. the movies you listed were poorly written and poorly executed. it wasn't because they were unfaithful. there wasn't anything more unfaithful in B&R than there was in Spider-Man. hell, he didn't even have web shooters; he shot organic webbing from his wrists. that's pretty damned unfaithful.Not entirely accurate. Historically, those films closer to the source material and embraced by fans (Spider-Man, X-Men, Batman Begins) succeed financially, while films that stink of executive interference and are not true to the source material (Batman & Robin, Catwoman, Steel) fail miserably.
i think it's pretty accurate. the movies you listed were poorly written and poorly executed. it wasn't because they were unfaithful.
there wasn't anything more unfaithful in B&R than there was in Spider-Man.
Also not accurate. The scripts were bad because they were written by people who did not care for the characters, did not understand the characters, and did not understand how to realize those characters on film.
This is blatantly false. Spider-Man was true to the spirit and character of the comics. The characters acted as they should, events occurred as they should, and the tone was as it should have been. None of that can be said for B&R. The characters did not act as they should have, the events did not occur as they should have, and the tone was not as it should have been. Batman & Robin was not true to the spirit of comics, and that is pretty much the definition of unfaithful.
When the people making the film understand and care about the property they're adapting, they produce a better film, invariably. And yes, one of the reasons is because they are faithful. If Sam Raimi had made Spider-Man a black-ops Jack Bauer type, the film may have been good, but it would not have been a good Spider-Man film. It would have been a bad Spider-Man film, because it would not have been a Spider-Man film at all--it would have been something else with the "Spider-Man" name stapled to it.
There are changes that have to be made for practicality, or for the sake of storytelling via film, and that's fine. But when you are not faithful to who the characters are at their core, that is invariably bad. When you change who a character is supposed to be, you have failed, because it is not your job to create an original character and call him The Mandarin; your job is to transfer the character that already exists to screen.
That was different. Nolan had one character(Ras Al Ghul) pretend to be another closely related character(Ducard).
He didn't combine two completely unrelated characters Scarecrow and Bane into a completely new character. That would simply be a waste of two classic characters.