As always, more positive reviews are posted at Examiner first here:
http://www.examiner.com/examiner/x-...10-Picks-of-Comic-Book-Day--December-9th-2009
At any rate, December is in full swing, the weather's getting cold and it's a perfect time to bundle up with comics. This week brought on an eclectic mix of comics, most of them good, beyond one mired by editorial bungling. As always, spoilers are unlimited.
Dread's Bought/Thought for 12/9/09:
BOOSTER GOLD #27: Much as with last month, this is a BLACKEST NIGHT tie in, and also like last month, Jaime Reyes/Blue Beetle is an actual guest star, and not merely in a back-up strip. This means that Dan Jurgens draws the first half of the issue (as well as writes the whole thing), and Mike Norton draws the other half, and Matt Sturges I guess takes a break, and Rapmund inks both of them. The art styles of Jurgens and Norton actually gell well; I couldn't tell where one ended and another began, which creates nice flow for a 30 page lead story. In terms of price value, that is 3 pages longer than last week's SIEGE: THE CABAL, which was also $4. Considering that Norton usually had to be on hand to draw 6-8 pages a month for the back-ups, it was good that he either had enough lead in time, or is simply speedy enough, to have to suddenly deliver 15 pages when he had to. He's a solid artist who doesn't get as much work as he deserves sometimes.
As always with Booster Gold, while some of the time travel adventures can become complicated if you over analyze them, in the end it is all about people. The Black Lantern ring has revived Ted Kord, only as an emotion feeding zombie with energy powers, out to kill his former best friend by trying to murder his present day ancestor, Dan Carter/Supernova. This forces Booster as well as Reyes to team up to fight Kord. They are forced to flee when Booster proves unable to actually fight his friend, which makes sense since he DID one nearly destroy the time line trying to resurrect Kord himself. This leads to a retreat with the time machine and a moment where Booster tells off Rip Hunter for his manipulative nature. The subplot of Hunter actually being Booster's son from the future is brought up, which is good because it was a subplot that was forgotten months ago. In the end, Booster and Reyes head over to Kord's old Beetle lab to find a proper weapon to deal with the evil zombie version, and have a triumphant final showdown. The issue ends with Booster and Reyes having a heart to heart at Vanishing Point once again burrying Kord. The idea that Booster deeply misses his best friend is hardly new stuff and it does border on repetition, but it does make sense that Booster would still be troubled by the death, especially after all of their "Bwa-ha-ha" style adventures. It also was a little touching seeing Reyes claim he could never replace Kord and Booster telling him that he was living up to the legacy fine just by being a hero. Kord, after all, went to his death with Max Lord claiming that someone else would pick up his legacy (because that is actually common in DC) and that the Blue Beetle would return.
The cliffhanger of the issue is that Michelle Carter, after fleeing Vanishing Point due to discovering that Rip Hunter had bent time laws to save her from a destined death (although quite why that should send someone into a hysterical fit that makes them avoid their sibling, only Jurgens can guess), has chosen to hang out at Coast City, circa 1994. Which of course was the scene of the worst DC massacres, "Emerald Twilight" (the story in which Hal Jordon went insane and destroyed the Corps, only for it to be completely and totally 100% not his fault at all because he is beyond all human error, circa a decade later, thank you Geoff Johns). Part of me questions whether we really should have another GL story so soon after a BLACKEST NIGHT tie in, but considering that prior stories delt with the histories of Superman, Flash, the Teen Titans, and Batman (twice), I suppose Green Lantern is due. The next issue should clarify things, as it does seem random so far that Michelle picked that time and place, and hooked up with some random schmoe.
As always, it is excellent to see Dan Jurgens return to his creation, one of the first original characters added to DC outright after CRISIS in 1986, in both story and art. This remains one of DC's best and most consistently good ongoing titles. Sales continue to dwindle, and hopefully it makes it to a full third year. The BN tie in will likely boost sales for two months, but those crossover gains rarely last. Still, considering DC is more than willing to let some titles fall to Image Comic levels (13k or so), the odds of us seeing BG #35 are high.
ASTOUNDING WOLF-MAN #20: One thing that has gone quietly in Robert Kirkman's letters column is that this one of his books that has failed to be "on time in '09" as he promised last year, at least as 2009 has drawn to an end; as of August, it has returned to a bi-monthly schedule, shipping issues in October and now December. Jason Howard perhaps always struggled with a monthly schedule, or perhaps the announcement that the series will end with issue #25 has caused things to slow a bit to get everything right. Since August, of course, Kirkman himself has been writing HAUNT, which happens to have been Image's best selling launch of a new title in many years (when reprints are added, it may have actually outsold Dark Horse's issue of BUFFY for October). While he insists that sales are not the reason, WOLF-MAN roughly sells 7,200 copies, and has slipped 7% within the last six months; it sells about as much after under two years as SAVAGE DRAGON does after a decade. Business wise, letting go of WOLF-MAN to focus on HAUNT makes solid sense. At any rate, to take Kirkman and Company at their word, they insist that after the next arc, all that can be said about Gary Hampton and his world, at least as an ongoing series, will have been said and they doubt they can top it. The only reason such an announcement sounds odd is because American comics almost never end for creative reasons. Heaven forbid anyone admit that, say, SUPERMAN or SPIDER-MAN ran out of any relevent ideas 15 years ago and just end out of creative mercy. So I can respect Kirkman and Howard for not trying to pry extra blood from a stone here.
After the action blockbuster of issue #19, this issue is more somber, closing the door on some prior subplots, such as Gary being on the run for his wife's murder, escaping jail, and so on. It also opens the door for the status quo of things that will probably be shattered in the next five issues. A cynic could argue that in some ways, Gary and Norman Osborn at Marvel have something in common; apparently all one has to do to become a public hero (and media darling) after being convicted and sentenced of murder is kill a monster on live TV. To be fair, government stooge Cecil Stedman has actually captured the vampire Zachariah and used him to legally clear Gary of the murder (that he actually did not commit), whereas with Osborn, the public and media happily forgot that he used to wear a goblin suit, bomb buildings, and murder college students (and occasional reporters). At any rate, Gary appears on a morning talk show to speak about his life's events, and despite his return to public hero status, the loss of his wife still haunts him, and he still wants Zachariah dead. His daughter, Chloe, is hanging out with Mecha-Maid and her hologram daughter; she also still has vampire blood in her system that gives her some modest super powers. She now fights crime alongside Wolf-Man, as "Vampire Girl". I would say that can't be a good superheroine name for PR standards, but TWILIGHT is very big now, so it could work. If I remember my White Wolf table top RPG rule book for their VAMPIRE: THE MASQUARADE game, a human enhanced with vampire blood without actually becoming vampires were technically called "ghouls", but as Kirkman might say, that's "too inside baseball" (like the term "cyborg" apparently).
In what seems, at least for not, as a little bit of deck-clearing, the random threat from issue #5 returns to fight Wolf-Man and Vampire Girl, and it turns out he absorbs kinetic energy and wants revenge on Wolf-Man for sending him back to the evil laboratory he escaped from. Mecha-Maid also tinkered with Gary's "Wolf-Man-mobile", to the point that it can morph into mecha-armor for Chloe, which is neat. They actually manage to reason with the freak, and Cecil shows up to perhaps recruit him into his Global Guardians team. In the letters page, Kirkman mentions that he and Howard will work on another project "soon" after Wolf-Man ends as well as his desire to write a team book, where he hints it could be a GUARDIANS OF THE GLOBE title. If so, that would be the first outright monthly spin-off from INVINCIBLE (unless you count CAPES, which I don't), and I am not sure I am keen on that. The issue ends with Mecha-Maid seemingly about to betray Gary to Zacheriah somehow to try to save her Actioneer teammates, who he turned into vampires. The idea of a werewolf dating a robot is actually delightfully weird (in UMBRELLA ACADEMY territory), and I would be a tad miffed if Kirkman ended it before it got off the ground.
At any rate, a solid issue as usual; HAUNT may sell better, but to be honest this is the better title in terms of quality, and I will be sad to see it go. Especially as I cannot imagine a GUARDIANS OF THE GLOBE book being as good, even with the best will towards Kirkman (they're rather flat characters). It'll make a nice hardcover next year for WEREWOLF BY NIGHT fans who wonder how it could have been done better.
GHOST RIDERS: HEAVEN'S ON FIRE #5: Orb looks like the odd biker out on the cover, doesn't he? At any rate, this is the penultimate issue of this mini series as well as, likely, the penultimate issue of Jason Aaron's run on GHOST RIDER, which in total will be roughly 21 issues (four issues more than JMS' run on THOR). Roland Boschi continues on art and does his usual good job (beyond one or two panels that appeared rushed), with Dan Brown on color work. It is the usual for this title, chock full of B-Movie horror goodies, with weird and funny lines. This mini has also had an amazing amount of returning villains; this issue alone has a good half dozen of them, and Aaron was willing to dust off Highwayman at the end of his GR run proper, which is something to be commended for.
This is a "set up the final climax" issue. Hellstorm and Jaine Cutter manage to finish off Scarecrow and Madcap (who is very close to being Deadpool, only with no fighting prowess), while the Ghost Rider brothers Blaze and Ketch continue to seek their "highway to heaven" to have their final battle against Zadkiel. They manage to take down Vengeance and Orb with the aid of those killer nuns that Blaze fought at the start of Aaron's run. Now those killer nuns are on the Riders' side since they want God restored to Heaven, and most of them are slaughtered
en masse by Deacon. It also turns out that Caretaker Sara is somehow a portal to Heaven (Doorman style) herself, which the snot-nosed Anti-Christ (dubbed "Kid Blackheart" in solicits, which is a bit silly) uses to invade Heaven with demons from Hell. Sara returns at the end of the issue, and I am not sure what all of that means.
What I do know is Jason Aaron does make an attempt to explain why no one else besides the Ghost Riders and a Defenders C-Lister know or care about God being thrown out of Heaven. Zadkiel has only been seated on the throne of heaven for a short period of time, and apparently gaining omnipotence from that takes time. For now, Zadkiel can only cause minor, random mischief about the world, and he needs more time before he can turn reality inside out. I've always been bemused by the idea that all of the decent Marvel superheroes caring whenever one of the no longer worshiped pagan gods like Zeus or Odin or some Egyptian god that no one on earth worships, but heaven forbid the same god that everyone from Catholics to Muslims to Prostestants worships gets taken down, and the only heroes who care are two Ghost Riders and Hellstorm. Not even Illuminater, the outright Christian superhero? But at least this issue seems to imply that this act has happened so suddenly that word really hasn't spread, and the Ghost Riders are basically trying to undo it before it really becomes a Silver Surfer level crisis. The issue literally ends with Blaze and Ketch forced to put aside their bickering to do battle with Zadkiel; to quote Lone Star from SPACEBALLS, "For the first time, for the last time. Yeah!"
I am looking forward to the end of this run. Aaron has made a terrific run out of quite a retcon he inherited from Daniel Way, and has whined far less about it than some writers may have. Of course, if the finale in Jan. 2010 turns out to be rubbish, then the entire run will suffer, but climaxes always have that sort of pressure attached to it (a fact that Bendis, JMS, and Millar have forgotten). Aaron wrote a smashing battle between Blaze and Ketch at the end of one arc, so I do have some reasonable faith he'll pull this off.