Just a few more thoughts:
Ghost Rider Movie: I guess Marvel has decided to stop making comic adaptations of their movies. I thought it might be one of the most disappointing Marvel adaptations to come to the big screen. (Not the worst Marvel movie, though. In the last few years since the original Blade movie came out, I think Man-Thing might be the absolute worst.) It could be argued Elektra is worse...but, I found I enjoyed Daredevil more. That just made the movie waaaay too campy and cheesy. (SMALL SPOILER ALERT) Plus, when someone changes near the end of the movie for one final time and rides across the desert on horseback, it just seemed a waste of a cool idea. He can change one final time, and he uses it to ride to town but not help in fighting? Lame. Plus, I thought the villians were defeated way to easy, and the actor who played Blackheart really didn't fit the role.
5/10
Now, I had a previous review of
Astonishing X-Men, and I see I'm one of the rare people who wasn't bowled over by this recent issue...or issues in the past. Newsarama had a review of the comic, and the reviewer really put down into words what makes me hesitant about liking the comic. I'll reprint it here, I think it really captures what's wrong with Weadon's work on it.
This book has a strange effect on me. I enjoy reading it and I am always happy to see the debut of the current issue but sadly when I finish reading each issue I am slightly disappointed. Im not even certain how to explain the emptiness I feel after I finish each issue of AX, as I like to call it. But for the sake of reviewing the newest issuewhich I have mixed feelings aboutI will try.
Dont get me wrong here; Joss Whedon is by far one of the most competent storytellers in the comic book industry. His knowledge of television scripting is a perfect fit for the serialized nature of the comic book; however, I think this might also be a terrible weakness as well. Astonishing X-Men has a writer who uses his artist, the stylishly smart John Cassaday too well. Granted, comic books are primarily a visual mediumI find myself feeling cheated textually. I almost want to ask, Wheres the beef? I mean, I get the panel to panel internal storytellingcertainly pages 1 and 2 are easily noticeable moments of what Im talking aboutKitty looking oddly at Peters hand on her shoulder; then, as the moment of danger heightens her hand finds his silently. Its great but these booksbecause of their dramatic overtures (something that probably comes from Whedons background) and the fact that John Cassadays work, albeit effortlessly gorgeous can seem stunted with a stiffness that negates any kind of kinetic energy.
Its just the fact that I only count about 14 or 15 actual panels that denote any kind of movement beyond simple walking in the entire book.
In terms of story content, the book is fantasticthis isnt one of the standard arcs of X-Men that includes a convoluted obligatory match-up verses a standard villainous threat. In fact, this mission into space leads straight to a strange destination where the odds are stacked against the X-Men and the mystery surrounding Colossus return and hailing as a bringer of genocide to a race of aliens is unfolding well. Agent Brand and SWORD are nice additions to the X-mythosalthough, they havent been recognized by the rest of the Marvel Universe yet. Breakworld has quite the opposite effect on my sensibilities however. It seems very generic and yet mysteriously specific all at the same time. Of all the planets in the entire universe, Colossus of the X-Men from Earth is tied to an ancient prophecy foretelling the downfall of their race? What are the odds? Is Breakworld tied to Earth somehow? I need more info.
The issues heart seemed to focus more on Wolverines Humbert Humbert gaining a new Lolita in the form of the newly christened ArmorHisako Ichiki. Maybe Im looking too deeply into this but again already?!? They need to let Wolverine meet girls his own ageoh, wait, they are all dead.
Simply put: this reader needs more textual storytelling from Joss Whedon. I love the immediate story that is covered scenically from panel to panel and page to page. The thickest moments of dialogue took place between Wolverine and Armor and the asides featuring Powerlord Kruun addressing Ord and denizens of Breakworld. The magnitude of this story, its gravity bears further scrutiny. Im hungry for more. I need more or this whole story just seems kind of two dimensional. I could just be the victim of a great story that has a painful amount of shipping time between release dates, perhaps.
Getting back to John Cassadayhe has easily created another iconic version of the X-Men, his work reminds me distantly of John Byrnes work during the Uncanny X-Men shortly after the Phoenix Saga, Byrne and Cassaday both have a certain heavy quality that I enjoy. The difference between the two is that Cassadays work is slyly intricate in its frame by frame sense of symmetry. His pages are clean and seemingly focused upon facial expressionssome of which almost start to look too similar, kind of like Star Trek The Motion Picture and its endless streams of close-ups. I can overlook the similarities in features between some of the characters when looking at this issue as a wholeits really beautifullots of great moments of cinematic quality images. Again, there are moments where I want more, namely the fight involving Kitty, Colossus and a dozen Breakworld soldiers who get the beating of a lifetimewe know its a decent fight but we are only privy to it for 2 panels. I almost want to pout. Since Colossus returnwe havent really seen Cassaday cut loose with him
yet.
Of all the stories Whedon has written with Cassaday for the X-universe, this one seems to be the most ambitious. I look forward to the next issue in fact; I have a Pavlov-ian slobber almost curling off my lips onto my comic books. Patience tells me that this book will have a really nice pay off come time for this storys fruition.
Too bad I can't put into words a comic review like that. Oh well, we can't all be like Dread. A few quick reviews below.
Justice Society of America #3: I think Justice League and Justice Society have been two of the best relaunched titles to come out of DC. I loved this issue, and it was great to see Vandal Savage again. The only thing that diminishes this book is that with so many characters, a new reader would be very lost. DC is really for faithful readers. Those of us who have followed JSA are really being rewarded with a great comic. And, the more I pick up back issues of some new DC favorites, I'm noticing it seems like a never-ending quest. I love Checkmate; so, I now have all of Checkmates first volume. I started reading it this weekend, and discover if I want to learn more, I have to pick up issues 1-50 of Vigilante and a 4-issue miniseries called Peacemaker. I'm wondering after I get those if I'll have to pick up even more preceeding comics.
10/10
Martian Manhunter #7: This miniseries has been a rather big disappointment; but, quite a few of DC's recent miniseries haven't been that good, either. I'm thinking of titles like Ion (started out decent, but the second half has bored me so far), Trials of Shazam (I gave up on this title after issue #3), and Omac (gave up after two issues). The reveal that the green Martians were actually white Martians wasn't too hard to figure out. After all, he was warned that the Martians weren't what they seemed in issue #1. Basically, we have a 4-issue miniseries being stretched out to 8 issues.
6/10
Tales of the Unexpected #5: This is a more decent miniseries (although, the best mini to come from DC has to be Uncle Sam and the Freedom Fighters. After reading recommendations, I picked it up and have loved every issue.); and, I really like the main character, The Spectre. While there is an ongoing side storyline about the apartment complex, each issue does focus on a main story of someone who must pay for their crimes against humanity. The other story features Dr. 13, and at first I couldn't stand it. But, it's grown on me, and I find it's got some great humor. I'm almost enjoying it more than the main Spectre story.
7/10