Bought/Thought March 12th 2010

JewishHobbit

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So I finally made it to the store and bought this week's and last week's comics, as well as another one I missed last month. I'll review them all, frankly, because I don't remember which was this week and which was last week.


Sword 5 - Man, what a great title, but sadly, this is the end of the road. Gillen said he wrote the first 5 issues as a mini just in case it didn't continue and it really does feel that way. Very complete. There are topics that seems like they would have continued if the story didn't stop here. I'm curious what story was being built up to with the White android guy. I think it sounds like Beta Ray Bill would have stayed on the book permanantly and I think Death's Head would have been an on again off agan character. All of this would have been great.

This story was just fun, and this issue itself was also phenominal. It made me like Lockheed more than originally, and I even got used to the stupid looking Beast. I was already a fan of Death's Head II, and this won me over for his predicesor. I'm really sad to see this book go. It was one of my favorites every month for the past few months. Maybe trade's will pick up sales and it'll get a relaunch, but I doubt it.

Son of Hulk 2 - I love the cosmic line but this Realm of Kings era really has been lackluster. With the exception of Guardians and Inhumans, the rest have been kinda bleh, even Nova. This title is no exception. It's an okay story but being a person with zero interest in the Microverse or Micronaugts I just can't get into it. If it wasn't Hiro-Kala, who won me over in the final issue of Son of Hulk, I'd have likely skipped the book.

As for the story itself, it was mediocre at best. The scenes with Rann and the other girl feel randomly added, though I will admit to liking Carl a lot. I hope he's okay and finds his way to other mainstream cosmic books. Heh, a smartalic Death's Head unit is pretty comical. The scenes with Hiro-Kala was just kinda filler-ish until the reveal that Hiro-Kala now has prophetic powers. We knew that his powers were altered at the end of Son of Hulk, and maybe more in the first issue of this title, but I don't much care for the prophetic angle. It feels like Hiro-Kala is at the beginnings of becoming a weighed down, convoluted mess, and it's only his second full story.

I'll finish this title, but I hope it comes together better in the next issue or two.

Cable 24 - Finally... the last issue of Cable I'm going to buy... of course, they rack up the price to get that extra buck out of us before so many of us do the swan song with the title, but that's to be expected of money ****es Marvel.

The story was crap for the most part. Bishop still chasing after Cable and Hope. Cable and Hope still getting the better of Bishop. Still timesliding. Etc. I was at least hoping for something to peak my interest, such as Hope doing something that might hint at Bishop being right... something... anything.... but it wasn't there. This would have been a great read at around 12-15 issues max. At 24 issues, 2 years, of repeating storyplot, it got real old real fast and I'm glad to be done with it. Next month the title becomes Deadpool and Cable and I plan on passing on it unless it somehow ties-in directly with Second Coming. But I doubt even that will get me to buy it. I'm too jaded with this book as is, and Deadpool's ****ing out is becoming more of a turn off to me than a turn on these days, so that only makes it worse.

Mr X/Wolverine One Shot - I wasn't planning on getting this but in skimming it I saw that it lead into Mr. X's joining the Thunderbolts so I got it on a whim... which at $4 is a RARE thing for me. But the art looked good, I like Mr. X, and I like Frank Tieri, so I took the chance. Fortunately, I found I enjoyed the book. Between this and Thunderbolts I think Mr. X has the potential of becoming a longterm villains for some people in the Marvel Universe. He's reached a standpoint here with Wolverine, though their story can continue, but I'd actually like to see him make the switch to an Iron Fist villain. Mr. X has been obsessing over Wolverine since he's the only man alive who beat him, well, in Thunderbolts Mr. X was beaten by Iron Fist as well, and the next issue we see him obsessing over it again. The two fightest could make for some interesting nemesisery (yeah, made that word up).

Anyhow, so this book takes place just prior to his joining the Thunderbolts. For those unfamiliar with Mr. X's past with Wolverine, they've met twice. Mr. X is a sedistic killer who is obsessed with being the best fighter in the world, and he relies on his light telepathy to give him that title. He can see people's moves right before they make them so he can counter and always win. In their first encounter he beat Wolverine. In their second encounter Wolverine won because he went berserk and Mr. X couldn't read his fighting plans.

So here, we see that Mr. X has been training for a rematch to reclaim his title as best fighter in the world. He focuses on trained fighters, but also savage beasts. His goal is to bring out wolverine's savage side and beat that, since that's what beat him before. He holds an elementary class hostage and sends the teacher's head to Wolverine to draw him out. They make a deal and the battle begins. Mr. X controls the match until Wolverine realizes that he's not trying to kill him, he's trying to get him to go berserk... and so realizing that he's in power, Wolverine refuses to fight and allows Mr. X to do everything from ripping out his eye to his crotch and such, but refuses to allow the beast to take over. This infuriates Mr. X but Wolverine calls his bluff, and in walking away, he takes Mr. X's hopeful victory with him. This really bumbs out Mr. X but then Osborn calls with an offer... the Thunderbolts.

All in all it was a realy good story focused on Mr. X. I'm glad I bought the book and I hope more comes of the character after Siege. As for Frank Tieri, I really like his writing, always have. I loved his run on Wolverine (whre Mr. X was debuted I believe) as well as his Weapon X ongoing, so it's nice to hear from him again.

Mighty Avengers 34 - Bleh issue for me. I hated the art and the story was very subpar. In fact, I only liked one page of art because it reminded me of Alan Davis, and that's the one with Herc and crew fighting the blue trolls. The ending was wierd and I find myself uninterested in this Ultron storyline coming up mixed in with the Siege story. I hate that attention is being diverted from the bigger story.

Some good stuff that I did appreciate though was Jarvis shopping through the Infinite Mansion and Pym being able to trap Loki. Both were cool. I know people are upset that it seems like Slott isn't returning to the Avengers, but I personally won't miss this title. It was good, but not enough to make me miss it.

Batman & Robin 10 - Good issue. We're on our track to finding Bruce Wayne and we learn that he's somehow leaving hints in the batcave in the past to where he's been. I'm not completely clear on what's happening but a second read through will likely help. I gotta say though, I'm liking this Gravedigger guy. He's got a cool look about him. But I'm so bored with this whole timetravel storyline. Captain America played it out with Reborn so this Batman one is going to get very old very quickly.

X-Men: Pixie Strikes Back 1-2 - On a whim I decided to try these. I loved the New X-Men and that entire generation of students and typically like anything with them in it. The girls beign focused on and going to school sounded wierd to me so I didn't bother with it, but I figured, what the heck, why not.

To be honest, it's not that great. The writing isn't very good, though I do like the characters. My suggestion, if you aren't already fans of the characters, don't bother. The students are all in character, though the adults all seem off, especially Emma, and the odd story with the school is revealed to be some type of mental game, so that's good as well. Makes it less wierd.

Now, I'm a little confused about something. The second issue came out yesterday, and in the end we learned that Mastermind is likely the father of Pixie... but I swear I've known that for a month. How in the world did that get out and how did I learn about it if it wasn't revealed in the first issue?
 
No new books for me this week. First time in years.
 
Man, what hath Hype wrought? I remember when B/T threads were like drug-laced candy and everyone just had to get some. I'll help I guess.

SWORD was really one of the best comics I've read lately. Aaaand now it's gone. Balls. It sucks that the majority of readers will never know exactly how awesome it is. (10 out of 10)

Came to Dark X-Men for the X-Man, stayed for the Cornell. So much banter and whimsy. The wit on the page practically reaches certain levels of obnoxiousness, but there's always a veneer of Serious Business underneath it all which makes it tolerable. Ends on a super dark note -- like, creepy dark -- but, again, more tolerable now that we know Dark Reign is coming to an end. (6.8 out of 10)

Enjoyed Batman and Robin. Fun and entertaining, with real moments of sympathetic characters shining through. Damian...a woobie? Well, it had to happen at some point. (7.9 out of 10)

Batgirl was great. Again, another consistently fun, entertaining series. More overtly charming than basically any DC series short of Johnny DC titles or something. It's not quite at Blue Beetle levels of awesome writing (yet), but I'd say it's the closest spiritual successor we're ever likely to get. (8.9 out of 10) Led into Red Robin, which was surprisingly good as well. I don't know how Tim was was being written on this title before the Batgirl crossover, but he's quite tolerable here. Can Yost in fact write things that don't smother you with wangst? I guess so. Kind of a moot point, though, since Niceaza is taking over for him soon and, well, apologies to Yost 'cause apparently he's not the gaping void of grimsuck that I thought he was*, but I'm much more looking forward to Niceaza. (7.4 out of 10)

*It is, of course, quite possible that I'm being overly favorable; after all, I've had to reevaluate my personal definition of "gaping void of grimsuck" ever since reading Cry for Justice.

And speaking of which, what do you do when a writer writes **** in one week and delivers not **** in the next? I promised myself I wouldn't get Last Stand of New Krypton...but I did. So help me, I read through it in the store, but I've just been enjoying this story too much. It's not the end-all-be-all of comics, but it had great moments, the return of Superman, and an ending that's totally cliche in the good ways. (7 out of 10)

And finally, Action Comics seems to have diverged pretty far from whatever's going on on New Krypton. Neither Rucka nor Trautmann are credited anywhere on the upcoming New Krypton stuff. And maybe that's for the best. This series continues to be, well, incredibly good nonetheless. I was dubious about the art, but it's actually quite expressive and fits the characters. Except maybe Lois who looks like a seventeen year-old, but she kicks quite a number of ass here, so I'm willing to overlook that. Up next, Rucka writes Wonder Woman again (if only briefly) (and without that damned violet outfit)! (8.4 out of 10)
 
Really small week.

Punisher MAX #5 - The first arc of the relaunch, "Kingpin" ends here with the conclusion of the Punisher/Mennonite brawl and Fisk's takeover of Riggoletto's mob. Frank and Fisk don't cross paths this issue.

There's a real shocker when Fisk allows his son Richard to be killed in order to become the Kingpin, later admitting to himself that everything he did was not for his son but for himself. Fisk's son getting killed leads Vanessa to become depressed and an alcoholic with her trademark white streaks in her hair. Since Vanessa was really supportive of Fisk's criminal lifestyle, it'll be interesting to see where Aaron takes this. At the end Bullseye Max makes his first appearance waiting to see Fisk, touting himself as Rigoletto's "miracle worker". He pretty much looks like 616 Bullseye, bald head with bullseye tattoo (instead of it being a scar, it could still be a scar. It looked like there were other marks on his forehead.).

Overall nice opening by Aaron/Dillon. Looking forward to see what they do with BullseyeMAX.

ASM #624 - Not a very good issue. It started great with the kick ass cover by Lark, but quickly went downhill. Azaecta's art stinks, he's supposed to move over to "Web" in 2 months so I guess this is the last we'll see of him here. I'll definitely be staying away from WOSM when it changes format.

Waid wasn't good with the Spidey trash talk, it was annoying. And Peter photoshopping pics in order to protect Jonah was tremendously out of character for Peter. He would never commit fraud to help out one of his friends, especially JJJ. He would do anything to help Harry, MJ, or Flash but he would never break the law to do so. This made zero sense. And I really don't care for this new Vulture either, bring back Toomes.

Cable #24 - I guess this is my last issue of Cable since it's changing back to Cable/Deadpool. That was news to me, I though they were just gonna cancel it. Fact is, this book has not been good for a long while now. The last time I enjoyed this book was the Brood issues. It seems like Marvel had Homecoming stretched as far as possible, because it was highly repetitive. I stuck with it just to see it through and I'm gonna read "Second Coming", but bottom line, I'm not gonna miss this book.

Dark X-Men #5 - Decent ending. It could have been better since Nate Grey's fate is now unknown. He's in Osborn's custody and is marched away to be killed, so is he gonna die??? Osborn's going down any day now, where's this put Nate???
 
Cable 24 - Finally... the last issue of Cable I'm going to buy... of course, they rack up the price to get that extra buck out of us before so many of us do the swan song with the title, but that's to be expected of money ****es Marvel.

You do know that the next issue will be the last one right? The book is getting cancelled with issue #25 :awesome:
 
So it isn't becoming Cable and Deadpool again? The cover for next month has DP on it so I just assumed it was changing. I'm 50/50 on it now. I'll have to see how the rest of the week looks by then.

Another thing about this issue, I guess Cable is not aware that Scott moved the X-Men to San Fran/Utopia since him and Hope have gone to Westchester in order to make the final jump thru time. I guess that's where DP comes in.
 
Enjoyed Batman and Robin. Fun and entertaining, with real moments of sympathetic characters shining through. Damian...a woobie? Well, it had to happen at some point. (7.9 out of 10)

I almost don't wanna ask, ....What's a 'woobie' ?
 
"A woobie (named for a child’s security blanket) is that character you want to wrap in a blanket and feed soup to when he suffers so very beautifully. Woobification of a character is a curious, audience-driven phenomenon, divorced almost entirely from the character’s canonical morality, as witnessed by the woobification of Lex Luthor on Smallville.”
http://tvtropes.org/pmwiki/pmwiki.php/Main/TheWoobie
which includes multifandom examples."

:awesome: Aren't you glad you asked?
 
This was my smallest week since the last Wednesday in Sept, 2009. In fact, smaller, because that week I technically did buy two comics, even if VENGEANCE OF THE MOON KNIGHT #1 was two weeks old. This week I only got one comic, and that was it. Considering next week I'll be getting 8, I don't have many regrets. Darn feast-or-famine schedules.

As for SWORD, while I didn't read it and I don't mean to kick fans of the beloved but poor selling book when they are down, but I think Marvel and the rest of us could and should learn a lesson from it's demise:

1). Launching any title that isn't a well known and tested franchise with a $3.99 debut issue is a lofty investment for a fan during a recession. If anything, it might be worth taking a risk on such titles by offering an especially cheap cover price, such as Vertigo does with some of their launch issues. Would SWORD have lasted longer had the debut been, say, $2.75 and thus screamed to try it out (or at least retailers to order a few more copies)?

2). If you are going to start a spin off series to a Joss Whedon story, it is best to not wait about two years.

3). If you are going to launch a book that relates to space characters, it is best to try to attach it as part of the Abnett/Lanning cosmic line that has a steady audience, rather than the X-Men Spin Off audience, as that audience has not supported an X-Men Spin Off for long in, oh, only about three years (at least).

4). If only one character has any name recognition at all, such as Beast, it is best to tell the artist to actually draw said character correctly, and not make him look like a goat/kangaroo/aardvark. I would not be surprised if regardless of the rest of the art, anyone who thumbed through issue 1 decided Beast looked like rubbish and not to bother, like I did. I might have actually considered giving the book a chance had he been drawn properly. He wasn't, I didn't, and I clearly was not alone. It is like someone launching a Wolverine book and deciding to draw him like the Noid, just because.

5). Brand is a flat, boring heroine, and no one likes her. She would have been dynamic if only Ripley and ALIEN not become a franchise and a cliche, a mere generation ago. In a universe which has Maria Hill, she has nothing original going for her besides her classification and her outfit. Merely dating the Beast is not enough. Therefore, making her the star of a $3.99 launch series based on a two year old story with no character who has ever sold a solo story since the 1970's aboard is almost asking for market failure, especially the market that Marvel & DC have created in the last 5 years in which only "important" books last. Still, Marvel managed to wring more success out of X-23, an equally boring, flat heroine (whose origin is more interesting than she is, and needs Daken to be compared with to appear meaningful), so perhaps they can be forgiven for assuming Brand had a chance. I mean, she was invented by Joss Whedon! Instead, the book had to rely on Gyrich and Lockheed of all people because Brand herself is too stiff a foil.

(And I do know I almost seem hypocritical since in the YOUNG ALLIES topic I lament that fans never have any patience for "new characters" like Brand. I just never saw much potential in her. She is and was a stock, boring "female military commander" figure who we have seen a version of in many places since ALIEN. Gender equality in fiction is not achieved by making a female soldier just as stock and boring as many male ones are. She is one of those characters who could only become interesting if someone decided to write her in a way that no other writer, even her creator, wrote her before. And to be fair, that is perhaps why Cable and Deadpool have survived, because at some point they were written by people who abandoned their stupid premises to do something different with them.)

Now for the only comic I did read this week. Spoilers ahead.

Dread's Bought/Thought for 3/10/10:

THE TWELVE: SPEARHEAD #1:
This is a bit of an oddity to me. It is a flashback prologue to THE TWELVE, a mini series that has run almost a year and a half late, with no sign of it ever being completed. It is written and drawn by Chris Weston, the artist of THE TWELVE, yet he wasn't tasked to complete the series that JMS frankly abandoned, because he had better work to do in film and DC. In fact the last page has the nerve to promote THE TWELVE #9, an issue that has been promoted for well over a year, and the fact that the cover artist dates it as "2008" says it all. Inked interior art for THE TWELVE #9 popped up on CUP O' JOE columns at least since last summer, if not earlier. It is impossible to talk about THE TWELVE without accepting and seeing that this, once again, has become a publishing debacle because of the Joe Quesada editorial mantra that while fans who like things like numerous mutants or a married Spider-Man should be pummeled into submission and get with the program, but that publishing deadlines, especially for overrated "crossover talent" from TV and film are optional. This stems, I believe, from Joe Quesada's personal experience as an artist and creator where he likely didn't always like a nagging editor whining about deadline. I respect and understand that. But in return for his endless patience, he has created a Marvel in which there is no respect for professionalism. In which a writer can shrug and say, "I didn't finish because I am very busy, bite me", and not only not be fired, but the gears of publication for whatever the series is, whether niche mini or major franchise title, will grind to a halt to await said talent's return...if ever. This is a Marvel that merrily allowed Joss Whedon's ASTONISHING X-MEN to run behind while slowpoke artist John Cassaday was free to draw for MAD Magazine. This is a Marvel that promised fans of ULTIMATE X-MEN 12 issues of material from Bryan Singer for only two calender years. That not only promised that Kevin Smith would publish DAREDEVIL: TARGET #2, but actually made Bendis wait to use Bullseye in his DAREDEVIL run because they wanted Smith to use the villain first at the time. While I almost believe that THE TWELVE #9 will be published before the ancient Mayans said the world would end in 2012, I have little faith in anything after that. If Chris Weston could be trusted to write AND draw an entire issue, why not have finished THE TWELVE? I'm sure JMS told him how the story would have ended. A script could have been emailed and approved by JMS and he been given a co-plotter credit. This isn't 1980 when portable phones were a luxury/novelty. This is one area where Marvel doesn't act like a business; it acts like a band of spoiled, obnoxious "art-eets" running it and wanting to do better than every suit they didn't like by doing the opposite of what all their bosses did, and instead if it becoming a success, becomes a farce because sometimes the suits did have a good idea (like work ethic, or deadlines). No, THE TWELVE has not run as late as ULTIMATE WOLVERINE VS. HULK, but who was EIC under that debacle?

Beyond all that, this one shot isn't bad. It's $3.99, which is a bit absurd of a price for a prelude to a mini that hasn't (and won't) finish and has been off the Diamond list for about 15 months. In it's defense, it does have 38 pages of story with zero ads. It takes place in 1945, before The Twelve were gassed and frozen by the Nazi's and even before many of them met, on the front lines during WW2. As always, the Phantom Reporter is the narrator as well as the star character. All of the members of The Twelve appear, but while some have notable cameos, such as Mr. E, Blue Blade, Black Widow, Electro and Rockman, some are just there for background hero shots, like Fiery Mask or Captain Wonder (whose name Mr. E gets wrong). Captain America naturally has a decent sized role to play, as does Excello and some other 1940's heroes like Human Torch, Blue Diamond, Whizzer and Miss America, among others. Phantom Reporter easily feels out of place not only due to the obvious super humans or super soldiers around, but even compared to the regular soldiers, who he (rightly) sees as unsung and brave, even braver than the super heroes. P.R. meets some of the heroes and witnesses the horrors of war first (or second) hand, and decides to not stand on the sidelines because he is a "tourist" (JMS' 40's term for what some super heroes called masked vigilantes who had guns and wits, but no powers). Dynamic Man likely gets the most play in this one shot, and if you didn't know he was arrogant and homophobic in THE TWELVE, you certainly won't miss it here. I think Dr. Light said "rape" less often. P.R. invites himself to a top secret mission run by Excello and Capt. America, and ends up helping to save Cap's life (alongside Rockman) at a key moment. The final two page splash ties into a splash at the start of THE TWELVE #1, so we know that it will be very soon that The Twelve's fates will be sealed. For what it is, it is a fine one shot. Not the best but far from the worst. Chris Weston tries to channel JMS' voice and to be blunt succeeds far more often than some might expect from an artist. It makes the notion of Weston not being tasked to try to write some of the last TWELVE issues proper seem more absurd. The cover credits for comics have been falsely credited to top talent for ages, even before Mark Millar would ghost-write for Grant Morrison on some Wildstorm projects. Why not have done so here?

The irony is THE TWELVE was a good story overall, in which the large cast actually benefitted from the slow pace of JMS, but not SO good that a two year gap in issues is easy to swallow. In sales it usually averaged about 25k an issue, which is bad for JMS (at least before BRAVE AND THE BOLD), but not bad considering these characters really hadn't been in print for 65 years. One wonders if THE TWELVE #9 will even sell that well, at $2.99, whatever decade it is published in. When not even creator vanity projects can some out on time or be completed when they slack, it shows a real editorial lack of will. Jim Shooter never would have tolerated such insolence. Instead Marvel has become a place where TV writers can be paid for indulging a hobby and they don't even need to be timely about it; they'll always be hired if they ask. If I was 15 months late with delivering a project at my job, I would either be fired, or horribly yelled at by my boss and feel a sense of personal dissatisfaction with myself for running so behind on behalf of a client. JMS and other often late TV writers feel no such shame and Marvel doesn't inflict any standards on them. It shows what a cottage industry comics really are at times.

I probably will finish THE TWELVE when it completes, but I have no faith it ever will before I die of old age (I just turned 28 on Tuesday). I don't believe Joe Quesada or JMS about this. I trust my eyes, that don't lie, when I look at the comic shelves. Results matter, not promises. That's how things work in the real world, although sadly, not as often around the Marvel Bullpen sometimes.
 
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So it isn't becoming Cable and Deadpool again? The cover for next month has DP on it so I just assumed it was changing. I'm 50/50 on it now. I'll have to see how the rest of the week looks by then.

Another thing about this issue, I guess Cable is not aware that Scott moved the X-Men to San Fran/Utopia since him and Hope have gone to Westchester in order to make the final jump thru time. I guess that's where DP comes in.

It's becoming Deadpool & Cable for only one issue and it deals with how Cable took Hope in Alaska during the beginning of Messiah Complex.

After that, the book is done.
 
"A woobie (named for a child’s security blanket) is that character you want to wrap in a blanket and feed soup to when he suffers so very beautifully. Woobification of a character is a curious, audience-driven phenomenon, divorced almost entirely from the character’s canonical morality, as witnessed by the woobification of Lex Luthor on Smallville.”
http://tvtropes.org/pmwiki/pmwiki.php/Main/TheWoobie
which includes multifandom examples."

:awesome: Aren't you glad you asked?

Good to know. Thanks Brian, and yes, I am glad I asked.
 
Isnt JMS going to write supes now? Fat Chance on the 12 ever finishing...

JMS is pretty overrated as a mainstream tv mogul..i mean Babylon 5? It was like OK i guess.
 
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Isnt JMS going to write supes now? Fat Chance on the 12 ever finishing...

JMS is pretty overrated as a mainstream tv mogul..i mean Babylon 5? It was like OK i guess.

He will be writing SUPERMAN and WONDER WOMAN, as well as supposedly EARTH ONE: SUPERMAN.

But...he promised to finish the Twelve on the Internet! No one lies on the Internet, especially not late professionals, right? :whatever:

I agree, JMS isn't all that, and I don't expect TWELVE to finish. He has left virtually all his Marvel works have ended either in shambles, unfinished, or a mess. I don't see why Weston couldn't have finished THE TWELVE, if he apparently can write a one shot about the characters.
 
Despite the fact that I think JMS is an okay writer and relatively ill-suited for Wonder Woman, I will more than likely give his Superman and Wonder Woman a chance.:o
 
Weston said in an interview for Spearhead given a few days ago that it would be finished; take that for what you will.
 
Despite the fact that I think JMS is an okay writer and relatively ill-suited for Wonder Woman, I will more than likely give his Superman and Wonder Woman a chance.:o

It will likely produce better sales for him than BRAVE AND THE BOLD and RED CIRCLE stuff.

Weston said in an interview for Spearhead given a few days ago that it would be finished; take that for what you will.

In New York, people assure us that the 7th Avenue Subway extention, that has only been in the works for at least 30 years, will be finished. They assure us that construction on "Ground Zero" will be finished. I take vows that THE TWELVE will be finished in the same light. Surely it will finish before time itself ends. The question is how soon before. Will it be before Obama is running for re-election? Before the 10 year anniversary of the LOST series finale? Before the next sight of Haley's Comet? :hehe:
 
I used to read it up until around issue 10 or so. It really was a good book, but I had to make some financial cuts and it got cut. I've considered going back and picking it back up again, but I just haven't. I'm still looking to cut more books, not add.
 
Forget the Twelve, I've been waiting for them to get back to New Universal for what... 2, 3 years now?!

Quesada always lies and says they're going to get to it. Get some balls and at least admit that you screwed over the people that bought the first few issues.
 
Mr X/Wolverine One Shot - I wasn't planning on getting this but in skimming it I saw that it lead into Mr. X's joining the Thunderbolts so I got it on a whim... which at $4 is a RARE thing for me. But the art looked good, I like Mr. X, and I like Frank Tieri, so I took the chance. Fortunately, I found I enjoyed the book. Between this and Thunderbolts I think Mr. X has the potential of becoming a longterm villains for some people in the Marvel Universe. He's reached a standpoint here with Wolverine, though their story can continue, but I'd actually like to see him make the switch to an Iron Fist villain. Mr. X has been obsessing over Wolverine since he's the only man alive who beat him, well, in Thunderbolts Mr. X was beaten by Iron Fist as well, and the next issue we see him obsessing over it again. The two fightest could make for some interesting nemesisery (yeah, made that word up).

Anyhow, so this book takes place just prior to his joining the Thunderbolts. For those unfamiliar with Mr. X's past with Wolverine, they've met twice. Mr. X is a sedistic killer who is obsessed with being the best fighter in the world, and he relies on his light telepathy to give him that title. He can see people's moves right before they make them so he can counter and always win. In their first encounter he beat Wolverine. In their second encounter Wolverine won because he went berserk and Mr. X couldn't read his fighting plans.

So here, we see that Mr. X has been training for a rematch to reclaim his title as best fighter in the world. He focuses on trained fighters, but also savage beasts. His goal is to bring out wolverine's savage side and beat that, since that's what beat him before. He holds an elementary class hostage and sends the teacher's head to Wolverine to draw him out. They make a deal and the battle begins. Mr. X controls the match until Wolverine realizes that he's not trying to kill him, he's trying to get him to go berserk... and so realizing that he's in power, Wolverine refuses to fight and allows Mr. X to do everything from ripping out his eye to his crotch and such, but refuses to allow the beast to take over. This infuriates Mr. X but Wolverine calls his bluff, and in walking away, he takes Mr. X's hopeful victory with him. This really bumbs out Mr. X but then Osborn calls with an offer... the Thunderbolts.

All in all it was a realy good story focused on Mr. X. I'm glad I bought the book and I hope more comes of the character after Siege. As for Frank Tieri, I really like his writing, always have. I loved his run on Wolverine (whre Mr. X was debuted I believe) as well as his Weapon X ongoing, so it's nice to hear from him again.
I actually found this book to br quite boring. I don;t know if I am just becoming a jaded Wolverine fan or what, but I don't find X to be a compelling villian. I'd rather see more complex baddies like Sabes or Vanisher, Fantomex or Deadpool. This guy is well, meh. :(
 
He's not star power level villain like Sabretooth or Omega Red, but he's definately interesting enough to be a cool thorn. But honestly, he's too 2-Dementional for Wolverine or anyone big. But against someone like Iron Fist who has no rogues gallory, he'd be a great character. Begin building that personal rivalry and it could be good.
 

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