Bought/Thought March 18, 2009 SPOILERS

JewishHobbit

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Since I don't see one started yet I thought I'd start my first Bought/Thought thread.

I haven't read The End League yet, but here's the rest. Spoilers follow this point:

Dark Avengers 3 - I think it's safe to say that Deodato is my favorate artist. He could draw a masterbating monkey and I'd hang it on my living room wall. Anyhow, this issue was good. I've liked a lot of the Avengers stuff since Disassembled but I'm aware Bendis can faulter at times and expected it with this book. I've been pleasantly surprised to find this not the case. The action here is wall to wall and we really see how frightening Morgan Le Fay is, though I'm not sure how she can keep dying and come to life.

Sentry got his moment to kill her last issue and Hawkeye/Bullseye gets his this time around. That fight was pretty good throughout, but the battle with Morgan Le Fay was a bit secondary for me in this issue. I actually liked the beginning and the end. The story starts with a previous story of Norman going to Sentry previous to the formation of the Dark Avengers and talking to him about the Void. No mention of what happened to the Void during/after Secret Invasion yet but the conversation was interesting, as Norman used his own mental problems as a way to help Sentry work toward overcoming his own. If it wasn't for the fact that you know he's doing this only for his own personal reasons, it'd almost be cool of him. And the last page with Lindy I think shows the frightening iimplications of what may come of the Norman/Sentry union.

The Morgan Le Fay storyline is okay, but I'm real curious how next issue turns out. After some coaxing, Doom finally grants Norman (as Iron Patriot) access to his armor so he can access the time cube Doom uses to time travel so that he can go back and stop Morgan from causing this grief. The last page is of Doom and the Iron Patriot ready to lay the smack down. I like this ending because Iron Patriot and Doom fighting together reminds me of the old Super-Villain Team-Up of yester year.

Good issue.

X-Force 13 - You know, I think I just get tired of hearing everyone whine. Everyone does it, I do it about Spider-Man BND/OMD, but there comes a time when it really has a point, and other times when people just run with it. Case in point... X-Force. When I complain about OMD/BND I don't call Straczynski or the other newer writers hacks, because they're all pretty good, they just did a story I wasn't much on. However, I don't see how people can still to this day call Kyle & Yost hacks when they release comics THIS GOOD every single month. Yes, they use death a lot, but I promise these stories are rewarding. They are good. I actually care about the characters who die and who live. Most writers who are 'good' or 'great' kill people and I just don't care. Kyle & Yost do it and they make me feel something. And even when you read between the deaths to the story that's right there, it's just beautiful. From Childhood's End through this issue of X-Force, Kyle & Yost have put out, in my opinion, the best X-Books in years, and I'll even say the best Marvel books as well. Yeah, get ticked when some characters die, but it makes me care and they still make me love the story. My opinion... they're some of the most talented writers Marvel has.

Okay, now that I got that off my chest, on to my review. Great issue! This is a prelude to Messiah War and part 2 of "Suicide Leper". Last issue had two minor mutants, Beautiful Dreamer of the Morlocks and Fever Pitch of Gene Nation, injected with the Legacy Virus by the Leper Queen (by order of Bastion) to the point of madness. They were then sent into large crowds of humans where their powers, now out of control, kill hundreds. This is done with the point of causing massive anti-mutant histeria.

This issue they have their new targets, 3 of Xavier's students. We see that the Leper Queen hates this and wants to kill Mutants, not humans, but has to do what Bastion says. He wont' allow her to kill herself and so she's hoping X-Force will do it for her while she kills them in the process. And so she kidnaps Hellion, Surge, and Tabitha Smith (Meltdown/Boom Boom/Boomer). Donald Pierce hints at this while under X-Men arrest to Dust and so the X-Force learn of this and go to save them. However, this seems to have been planned by Pierce and Leper Queen (and I'm assuming Bastion). Leper Queen sends Surge and Hellion out to be their bombs but keeps Tabitha with her where X-Force arrive and try to save her. However, Cyclops' main priority is the salvation of all mutants and when Beast uncovers Cable's location in time Cyclops pulls X-Force from the battle and shunts them forward in time (much to Wolverine's dismay). He claims that the X-Men will deal with Hellion and Surge, and I'm hoping we'll see that soon. Failing to save Tabitha and kill the Leper Queen, the Leper Queen is upset and says that they failed them both. She then blows Tabitha's brains out.... hey, at least Kyle & Yost are expanding their horrizons beyond the most recent students.

The issue was a bit of a nail biter but it was real good. While I prefer Choi, Crains art is beautiful. And while not there willingly, Vanisher is turning into a fun cast member for the book. They play off of him well and put some needed humor into an otherwise VERY dark book.

Honestly, I have to call this my favorate X-Book right now and probably my 3rd favorate Marvel book (behind Iron Fist and Nova, though it's a close race for 2nd). I just got caught up with Cable so now I'm really excited for Messiah War, and this add showing that Deadpool's going to be a part of it has me even more excited. Can't wait.

Young X-Men 12 - And the final issue hits. It was good, though I feel that the future scenes from this issue and the last were a complete waste of time. The current story felt like it read too quick and there was a lot more potential in this Death of Dust storyline that could have been explored. So being that the future story was pointless, I don't care to discuss it.

The main story, however, I found to be good. Of everyone in Guggenheim's book, I think it was Rockslide who benefitted the most. He really grew as a character. I liked him as the goofy jock in New X-Men, but now I really feel like he's a 3-Demensional character that I hope finds another home after this issue somewhere. He's seen all his friends die and suddenly here's Dust dead before him and Pierce is the cause, who is standing right in front of him. So he goes and beats the living crap out of him single handedly. The brainless jock takes out one of the X-Men's big baddies and does it very very well. And I feel that his reaction with Wolverine during that beating was very well done.

So Ink then takes center stage and tries to save Dust with his healing hand but fails. This then brings us to a scene later when the team is talking about breaking up, but then Ink, who has apparently become attached to them, storms in after Dust's body and tries a desparate measure. He feels that of all of them, Dust deserves to live, and he die. And so he then uses his Phoenix tat to imitate it's massive power. He succeeds and raises Dust from the dead, but the power was too much for him and he's left just shy of brain dead. Chances are we'll never see him again, but this sacrefice was a good way for him to go out and I kinda wish I would have died to make it more concrete in case no one else ever does pick him up.

The team rejoices as Dust's being alive and she briefly talks them into staying a team because they are still X-Men. And then they're called in to duty and they race off and fight off the long forgotten Neo from Cleremont's run and the book ends with them as a team, still fighting the threats of the world.

I was actually a little excited at this ending because I was one of 3 people who actually really liked the Neo. I was sad to know that we'd never see that battle beyond that point, but then I was looking at the image and realized that of the Neo shown (and they were all real Neo... awsome!) at least 3 of them died a long time ago. So now I can look at this as a nice final image for the team and not a Neo returns image, because it'd be a huge continuity error.

So in the end it was a good issue and if they would have gotten rid of the flash forward and filled it with more real story it would have been better.

As a series in whole it was decent. It had a rough start, though the first story was mostly relevent and important to the story. The second small arc was good and solitified the team, and Y-Men arc was really good. I have a feeling that Guggenheim was getting warmed up and if the book continued it would have become a very good team. Sadly, it has now gone and the future of its characters a mystery. The New Mutant members are getting their new book, but the students, whose to say. I really hope to see Rockslide, Anole, and Dust again soon. I'll think of Ink have died in a heroic sacrefice, but I thought Graymalkin was interesting and I hope he shows up again as well. Cipher, we never got to know, so I doubt she'll show up again. oh well.

A good series overall that never got beyond 'good'.

Uncanny X-Men 507 - The issue was okay but I remain bored. This is the end of the Colossus/mob storyline and I'm glad. I felt like it was drawn out and I didn't care for it from the beginning. This chapter of it was good, especially the final scene of him working toward overcoming Kitty's death. I think that's been the highlight of Brubaker/Faction's run thus far. Another thing of importance here is that Warren finally reveals his Archangel side to Beast in mid-battle and Beast isn't happy about his having kept this secret from him. I'm liking the continuity here with X-Force, as well as the continuity with Cable and Young X-Men. I'm starting to feel like the X-Books are finally starting to figure out how continuity works. If only Astonishing X-Men and the rest of the Marvel Universe could get that.

And the ending finally brings us back around to the Magneto storyline from issue 500. I can't really say what happens because I just don't care and don't remember and don't feel like finding the issue in the pile to look it up.

Honestly, if this wasn't the core X-Men book, and me a huge X-Men fan, this would have been dropped around the time of issue 504. Now here 3 issues later I still don't care. I'm hoping that now that this Colossus story is finished, it can move forward. Hopefully it'll tie-up the Madelyne Prior story, another I don't care about, and we can see what's going on with Magneto. I'm loving the drawn out multiple stories idea, I loved it back when Cleremont did it long ago, but I just don't care about these stories specifically. Faction and Brubaker are both better writers than this. I just wish they'd realize that.

Oh, and I'm not huge on Dodson's art. Never have been. I'm not as huge on Land's art like I was during Sojourn, but I prefer it to Dodson. My opinion... lose them both and bring Choi back as full time artist. Maybe then I'd like it more.

X-Men Legacy 222 - Getting bored of Xavier's solo adventures as well. This story with Danger has been pretty good but I'm ready for this book to get back to status quo soon. I saw something about some new X-Men coming and one of them who was everything to the X-Men, so I'm hoping that's Xavier and we can get over this solo stuff. It's been good, but it's worn thin.

This issue focuses on Xavier and Gambit, joined by a grouping of intergalactic nobodies (a Shi'ar, a Kree, and a Big... interesting if you've been reading Cosmic stuff of late), are hunting for Rogue in a place that Danger has converted to a huge danger room scenerio using Rogue's memories. All the while, Rogue is struggling with Mystique's mind in her own and goes through more personal issues regarding it. I'm not the biggest Rogue fan so I find myself not caring. It was nice to see various flashbacks to previous stories though, such as Gambit being left in the Antarctic in Uncanny X-Men 350. I wil say though, that the ending was pretty good. Apparently Danger has come to this place, not to avenge or kill, but to die. And the last image of the huge Danger crouched in a corner, almost cowering, was very good. Almost sad.

Wolverine 71 - Old Man Logan part 5 of 8 and still going strong. I don't much care for Wolverine's solo books and never buy them, but McNiven's art and a skim through part one promted me to give this story a shot and MAN I'm glad I did. It's been spectacular from the get go and while I don't usually care about otherworlds, I find this one fascinating and actually HOPE Millar does more with it eventually.

In this issue we find Logan and Hawkeye on the run from Venom (inhabiting a T-Rex) before Blackbolt shows up and screams the Symbiote to death (I've always wanted to see that). Logan and Hawkeye are then taken to a place where they find Emma Frost still alive, much to Logan's shock, and we sublty learned that she turned away from the hereos and married Doctor Doom for the benefit of Mutants themselves. Granted, it seems to have been for nothing because now there's aparently only about 20 muntants left. They later leave and cross Pym Cross, which is where Hank Pym, as Giant Man, apparently died and his skeleton lies for miles, his costume rotting away. And finally they make their way to their destination where Hawkeye and Logan take the mysterious box to a man resembling Hitler and his people. Turns out Hawkeye isn't carrying drugs but rather 99 vials of super-solider serums for the 99 memebers of the man's alliance. The idea is to create an army of Avengers to fight back against the villains. Hawkeye barters with the man and desires to get one of these vials to be an Avenger again and the man agrees. Hawkeye is extatic but then the man turns on them and his goods shoot up Wolverine. Turns out the man and his goons were part of a SHIELD sting for the Red Skull. He then puts a bullet through Hawkeye's head, killing him. The end for now!!!

So much happens per issue that I wish Millar could sit down with his buddy Bendis and teach him a few things. The art by McNiven is stunning as always and the banter between Logan and Hawkeye is top notch.

My opinion, this is the best Wolverine story I've read in years, maybe even ever. And Wolverine's been in a lot of stories.

X-Factor 41 - I dropped this book for quite a while but was convinced to buy it during the baby birth issue. I've since then bought all but one of the issues I was missing and have gotten caught up, and I am so glad I did. Yes, the issues I missed were crap, but everything since the baby birth has been gold.

Last issue Layla returned as an adult and this issue we see the fall out of it. The joyous reunion between her and Jamie really brought a smile to my face. And because I respect Peter David's wishes, I'll stop the spoilers there. I won't say there's any Oh My God moments, but it's definately the same quality as the past two issues. Peter David's turning this book into one of my favorates again and I love him for it. People, buy this book!

Keep on rockin' Mr. David!


And that's it for now. I still need to read The End League 7 and I'll post my review when I'm done, and I bought Justice Society 24 from a few weeks back but haven't read it either. I may be dropping that series but I'm at least giving it through the end of Johns' run. Oh, and I bought the first Invincible trade. I've already read it once but sold it due to financial issues. I'm glad to have it again and look forward to buying more later. I stopped reading the series around issue 25-30 and I really miss it. I can't wait to get caught up and refreshed and then enjoy all the "new" stuff that's come out since.
 
My comic shop said Thunderbolts didn't come out this week as Diamonds promised, but I just realized that X-Men: Kingbreaker 4 also wasn't on the shelves. Did anyone else get this? My comic shop is fairly large and they get plenty of everything, so I found it odd it wasn't there.
 
X-MEN KINGBREAKER #4 for some reason didn't ship. If you check the catalog at www.marvel.com, the official site has quietly tagged March 25th, 2009 for the ship date. Comic news sites already got advance copies to review (such as Newsarama), so it doesn't appear to be a delay due to the creative team. It was bizarre. Diamond and many other sites listed that comic as coming out this week. But, it is what it is. 3/25/09 is looking to be a whopper of a week on the wallet.

It also left me with ZERO actual Marvel comics to review or read this week, since this week I only had END LEAGUE #7 and INVINCIBLE #60. So I bought a back-issue I had been waiting for a slow week to purchase: THOR: GOD-SIZE #1.

Reviews will be up tomorrow.
 
Welp. I did it. I dropped Trinity. Dropped it like a MOTHER****ER.

Look. It's not terrible. But y'wanna know what I did the other day? I read through 52. Like, all of it. Sweet baby Buffy on a trampoline, 52 was good. It was even better than I'd remembered. It was one of the best series I'd ever read. And Trinity at the moment? To call it even a fraction of what 52 was would be a gross overestimation of fractions. It's not that I want the quality of 52 again through every single DC weekly I ever read...well, okay, I do want that, but it took seeing how awesome a weekly series could be to show me what it should be (sorry, Angel), and Trinity is not it. It's not Countdown either -- thank the dark ones it's not Countdown -- but it's nonetheless not nearly good enough. Sorry Busiek. But no.

It's a genuine shame because Trinity, in its run, contained ****ing beautiful artwork and genuinely beautiful moments. Just in the last issue or something, that depiction of the 52 Earths as 52 entities -- is that Kismet I see? -- was really cool. I find a lot of things really cool about it and the Krona story is actually really cool to me. But it all just moves. So. Damn. Slowly. I. Am. So. Bored. By. Stupid. Nothing. Happening. So. Bored. I may come around again if it improves by some drastic amount in the next, oh, two months of its run...but at this point? I doubt it.

So with that, my total number of buys this week drops down to...one single comic. The Outsiders #16. Which is fine, some interesting plot stuff and good dialogue, a respectable 7.6 out of 10.

Except that I'd feel like a complete dumbass going up to the counter and buying one single comic. So I figured, I'd just buy it next week along with a usual haul.

So with that, my total number of buys this week drops down to...zero.

:facepalm

Sigh.
 
There is nothing out this weeek that I want to buy. So if I get anything, it'll be a couple of old trades for my comic book club.
 
Slow week. X-Factor was good, although not a lot happened. The fallout of Layla's return becomes something of a B-plot, with the rest of X-Factor taking the bulk of the issue. Guido and Darwin were a lot of fun in the issue. I'm looking forward to Madrox and Layla's story playing out more. Giving thoughts on comics without spoilers is hard.
 
I can't get to my comic book shop this week.

Seems I picked a good week.
 
Yeah, even the good comics of this week are ones I don't really look forward to. X-Factor and X-Men: Legacy are the only ones I wouldn't have missed even if you twisted my arm about it. The rest of them I just picked up for various random reasons. Spider-Girl's series ended this week, but I'm so far behind that I have like a year's worth of issues to read before I can get to that. :o
 
I'm surprised it took you this long to drop Trinity Brian.

What a waste of paper and a huge waste of such a great artist.
 
Eh, there's 10 issues left. I'll probably just finish it up for the sake of finishing it. I haven't read this week's issue or last week's issue yet, but it'd take something really, really terrible to make me drop it this late in the game.
 
Trinity needs to die. :o

It's worse than Countdown and that takes major effort.
 
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X-Force- PICK OF THE WEEK! Whedon and Cassaday's Astonishing X-Men is one of my favorite X-Books. It's cinematic, snappy, and felt fresh while still maintaining the core of the X-Men. X-Force channels that same feeling. We have an interesting group, to be quite frank. This book could get lost in its own sense of history, but it doesn't. Instead, Kyle and Yost take the X-Men's history (including some questionable aspects) and make it look like a rich, beautiful tapestry. They're channeling Busiek and Perez on Avengers, whether they know it or not. Meanwhile, Crain illustrates a dark and disturbing moment in this team's history quite beautifully. Cyclops will have a lot to answer for after Messiah War. Can't wait for next week. I love that feeling. 9/10

Transformers: All Hail Megatron- PICK OF LAST WEEK! Wow. This is what I love about the Transformers wrapped up in one book. Even when I figured out who the traitor was and his motivation, McCarthy still threw me for a loop. The action, the character moments, the art... fantastic issue. 9/10

Iron Man- Larroca is often hit or miss for me, but when he hits, I'm in. This issue was a big hit. The fight between Tony and Rhodey is beautifully drawn and is just a blast to follow. Kudos to Fraction for incorporating elements from the movie, and giving us such an epic feel, as well. Someone on the Bendis board said they thought Fraction's Iron Man would be as big as Brubaker's Cap run. It's still early, but I believe. 9/10

Wolverine- Damn. This is a really crazy arc, but I love it. Venomsaurus Rex, Emma, double-crosses... the claws are comin' soon. It's been worth the wait. 8/10

Dark Avengers- Bendis has certainly assembled himself a team, here. I like this group a lot. I don't think anyone really expected this angle on the Norman/Sentry relationship, but I definitely think it's going to be a big step in the right direction for Bob. 8/10

X-Factor- Good issue. I'm really starting to enjoy this book a lot again. Never thought I'd love X-Force and X-Factor. :lol: 8/10

Transformers ROTF: Defiance- At first I disliked this mini and liked the other, now I'm bored with the other, but enjoying this one. Weird. Basically, it's the movie-verse's "War Within." Kind of appropriate since The Fallen is a Furman character from the War Within. 8/10

Amazing Spider-Man- Good. Not outstanding, but good. Things are tied up, but there are some very big things in store with the Osborn family and the Avengers stuff (I'm sure). 8/10

Amazing Spider-Man Extra- You'd think they'd plan these for the weeks we don't get Amazing Spider-Man. Anyway, pretty good. Doesn't really measure up to the previous couple, but still quality. The Epilogue to Character Assassination and the Osborn story are good, but the female Kraven story felt kinda useless. 7/10

Ultimatum- People hate this, and I get why. I don't hate it. I can't. I think it's given us one of the absolute best Ultimate Spider-Man arcs yet. I think Bendis is handling the scope a lot better, but it's still pretty interesting. 7/10

Spider-Girl- All over the place. Kind of how the relaunch has been, really. I think Olliffe's departure was one thing that hurt. His art brought the best out in Defalco, and I'm not sure Frenz really worked, either as artist or co-plotter. His Spider-Girl herself improved by leaps and bounds, but the fight scenes were just TOO old-school, and it really shows here. I like the segway at the end for May's new home, but whether or not I'll be joining her is still up in the air. I love this universe and these characters, but I feel like Defalco has become way too stubborn and jaded to really look at where things should go. PAD knew X-Factor was losing steam, so he decided to shake things up in a drastic way. I just can't see Defalco trying that now. It's a shame, because the first hundred issues were filled with some very big surprises. I'd like to see that again. 6/10
 
Trinity needs to die. :o

It's worse than Countdown and that takes major effort.
It's not worse than what I read of Countdown. I know because I'm still reading Trinity, whereas you couldn't have paid me to continue reading Countdown.
 
My comic shop said Thunderbolts didn't come out this week as Diamonds promised, but I just realized that X-Men: Kingbreaker 4 also wasn't on the shelves. Did anyone else get this? My comic shop is fairly large and they get plenty of everything, so I found it odd it wasn't there.

Thought it was just me. I was on my way back to the store lol
 
Dark Avengers 3 was AWESOME.

Deodato is the freakin' man and the story has been great as well. The first part of the story with Norman and Sentry talking about their mental problems was really cool. Deodato really did some great work with the facial expressions and I think it really helped tell the story there.

Then the rest of the issue was just awesome action -- some pretty badass fight scenes. But the ending was the best. Doom + Osborn are really looking more and more like a great "team". And yes, I use that word loosely.
 
It's not worse than what I read of Countdown. I know because I'm still reading Trinity, whereas you couldn't have paid me to continue reading Countdown.


Yea, you may be able to stomach the rest...but just like Countdown, i just can't stand how poorly written it is, and how everything happens for no real reason related to the story and the poor characterizations just kills me.
 
Thought it was just me. I was on my way back to the store lol

I didn't get Kingbreaker either. That's odd.

I thought I made this clear. For some reason Kingbreaker didn't ship at all. Check Marvel.com's official catalogue and it quietly has been moved to 3/25/09, next week. It isn't running behind as websites got advance copies to review. Diamond just hiccuped it or something. Maybe some sort of staple error or something.

No store got it this week. It should be out next week. Marvel's own website says so, and while Marvel.com is not always accurate, Marvel comics NEVER come out before the date on their own website.
 
Eh, whatever. Kingbreaker and Darkhawk finales on the same week = cool. :up:
 
I think it's safe to say that Deodato is my favorate artist. He could draw a masterbating monkey and I'd hang it on my living room wall.
MIKE_DEODATO_JR__DEVIATION_12_by_Mi.jpg

Miss_Marvel_Cover_by_MikeDeodatoJr.jpg
:wow::wow::wow:
 
Small week, with only a token back issue from about a month or two ago being my contribution to Marvel this week. Still, out of three comics, two were very good. And the other was End League.

As always, full spoilers.

Dread's Bought/Thought for 3/18/09:

END LEAGUE #7:
Running about 3-5 months late (around where Marvel's THE TWELVE is), Dark Horse's other big superhero title besides UMBRELLA ACADEMY is about as far away from that aforementioned title as you can get. It takes itself uber seriously and is uber dark and bleak. The characters aren't well defined, and it seems to have more exposition than heart to me, even 7 issues in. Quite honestly, if this was one of those weeks where I was getting ten books and my wallet was crying, like next week will be, I would have bid this book farewell. Fortunately, this was a slow week, so Dark Horse gets my three bucks for another month.

To recap, this is a series based in a world where virtually all superheroes are dead and the world is run by supervillains; like WANTED only with no vulgar jokes. There is only one team of superheroes, the last of their kind, the End League, who more often fight more for survival than against their mortal nemesis, Dead Lexington. The first two issues spent most of the character focus around the Superman anology, Astonishman, who then was promptly killed by a brainwashed Thor. Aside for Prairie Ghost (the Ghost Rider anology) and Codename Black (the Batman anology), most of the other superheroes are more character sketches or archetypes than real characters. That still is true seven issues in, which is a problem. The Joker rip, Laughing Man, has spent the last few issues tormenting Black with giving him the option to save half the team from robots, or make a play for Thor's hammer, which is the only noble object that can save the world. The hammer Laugher has isn't real, but Black doesn't know that. Lexington has the real hammer, and has cloned a squad of Atonishmen to try to use it, but their hearts are too black; they need to slaughter enough innocent souls to make a "pure heart" to allow Lexington to use the hammer. Or something. I honestly don't care enough to memorize more.

The other half of the team, Prairie Ghost and Soldier American (the name is switched because American Soldier sounded too generic; it's a Gimmick Corny) struck out into a Lexington-controlled city to find a "healer" to save their crippled ally, Blur Girl (the token speedster). The find the hero, but a body-swapping villain has posessed the Ghost and used him to kill Soldier. Fortunately, the healer, who I am unsure even had a name, sacrifices himself to save the hero, wanting to for once use his powers for a noble cause. The trio are then grabbed up by the Astonishmen.

Ah, that cover; nearly every superhero title at some point has some sort of cover with a heroine in bondage. The token "freaky hero" of the team, Arachnakid, has been freed of his trap and is off to rescue Blue Gauntlet, who is kind of like Green Lantern only a woman, and a lesbian. I wish I could tell you more about these characters than a name and what "official" character they are rips of, but I really don't know more than that about them after seven issues, because Remender seems to be from the WOLVERINE AND THE X-MEN school of writing; story matters more than character, so have a lot of events and have the heroes along for the ride. The only flaw is that without caring about the characters or being invested, it is akin to watching a wrestling match for the first time in your life; there is a lot of colorful battle, and hints of prior stories, but nothing to attach to. I think Blue Gauntlet is the lover of the woman Archnakid loves, but beyond a page of narration telling us this, that's all it gets as he rescues her, and then they rescue Mother Hive and then try for Grimwood. Black is willing to sacrifice Grimwood for a play at that hammer, which appals his allies, especially as the hammer turns out to be fake. After a beating, Laughing Man seems to agree to take them to where it is.

Eric Canete came in to do pencils from Matt Broome in the middle of issue #4, and it can be hard getting used to how he draws some of the characters; his Astonishman is almost unrecognizable. It's raw and scratchy, in the Lenil Yu school of art, which I guess works for the bleak tone, if not some of the designs.

THE END LEAGUE had a good premise, but after seven issues it is just a bit of a cluttered mess, and Remender's failed to choose maybe 2-3 characters to exclusively focus on to make me care more. I like one or two of them, but I don't think I like them enough to continue on this book for a week that has more than 2-3 other comics for me to buy. My interest in this title is very low; in a past review I claimed that the Millar/Hitch FANTASTIC FOUR was probably the only book left in my pull list that I often was irritated by in some fashion every month, but that was because I had forgotten about END LEAGUE entirely. Being a quarter of a year late will do that. I've tried to give this book a fair chance, being a non-Big Two superhero story, but I think seven issues is more than enough. The only way I can see myself bothering with issue #8 at this point would probably be if it came in a week in April or May that was extra light, like this one. The interest is just very close to zero from me. Especially with UMBRELLA ACADEMY in circulation again. This isn't even as good as UA's letter's page.

INVINCIBLE #60: To celebrate the cementation of a five year launch (and counting), Kirkman, Ottley, and FCO present a "summer event" style story in 32 action packed pages for $4, with a massive fold-out front and back cover showing Invincible and many of the series characters teaming up with practically every well known Image hero, and even some that aren't, such as Tech-Jacket and Jack Staff.

Coming on the heels of SECRET INVASION and as WAR OF KINGS starts, in some ways it is almost amusing to see Kirkman take a story that many of us are used to seeing drug out to at least six issues, or at most, heaven help us, NINE issues, from Marvel or DC for about $4 a pop being compressed into one oversized issue (or, basically, an issue and a half). It has a sudden invasion, an alliance of more heroes than you can count, a lot of fighting, a confrontation with the head villain by the titular hero with a final climax saved for a future story, some characters being mangled, and a new bleak tone for the next story. Kirkman shows some creative exhaustion from having finished the work in his letter page, and claimed more appreciation for "event" writers like Johns and Bendis, but I find it hilarious that he's basically condensed a lot of their event stories into one comic, rather than eight. Some people would call it too short; I for one don't mind seeing a simple story handled simply. It doesn't need to be much longer, honestly, if you do it right.

In about 4-5 pages, Kirkman explains how Mark Grayson's greatest enemy, the dimensional teleporter Angstom Levy, survived being pummeled to mush about two years ago. His body having been genetically modified, he survived long enough to pop into another reality and was "fixed". Now more disfigured than ever and craving more revenge against Invincible, he has gathered about TWENTY alternate reality versions of him and sends them at our "default" Earth to ravage the planet and to taint Invincible's name across the globe, as well as to try to kill his friends and family. Many of these alternate Invincible's are more designs than characters, but all represent worlds where Mark either was or became evil or corrupt. One is from a world where Mark has spent a year being tortured in Viltrumite prison; another few are from worlds where he took over Earth; one seems to hail from a world where he took Plaxian armor (see issues #3 and #14), and a few others are from worlds where he managed to kill his father Nolan, or where he lost his family to Nolan and thus has no compassion. Taken alongside the time travel story from a few issues back, and it seems as if Kirkman is laying in an overwhelming destiny of Mark Grayson becoming corrupt and cruel, like many other Viltrumites become. A relaxing scene between "our" Mark and Eve is interupted by a call from one of the prisons that they protect for profit now as a job, and Mark confronts one of his "dopples" who apparently modeled his hair after TAXI DRIVER's last act. Wolf-Man takes on Thrill-Kill to prevent a jailbreak from the battle, but Power-Plex manages to escape (the villain from issue #59).

Very quickly Cecil Stedman assembles or communicates with every hero on the globe to mobilize those that aren't already under attack. You get appearances by Youngblood, Cyberforce, Spawn, Savage Dragon, Pitt, Witchblade, Darkness, Jack Staff, Shadowhawk, Dynamo 5, Tech-Jacket, Brit, even Madman. While Kirkman makes sure to assure everyone that the almighty nekkid Witchblade didn't die, some of his own characters are not so lucky. The Global Guardians are battered to bits, with Darkwing sacrificing himself to save his allies from their enemy by trapping him in the Shadow Dimension. The Teen Team are also greatly pummeled, with Rex Splode also sacrificing himself to blow another alternate-Mark to atoms. Invincible manages to help Cyberforce (which apparently was reuniting just for the crisis) against one of his evil alternates, but at the price of Atom Eve being injured (one or both of her legs looked mangled, and a part of me hopes that Kirkman doesn't want to make an Oracle out of her). There is a lot packed into every page, with Kirkman adopting that "16 panel" grid style that kind of makes pictures tiny but is a quick way to have a lot happen. Even Kid-Omniman and the Reanimen get in on the action, although the former isn't terribly successful. With many of the world's major cities being trashed after several days of fighting, Mark remains at Eve's bedside as she recovers from her injuries, refusing Cecil's orders to abandon her during the crisis.

By then, what once was twenty alternate Invincible's has been whittled to eight, and they aren't thrilled about that towards Levy, and refuse to follow his orders to go after Invincible directly. After banishing them to another dimension for the moment, Mark, Bulletproof, and Oliver confront Levy directly for the final showdown. Knowing that he is no match for Invincible physically, Levy emplies his techno-spheres, which apparently can hammer a target like fists. A villain that watches people with spheres seems to be a classic gimmick from Kirkman as his Titannus from MARVEL TEAM UP basically did the same thing. Having originally attempted to murder Levy due to losing his temper on him after he broke his mother's arm, this time Mark hesitates for a moment, which causes Oliver to chew him out and allows Levy a chance to escape, even at the price of his own arm. Unfortunately for Levy, his alternate dimensional techno-smiths refuse to obey him due to his mishandling of the situation, and he may be stuck at their mercy, or to operate on his own. Meanwhile, Invincible is faced with a world in shambles which now will always fear him, no matter what he does, with his girlfriend and many of his allies laid up from injuries. With new villain Power-Plex being dedicated to ridding the world of Invincible, I can imagine now he would have a lot of takers.

Ryan Ottley's artwork is incredible in this issue, with consistent inks and colors all the way. While not as memorable to me as the first showdown with Levy, or that Mantis Planet stuff with Nolan and Mark fighting the two Viltrumites, this still comes close as a third to that in a way. It may have been a bit too clutters with guest characters and that hurt some of it feeling personal, such as Eve's mortal injury basically happening off panel, I get that Kirkman was trying to cover the high octane chaos of the situation and show nearly every Image superhero being involved in the fight, with many of them being mangled. There are a few brief comedic lines but it is mostly an intense superhuman war story. The irony is that when I talk about INVINCIBLE with some of my friends, they sort of were waiting for Kirkman to "make it dark" as they claim he often does at some point in his work. While INVINCIBLE has always mixed gore with humorous interludes, this next year or so promises to really make the work more intense. The only haggle is that ASTOUNDING WOLF-MAN also is along that vein, and I hoping not to basically get two series with similar tones (even if WOLF-MAN naturally has more horror/supernatural elements). Still, the idea of Invincible defending a planet that now mostly hates him will be an interesting dynamic. It may force him to get a real job and not rely on being a superhero to pay all the bills anymore. It also may fit the darker tweaks to his new costume, like the elimination of yellow. With Anyssa still believing that Mark can be "turned" to their side, it may be interesting when the Viltrumite War stuff comes to a head.

In the letters page, Kirkman approves of more use of his Eric O'Grady character by Marvel in THUNDERBOLTS, and defends criticisms of his title "coasting" sometimes before recently (even admitting some of the numbers in "the 40's" were coasting. This is a big seller for Image in the trade/HC department and still manages some 14k a month, which is pretty good for them and even sellable by DC standards (most Wildstorm comics don't sell nearly that well), so Kirkman seems to have as long on this title as he wants, along with THE WALKING DEAD. I never thought he was coasting on this title, even if some stories here and there could be called "filler" I suppose. I don't mind a story so long as it is good or entertaining in some way, and everything in this title ties together in the end.

Kirkman's really raised the stakes for himself with this story and while he hasn't failed me yet, hopefully he hasn't written himself into a box here. Still, the great thing about INVINCIBLE, beyond the wealth of characters, is that it can be whatever Kirkman wants it to be, since it is his baby and there is little editorial demand on him; hell, he is practically an editor at Image himself at this point, being one of their top selling talents. It will be curious if the Viltrumite empire manages to find a way to "nab" some of the alternate reality Invincible's for their empire, since there aren't as many "pure" members of their species left. All in all, what was promised was delivered; a summer blockbuster style story in one issue, rather than eight. Much appreciated. As always, INVINCIBLE is one of the best superhero titles on the market, and is one I always look forward to every month.
 
And the last:

THOR: GOD SIZE #1: Overcompensating much? Shipping on 12/17/08, it was a random $4 annual type story that I was sort of interested in, but often had too many big weeks to bother buying. Nearly four months later, I finally have a low week and snap it up; my LCS still had about a half dozen copies on their whopping five 40' racks of "recent" back issues and were likely glad to see one move after all this time. It's another one of those Matt Fraction written one-shot stories to plug the gap of the JMS/Coipel THOR title usually skipping a month or two at random that usually is at least entertaining. Between this and some mini's, it seems as if Marvel is grooming Fraction to perhaps take over on THOR whenever JMS decides to call it a run, and if no other high profile writer like Bendis or Millar wants it (and I hope they don't). From the strength of this story, I might go out on a limb and say that THOR may be better off with Fraction on it some day. He wouldn't have written Thor and Balder as such impotent morons before Loki's schemes.

Essentially, four different artists contribute to a 38 page story that revolves around the deceased Skurge the Executioner, and his former lover/manipulator, Amora the Enchantress. Once a pawn that Amora would employ against Thor and his mortal allies (he was a member of the first Masters of Evil after all alongside her and Baron Zemo), over time Amora grew to genuinely love him, and finally return Skurge's own affections. Faced with having to hold a bridge against the relentless hordes of Hela's undead army, Skurge made a final stand against him to spare Thor the burden of having to sacrifice himself. Despite somehow managing to get assault rifles in the realm of Asgard, Skurge fought the horde until his final breath, holding the bridge and going down in Asgardian warrior lore. Brereton basically recaps all this, essentially THE MIGHTY THOR #362 (which is reprinted in color in the back) for rookies. Fast forward to the current times of Thor's New Asgard in Oklahoma, with Balder being perplexed about why his memories of a "Skurge" seem to be strange and unfamiliar, yet he cannot recall any other memory of him. Calling on Thor, they find that Thor's memory of "Skurge" is completely different.

When JMS writes THOR, Loki could be leading an entire squad of Sentinels into New Asgard's fences with an "I WANT TO KILL THOR" spray painted on every single one, and neither Thor or Balder would see it coming in time to react. Strange things happen for months and neither of them could possibly suspect Loki. Not Fraction, baby. As soon as this strange memory occurance happens, Thor IMMEDIATELY suspects the "princess of lies" being involved and storms into her room to seek answers. Now THAT is Thor. Fraction's Thor isn't some sentimental fop who would sit quietly on a throne as Orcs suddenly appear in a forest for Balder to fight or for Sif being missing and Loki magically showing up in a black haired female form and hasn't the foggiest idea anything is amiss. Fraction's Thor would suspect Loki's involvement if he received junk mail, and that is as it should be to make Thor not look like a complete dullard. Loki would have to actually rely on guile, not story convenient ignorance by the Asgardians and major characters, to fool everyone in Fraction's book. But I digress.

To Thor's surprise, Loki's memories of "Skurge" are just as alien and off, and he believes that Loki is not involved. She suspects trickery not her own, and as Skurge, no matter what, is dead, they decide to venture into Hela's realm. Now, this bit is weird. I was under the impression that "Asgard" as we knew it ceased to exist, as it was destroyed in Ragnarok, that was why Thor was finding his fellow gods and Norse creatures on Earth, needing to be reborn. But apparently some of those "nine realms" are left, as Hela is still there. Except in later issues of THOR, when Hela seems allied with Loki because those realms don't exist. Or something. It doesn't matter much to this story, as they find Skurge's axe and determine that he was likely a warrior, and now are more disturbed that they do not recall a warrior's death. Hela quickly overwhelms the trio but finds her own memories of Skurge's death blocked, which infuriates her. Thor bargains for their freedom to settle the matter via humility, and they venture on horseback to search the nine realms, entering Svartalhelm, land of the Dark Elves. But why do these realms still exist if Ragnarok was allowed to happen in the last volume of Thor, and why are the Asgardians on Earth if these realms still exist? Oy.

But, logic doesn't matter when you have cool mystical action like this, seriously. Allred draws the sequence of the trio venturing into the realm and the nine worlds being effected, so that they keep changing into alternate costumes as they fight the dark elves and even a storm giant, which is narrated by Loki, who so hates his brother yet is forced to ally with him once again. They come upon the Worldtree, and the cause of all of their troubles; a heartbroken Enchantress, revived and trying to forge Skurge with the roots of the Worldtree itself, which threatens to destroy everything. For an "Enchantress", Amora can be obsessively loyal when she attaches to a guy, I guess. At first seeming to ally with his/her old ally Amora while leaving Thor and Balder entrapped, Loki ends up swapping places so Thor can start to resolve the situation. Thor confronts Amora and tries to reason with her to ease the spell for the fate of all, and while she does, it appears too late to stop it. Thor is forced to use the axe to prevent Skurge's rebirth and to save the nine realms. This leaves Skurge still to death, but with all memories of him intact, with which Thor and Balder ensure that some pints of celebration are had back in Oklahoma to properly honor Skurge's memory, while Amora is left to her torment beside the mangled tree.

Further art is from Braithwaite and Sepulveda and most of it in this special is just gorgeous and fitting with the tone. The only hiccup is the Allred segment, but it works for the crux of the story. It essentially boils down to a fun mystical adventure with Thor, Balder, and Loki, and is executed very well.

Plus, for economists, $4 for a 38 page story with about maybe 4-5 ads and a color reprint from the Walter Simonson run of MIGHTY THOR is a pretty damn good value for the money. THOR: GOD SIZE is a nice little adventure for your time and if you missed it this Christmas with all the shopping and ton of other comics, it's never too late to dust if off your LCS's shelf and give it a go.
 
Dread, your ****ing posts are God-sized.
 
Dread, your ****ing posts are God-sized.

Indeed, and this is only for three comics. Imagine those super-huge weeks when I get 7-10 comics. :wow:

About your avatar; who's the artist who feels that Norman Osborn should have been played by Tommy Lee Jones?
 
Mike Deodato Jr., current penciler for Dark Avengers. He's actually said in interviews that it's a combination of Tommy Lee Jones and Al Gore. But the hair is all Osborn! :up:
 

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