CAPTAIN AMERICA: THE WINTER SOLDIER is a film I was expecting to write a great review for. In the reviews I've written recently for the other Phase 2 Marvel Studios movies, I've talked much of the upward trend in quality seen in these films since THE AVENGERS, and everything I'd seen in the trailers and heard from word of mouth led me to believe this would continue that trend. Anything less than a great movie would have been a disappointment. So I'm pleased to report that THE WINTER SOLDIER actually surpassed my high expectations, offering a truly astonishing cinematic experience that's easily the best solo movie to come from Marvel Studios, and second only to THE AVENGERS in their overall output.
As well as being the best superhero film since THE AVENGERS, THE WINTER SOLDIER is also arguably the Phase 2 film that feels most like a follow-up to the smash hit crossover. While IRON MAN 3 followed up on how that film's events affected Tony Stark, and THOR: THE DARK WORLD explored the impact on the relationship between Thor and Loki, THE WINTER SOLDIER has the most amount of AVENGERS players in the mix, and takes a look at the wider world post-AVENGERS, as well as acting as a surprisingly pivotal link between that and next year's sequel, AGE OF ULTRON. After seeing this film, the need to see AGE OF ULTRON will be less about simple anticipation about seeing the gang get back together and more about unbearable anxiety over finding out just where the hell they go from here and where all the balls tossed in the air are going to land. The fact that the film achieves this while also leaving us salivating at the prospect of no less than 4 solo movies with how it leaves its characters - it doesn't even matter that 3 of them will likely never happen - is testament to the impressive plotting and characterisation on display.
But it's premature to jump to the end! This movie does so much right I don't even know where to begin in gushing about it! Let's talk about the directors, the Russo Brothers. In my previous review of CAPTAIN AMERICA: THE FIRST AVENGER, I talked about Joe Johnston's workmanlike direction, where he doesn't really do anything wrong, particularly, but a lot of it just feels like run-of-the-mil pointing the camera. Not so, here. The Russos bring to life some breathtaking set-pieces. The action here is spectacular: fast, hard-hitting, and surprisingly brutal: this is not one for the kiddies, there's enough of a body count to make those upset by MAN OF STEEL blanche, with some kills so blunt and brutal they even made me flinch. But more than the impressive action, the Russos manage suspense: much has been of the elevator fight sequence, but what truly elevates it for me is that the fight itself is the payoff to some masterful build-up, tension and stakes steadily rising so much you could have heard a pin drop in the cinema before the first punch is thrown. Add in not one but two sequences of wildly destructive car-based carnage (including the slowest car chase ever through a bottlenecked traffic jam that proves far more heart-poundingly suspenseful than it sounds), and the Russo Brothers have more than justified their early invitation to come back for part 3 in 2016. Not bad for guys I previously knew best for directing episodes of COMMUNITY.
But just as much credit should go to screenwriters Christopher Markus and Stephen McFeely. They're returning from the first film, and you might recall me hailing them then as the unsung heroes of that project, and they outdo themselves this time round. I was tantalised by reports that this film would pay homage to the 1960s/70s conspiracy thrillers like THE MANCHURIAN CANDIDATE and THE PARALLAX VIEW that I have such admiration for, but you can't help but get that cynical feeling that it may only be lip service that was paid.... like the imagery of the hero being chased by shady men in suits makes a "conspiracy thriller." Not so. This taps right into the qualities that make the best conspiracy thrillers work so well, that idea of taking the world we live in now, and with just a slight turn or a single whispered suggestion creating a nightmarish but eerily plausible picture of how the world COULD be, or even how the world MIGHT be. The conspiracy as presented here is chilling in its sheer scope and nihilistic bleakness, quite brave for a comic book summer blockbuster. This really does feel like an intelligent, adult film that just happens to have badass fighters in costumes popping up on occasion, even tapping into current political hot button issues like the question of freedom VS security, the ethics of drone strikes and even the complex morality of a case like Edward Snowden. But it's never bogged down in them, zipping along the plot at a whirlwind pace so there's always some exciting new development around the corner. And there's a wealth of Easter eggs, both from the wider MCU and from the comics. There feels like a real love for the comics here, with nods not just to Ed Brubaker and Steve Epting's "The Winter Soldier" story, but to another acclaimed comic from recent years... though to say which one would be spoiling!
And the cast are incredible too. I've heard people talk about Captain America's mythos being at a handicap as he took until the end of his first movie to enter the present day and so has less of an established status quo, but after this film I'd say there's a strong argument to be made for Captain America having the strongest ensemble of characters of any of the solo franchises. Chris Evans himself continues to be quietly excellent in the title role. Steve Rogers doesn't change or have an arc as such, he remains as utterly honest and decent as ever. But that's what's so compelling, as here we take that old school World War II goodness and put it in a world of black ops and "compartmentalization," and seeing Steve Rogers wrestle with that makes for compelling viewing. Elsewhere, the moments where we see him revisiting the years he missed (and the people that lived on in his absence) are bittersweet and poignant. And he gets to show off his powers in more impressive ways here, showing it's not just about strength and speed, but about observation, and about being able to take enormous punishment and keep on going.... clever ways of showing how the Super-Soldier Serum acts to externally enhance the internal qualities Steve Rogers has always had.
Black Widow didn't have too much to do with Captain America in THE AVENGERS, but here she makes a magnificent foil for him, Scarlett Johansson giving Black Widow a worldly, cynical quality that makes for a prickly interplay with the idealistic Cap. Scarlett really goes from strength to strength in this role, with the initial misstep of IRON MAN 2 now a distant memory. Nick Fury has mostly been a facilitator of other characters in the MCU, but here he gets right in the mix with his own emotional arc and narrative journey, and Samuel L Jackson really engages with the material, developing beyond the shouty badass he can play in his sleep and demonstrating someone beginning to wrestle with long-buried doubts. Robert Redford: great too, providing charm, quiet authority, and the gravitas that comes with being Robert Redford. And Anthony Mackie is just so likeable as The Falcon. It's a character I've never particularly warmed to in the comics, but Mackie really finds the humanity of the character, and quickly establishes a believable friendship with Captain America. This isn't a film that really dives into comedy as much as many other Marvel Studio films have, but the best one-liners come courtesy of a charismatic Mackie. I'm a fan of Falcon now.
And then there's The Winter Soldier. If I had a criticism, it's that for a movie named after him, I felt like he could have been in the film more. Don't get me wrong, he's brilliant in it, a badass who tears a streak through the second half of the film and is an electrifying presence in the climax. But in that first half, it feels like he's kept largely in the periphery, seemingly to preserve a later "surprise revelation" about his identity which is of course no mystery to anyone remotely familiar with the comics or even anyone who has been following the film's marketing with any attentiveness. As such, it almost feels like he gets a whole movie's worth of development crammed into about half an hour's worth of screentime. But I suppose being left wanting more is a good problem to have, and when he IS on-screen, he's a show-stealer. I can see this being a Marvel bad boy to make the fangirls swoon much like Loki has been doing since 2012.
One thing that's quite difficult to talk about, and it's something that I'm not sure all fans will like, is the nature of the villain in the film. Because the Big Bad isn't really a familiar, costumed supervillain from the comics, but rather an abstract idea. Yes, there are personifications of that idea, but it feels the true climactic battle with the highest stakes is a moral and philosophical one. Perhaps not everyone's cup of tea, but I for one loved the boldness of it.
I've probably rambled enough... and even now I don't think I've covered everything. There's just so much awesome crammed into this movie! Streets ahead of THE FIRST AVENGER, which I greatly enjoyed. CAPTAIN AMERICA: THE WINTER SOLDIER is the first Marvel movie since THE AVENGERS that left me wanting to watch it again as soon as it finished, and I'll likely be arranging another cinema visit before too long. A triumph on every level... I can't imagine a more rewarding mainstream blockbuster coming out this year. The gauntlet has truly been dropped for the other superhero movies lined up for the months ahead!