Updates on Abarat 4 and the third book of The Art
"I'm just finishing up on the illustrations for Volume Four of Abarat and I'm dug in, deep into the final textual fixes so we're moving towards delivery of that."
Beautiful Monsters
By Phil and Sarah Stokes, 30 May 2014 (note - full text
here)
"This is a whisper - but I'm actually, and I don't know when I will be able to start this because of scheduling, but I've started to structure the third book of The Art... It should be a whisper because it's a while off, but the fact that I have the narrative in place and I know where I'm going on it you know is useful.
"It is a massive step, and it's a massive narrative. I mean, I always knew it was going to be a massive narrative and I had to have an idea that belonged there; that had earned its place to be the third book of The Art and to my mind that meant dealing with the Western mystical traditions somehow or other - because I think that was always implicit in the first two books - you know? The Dead Letter Office was leading us to a sense of what those mystical traditions were and how it all pulled together and so this is really about the greatest evils of the last century or so against the greatest good of the last two thousand years and how we are somehow or other, for better or worse, in a place that positions us between those two things with our shoelaces tied together - in other words, in a dangerous place, not sure of our equilibrium as a species, not sure I think even if we belong alive.
"It's amazing how often I hear people say, 'You know, we shouldn't be on this planet.' I'd never heard that before. That's very new, the whole idea that the people on the animal planet are talking about the fact that we are the problem not the solution - the wolf not the shepherd - and the decent thing that we should do is just get a gun and put it to our collective heads, I'd never heard of that said before, or mooted before, but it's an incredibly scary prospect that people, sensible people now think the only solution for what they consider a more valuable piece of creation than us - which is the rest of nature - is best served by us packing our bags and leaving. And that is a frightening thought, just because sensible people are saying that. And I want to address that in the third book of The Art - we need to be pro-life; and pro-life isn't just about babies, it's about old people too...
"It was always a show - the Great and Secret Show - always the idea that there was a presentational element to the story... and the sense that there were narrative solutions which were about people taking roles: Kissoon takes a role, Tesla takes a role, the idea that there's a massive toy theatre which is the size of the world and with a narrative which is ten thousand years long. And what we're going to watch is that theatre go up in flames to find out which of those characters are made of paper and which are made of steel."
Beautiful Monsters
By Phil and Sarah Stokes, 30 May 2014 (note - full text
here)