Shorter rebuttal.
Long form:
In addition to "The Bells of Notre Dame", Hunchback has the epic "Hellfire", the best villain song ever (in my opinion), as well as the great crowd number "Topsy Turvy", the fairly good (even if derivative) "Out There", and "God Help the Outcasts". I think it's actually one of Menken's strongest and most interesting works, less the Gargoyles number.
Hercules' gospel-inspired score is a ton of fun, especially "Zero to Hero" and "I Won't Say I'm In Love".
Mulan has fewer songs, but "I'll Make A Man Out of You", "A Girl Worth Fighting For", "Reflection", "Honour to Us All" are all strong numbers to me.
Shorter rebuttal.
Long form:
In addition to "The Bells of Notre Dame", Hunchback has the epic "Hellfire", the best villain song ever (in my opinion), as well as the great crowd number "Topsy Turvy", the fairly good (even if derivative) "Out There", and "God Help the Outcasts". I think it's actually one of Menken's strongest and most interesting works, less the Gargoyles number.
If we are comparing it musically to The Little Mermaid, Beauty and the Beast, Aladdin or The Lion King, I'd agree. However, I think it is musically far above Hercules, Mulan and Hunchback of Notre Dame. Notre Dame does have that epic "Bells" theme from the beginning, but the rest of the movie is Menken's most forgettable effort, IMO.
You might be right about Pocahontas. I don't care for that movie, but the music is amazing.
I agree that the trolls were the weakest part of this movie.
I really liked the short, though I grew up watching Goof Troop, so seeing Pete cast as such a clear villain always jars me a bit, even though that's been his primary character function through most of his history (Mickey's Christmas Carol was especially creepy for that same reason).
The movie was terrific, with the exception that the music still hasn't recaptured the glory of the 1990s -- Hercules, Mulan, The Hunchback of Notre Dame and Pocahontas all have superb soundtracks, even though you can argue that this or Tangled have better storytelling/characterization. The new wave of 00s animated musicals generally manages one or two really strong songs (your "Friends on the Other Side" or "I See The Light"), the rest being functional (there's also the troll song, which I would have cut). Here, "Let It Go" is head and shoulders above everything else, and will probably make Robert Lopez an EGOT winner.
Idina Menzel's presence makes it hard not to think of Wicked throughout. Also, I don't get why you would cast Jonathan Groff and not give him any real songs.
Also I hope they exterminated those trolls afterward, because seriously, everything bad that happened in this movie was the result of their stupid advice.
All of the things the Elsa's parents do that the movie ultimately shows to be counterproductive are things the trolls told them to do:What stupid advice did the trolls give?
All of the things the Elsa's parents do that the movie ultimately shows to be counterproductive are things the trolls told them to do:
- Elsa must conceal her powers at all costs over else everybody will hate her? Trolls told them that.
- Anna should never be told about this, under any circumstances? Kind of hard to draw any other conclusion from the trolls' decision to wipe her memory.
One of the little visuals that troll wizard conjures is Elsa surrounded by other people acting horrified and angry.I don't think they said everyone would hate Elsa.
Shorter rebuttal.
Long form:
In addition to "The Bells of Notre Dame", Hunchback has the epic "Hellfire", the best villain song ever (in my opinion), as well as the great crowd number "Topsy Turvy", the fairly good (even if derivative) "Out There", and "God Help the Outcasts". I think it's actually one of Menken's strongest and most interesting works, less the Gargoyles number.
Hercules' gospel-inspired score is a ton of fun, especially "Zero to Hero" and "I Won't Say I'm In Love".
Mulan has fewer songs, but "I'll Make A Man Out of You", "A Girl Worth Fighting For", "Reflection", "Honour to Us All" are all strong numbers to me.
I rank all of those ahead of Frozen when it comes to music. I also found them to be better movies. That may change with a few more watches of Frozen. I hope they get Alan Menken on the next musical Disney movie they have.
Menken signed a contract with Disney to do more of their movies starting with Tangled, so if Disney wanted him do this one he would have had to do it. I just think Disney wants to spread the movies that Menken does out, since he's only contracted to do a certain amount of films.Agreed on all the bolded ones (save for Hercules).
Menken I feel is a bit tired of doing Disney musicals. I enjoyed Hercules, Tangled and Enchanted, but they were all intentionally moving away from that big Broadway sound he had with Ashman. I think that is why he left this one.
One of the little visuals that troll wizard conjures is Elsa surrounded by other people acting horrified and angry.
Menken signed a contract with Disney to do more of their movies starting with Tangled, so if Disney wanted him do this one he would have had to do it. I just think Disney wants to spread the movies that Menken does out, since he's only contracted to do a certain amount of films.
Tangled definitely had that broadway feel to me, though.
hmmm.......for me, Tangled's music had more of a "folk songy" vibe to it, whereas Frozen definitely had a broadway feel.
And maybe I missed it being explained in the movie, but [BLACKOUT]where were Kristoff's parents? I saw him cutting the ice in the beginning of the movie as a kid with the men, but no parents. So to the men, was he just a random kid with a reindeer that came out of nowhere and started cutting ice with them? I want to know where he was living and who he was staying with. It seems like the trolls just adopted him and that was that. There were no objections from Kristoff or anything.[/BLACKOUT]
The only time I got that feeling in Tangled was when they were dancing around in the town. Even though there wasn't any singing involved. I also got a "folk songy" vibe at the beginning of Frozen when those men were cutting the ice.
So, I guess no one has anything to say about this? It's been kind of irking me, because I've been thinking about it. lol
I think what gave me the folk songy vibe in Tangled was the use of the guitars in the songs. like right at the beginning of When Will My Life Begin or in I See The Light. at least that's how interpret folk songy.
And yes, Frozen Heart did have a very "gypsy/folk song" vibe to it.
that's a good point.
I just assumed he was an orphan. However, that could have been addressed more clearly, and it could have been something he and Anna discussed during their journey. Like, she mentions that she lost her parents at sea, and he could have said he lost his parents when he was young. something to give them more of a rapport/connection.
His parents got frozen in ice, and he was trying to chop through the ice to get to them but it was too thick and deep. That's why he's an ice chopper now.
But seriously, yeah, I would have very much preferred him sharing that story with Elsa. Would've added more depth to his character, as well.
And now I understand what you mean. Yeah, the acoustics in Tangled definitely did have that vibe.
You mean Anna.
Don't think he would have gotten very far communicating with Elsa.........![]()