The more I think on this show's season the more I consider it more harshly. It did not have to be so. That said it's seeming the more I read that this was an issue of poor planning which impacted the show in the form of a rushed production that did not have the resources to do a more than bare bones version of the Iron Fist mythos. Seriously... In many ways, despite the use of "mature languages and themes" the season played out the way I imagined an Iron Fist show done in the early 1990's would have. So I don't lay this all at the feet of the show runner. That said if there is a second season...
1. Scrap the creative team in total and bring on a new show runner.
Buck was given his shot here and now has Inhumans to over see. Let him concentrate on that. I have to imagine that property was given a bigger budget... At least I hope so. Bring in a team that is has experience in crafting action above all but also compelling human drama. I don't have the team or person off the top of my head that could do that but as stated I would not bring Buck back, and thus I would make a break from what came before.
2. Increase the budget by a substantial amount and give the creatives the time to shape the show into what it should be.
I know part of the appeal to Marvel in doing these shows is the low investment with high payoff. I get that. DD was incredibly successful and paved the way for this because it wasn't a huge production. But with this property there is no way around certain requirements to satisfactorily tell the story. A bigger budget would also to a certain extent allow for more time, but regardless, more time to plan out and shoot things in season one could only have improved all aspects. Don't be tightwad Ike. There is alot of potential in this mythology. Your main character fought a dragon to gain mystical power. That's awesomeness everyone's inner 14 year old wants to see. But it would require some SFX of a certain level to bring off.
3. FLASHBACKS to build up K'un-Lun and Danny.
A huge issue with the first season is that well, so little of the backstory and character of Danny is ill defined, or defined by exposition. Like all the previous Marvel Netflix offerings this show needed to have the audience shown Danny's life before the story we were watching in the present started. His training with the Thunderer. His friendship and rivalry with Davos. The society and history of K'un-Lun, and so much more needed to be shown. When the city is shown to be mysteriously gone... Who cares? We never made a connection to it at all. The show didn't make it a focus so it has zero impact. Gao telling us it was heaven does little. Show us Gao as a young woman there and maybe it would resonate more, the choice Danny made to leave. If Finn came across bland it's a lot more due to this oversight of the writing than anything else. He comes across whiny because he keeps telling us about his life post the crash, how he felt and what living in K'un-Lun was like for him, but we never see it. One or two episodes of that would have been enough. A peek into his progression as a warrior. Finally... We needed to see his match against the dragon where he claimed the title. They can still do all this in season two and it would make for a compelling story.
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4. Danny needs more than two modes of being.
Throughout the show Danny seemed to have only two states, naive or angry. Most of the time that's what I got from him, or that's all the story gave Finn to work with. This is another way flashbacks could have helped. Show lessons Danny learned form triumph or failure when he was training and living in K'un-Lun and then see him applying that in the present. He may not be "worldly" but why does that automatically have to translate into gullible and guileless? He is supposed to be a master class martial artist with a strong spiritual side. That was barely present at all. Show Danny having a strong sense of Zen combined with a warriors understanding of the need for cunning. Make him self critical without needlessly beating himself up. When he makes a mistake he corrects himself and his actions and moves on. Unfortunately, while this would improve the character it also would go against what's already been established in season one. Hopefully thought they can find ways to do that which now I can't see.
5. Embrace what inspired the comic characters to begin with.
TV/Streaming/Movies and comics share lots of similarities but also many differences as media. I do think it's important that one remembers what inspired Iron Fist in the first place. The Kung Fu movie craze of the 1970's-1980's. The preceding Netflix shows all understood that the flavor of what ever the comics were inspired and influenced by had to be front and center in these live action adaptations. None did this better out of the whole pack than LUKE CAGE. I may have a few quibbles about the series as a whole but above all it knew what it was supposed to be and delivered it. It knew that Cage was inspired by all the big, and some of the not so big Blaxploitation films of the 1970's. Shaft, Super Fly, Coffey, Trouble Man... Those are it's forefathers and it delivered a modernized version of that. This gave the show an essential flavor, a uniqueness. Hell forget about the musical performances on the show. Just think about the Luke Cage original music the show had. It was totally in the wheelhouse of Shaft and Super Fly. Now try and remember the music in Iron Fist... You can't. It was generic low budget streaming show background music. Now imagine it was more like say, Lalo Schifrin's music for Enter The Dragon? It wouldn't have to even be an exact match but something evocative of that style of film, again, only modernized in some fashion.
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Aping the Golden Harvest, Shaw Bros. Bruce Lee films, even keeping the tropes and cliche's is exactly what IF needed to have. What was one of the better entries in the the series? Episode 6 and episode 8. Why? Those shows had the elements familiar to Kung Fu movie fans. The drunken master fight, the former student remembering the lessons of his master in the middle of the fight ect. As nitpick of my own though... Be just a teeny more real world accurate in presenting various martial arts. Show Danny and others really know the difference between the various hard and soft Chinese styles, the Japanese Samurai arts (which is what Colleen really should have been teaching, some style of Kenjutsu combined with Akijujitsu and Atemi-waza... But I digress...) or any of the many other systems. And show that Danny can adapt to them as well.
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6. Take more cues from the modern Iron Fist run, don't relegate it to simply fodder for Easter Eggs.
One of the best things about the Matt Fraction and Brubaker run was the expansion of the lore and mythology of Iron Fist. So many new concepts. So many new characters to play with. For a season two I beg the show runners to mine all of it.
A. Bring in the Book Of The Iron Fist. This gives Danny a reason to continue training and expands the things the character can do with his power. The Chi healing of self and other. The expansion of the mind. The expansion of the senses. Iron Shirt Chi-Kung. Enhancing use of weapons with Chi. Chi knock outs and on and on.
B. Make the other Immortal Weapons supporting Characters or slowly introduce the idea of the other Cities of heaven. That is enough to explore in one season. But more importantly the other Weapons are just visually and conceptually great fun characters. And they add to the idea of showcasing real martial arts styles from around the world.
C. Introduce the idea of Orson Randall even if he doesn't appear in season one. But get into the idea of the Iron Fist being a legacy.
D. Use. The. Modernized. Costume.
7. Get out of NYC.
This may be part of the budget issues but while I wouldn't want the show to completely abandon the backdrop of MCU NYC... For a change of pace why can't this be the series that goes beyond Manhattan. Danny is rich and has a connection to an exotic locale already. Do some globe hopping. Film on location in some Asian, South Asian or South East Asian places. Go to Europe. Get Danny involved with something that starts in NYC, takes him to a few different places and then end back home. Let these Netflix series be more than just LAW AND ORDER with Marvel heroes.
I think that's about it. Notice I didn't touch on the actual fight coordination much at all. I was not of the opinion that was actually much of an issue. It wasn't bad or terrible but neither was it spectacular. That would be solved though simply by having more time and resources. Had season one had more of each they could have matched DD's infamous hallway/stairway fights.