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I like Venom so...

Venom picks Carnage up and slams him against the wall.

Carnage grabs Venom’s arm and pulls him forward. Smashing him in the face with a massive headbutt.

Venom drops his hold of Carnage and falls to his knees.

Carnage slams Venom face first into the wall. Then throws him by his head down the hallway, crashing into the doors of an elevator.

INT. ELEVATOR SHAFT
The elevator doors burst inwards as Venom and Carnage burst through them.
They fall, we count the floors / doors as they go past.

One floor, two floors, three floors

Thirteen floors later they crash on to and through the roof of the elevator car.

INT. ELEVATOR CAR
As Venom and Carnage crash through the elevator the doors open to show a shocked looking woman who promptly drops a large pile of paper work she was carrying.

INT. STARK TOWERS, OFFICES TWO
Venom lifts Carnage in the air and runs with him, smashing through several plasterboard walls that make up the sperate office rooms.

Red tentacles whip out and anchor themselves to the floor and ceiling, stopping Venom from pushing Carnage any further.

In one quick motion Carnage grabs Venoms arms and judo throws him on to the floor.

Carnage does a small somersault, both feet landing hard on venom’s chest, knocking the wind out of the big guy.

A black tentacle whips up, wraps around Carnages neck and throws him hard across the room, shattering a desk when he lands on top of it.

Taking a deep breath of air Venom rises to his feet.

He runs over to Carnage.

Carnage begins to get to his feet. He is on his knees when

Venom grabs his arm and head.

EXT. STARK TOWERS
Carnage crashes through the window head first.

He falls a few feet when a red tentacle whips out and grabs hold of the building.

Carnage swings, crashing back in to the building a few floors down.

INT. STARK TOWERS, OFFICES TWO
Venom swan dives out of the window.

EXT. STARK TOWERS
Venom falls several floors, twisting his body to an upright position as he goes.

He grabs hold of the hole made by Carnage as the red symbiote he swung through a few moments earlier.

INT. STARK TOWERS, WEAPONS LAB
We are in a large white room. The walls are covered with weapons of all shapes and sizes. Some are familiar looking machine guns, pistols and rifles. Others appear to be plasma and laser guns straight out of science fiction.

Venom hoists himself into the building where he is instantly greeted with a

ROUNDHOUSE KICK by Carnage.

Venom goes flying out of the window, shooting straight across the sky.

Several black tentacles whip out and grab the sides of the whole. Then, like a horizontal bungee rope, they pull Venom forward.

Venom lands in the middle of the room on his knees.

Still in a crouching position he turns his head to watch Carnage who has begun to circle him.

CARNAGE
Nice trick. I’ll have to remember that one.

VENOM
Keep watching. I have a lot of tricks to show you.

Carnage rushes at Venom.

Still crouching Venom spins out of the way before sweep kicking Carnages feet out from under him.

Venom brings his heel down hard on Carnages chest.

Carnage howls.

Both of them leap to their feet. Both ready for the kill.

Venom sends out a tentacle which grabs hold of a large gun. It places the weapon in Venom’s hand who then wields it like a club.

Venom hits Carnage across the face with the weapon. He hits him again, then again. Each hit knocking the red monster progressively closer to the hole in the wall.

Venom swings the heavy weapon once more.

Carnage grabs hold of it before it hits him. He smiles and pulls.

EXT. STARK TOWERS
The weapon falls many floors, shattering on the street below

INT. STARK TOWERS, WEAPONS LAB
Carnage grabs hold of Venom’s arms, twists and lifts so that Venom’s arms are straight in front of him and his palms facing upwards.

Carnage lets go of Venom’s arms just as Carnage does a massive back-flip kick that sends Venom soaring across the room and through another wall.

INT. STARK TOWERS, HIGH FOYER VIEW
Venom lands on a steel walkway overlooking the building foyer which is still at least one hundred storeys down.

Carnage walks up to him and kicks him in the face.

Venom smashes through the glass barrier and soars over to the other side of the building. He lands on another walkway on the other side, knocking over an ornamental plant, sending plant, pot and soil over the side.

Venom gets to his feet.

Carnage roars.

Both LEAP.

Venom and Carnage crash into each other in mid air.

Instantly they FALL.

INT. STARK TOWERS, FOYER
The receptionists, security guards, workers and guests all in the foyer are going about their daily business.

Suddenly a roar can be heard high above them.

Everyone looks up. Two shapes, one black, one red, slam hard into each other in mid air high up in the air.

The two shapes start falling rapidly toward the foyer.

Venom and Carnage SMASH with tremendous force into the floor, the massive shockwave knock people to their feet, windows and glass doors shatter sending shards of glass flying everywhere.

Venom and Carnage crash through the floor. Smashing through several feet of concrete to land in a

INT. STARK TOWERS, BIO-WEAPONS LAB
A large laboratory clean room.

They land on a counter filled with vials, test tubes and scientific equipment.

The lights flicker on and off, finally the lights go out.

COMPUTER VOICE
(filtered)
Emergency lights initializing in 5...4...3...2...1

Some more lights turn on.

Carnage and Venom are lying side by side, both sucking in deep lungs full of air, but neither moving a muscle.
 
You'd make a GREAT comic book writer. I can't wait to see how this is gonna end, but I'm sure Iron Man will be ticked off or something. Keep it up:up:
 
Shell head is too busy making his own movie to even care

Still glad you are all enjoying my little story
 
All around them scientists begin to scatter as the two monsters begin to stir.

Venom halfheartedly aims a blow at Carnage’s head.

Carnage blocks, showing the same amount of fatigue.

They both roll over on to their fronts and slowly get to their feet. They wobble a bit but soon find themselves upright

CARNAGE
(shakes head)
Whoa. Damn, what a rush!

Carnage kicks down on a piece of broken counter, flipping it in the air.
In one motion he grabs it and swings it at Venom.

Venom gets the full force of the hit in the shoulder and head. The bit of counter flies to pieces as Venom gets knocked sideways into another counter, knocking more scientific equipment flying.

Venom rolls out of the way just as Carnage slams down hard the bit of broken counter he was still holding on to.

Venom kicks Carnage in the back of the leg, forcing him to his knees. As he falls Carnage’s face smashes into the counter.

Venom grabs Carnage by the head, pulls it right back and SLAMS it forward in to the counter. He does this three more times.

On the fourth time Carnage puts his hand out to brace himself.

Carnage pushes back hard. Both of them stumble backwards and fall on their backs.

Venom is the first to get to his feet. He kneels over Carnage and stars pounding him hard in the face with his fists.

With each blow that is landed we can see a small crack appearing in the floor directly below Carnage which gets bigger with each blow.

Venom aims one more blow. Carnage grabs Venom’s fist as it comes towards his face.

Still lying on his back, Carnage throws Venom over his head.

Venom lands several feet away from Carnage.

Venom rises to his feet and turns just as

A LARGER piece of counter flies at him like a frisbee.

It catches him in the stomach.

Venom and Counter piece fly through the laboratory, smashing through a thick concrete wall into

INT. PLASMA ACCELERATION LAB
Unlike the clinical clean room this room looks more industrial. There are crates and barrel dotted around a steel grated floor.

In the center of the room is something that resembles a giant JET ENGINE.

In front of the exhaust are three lenses spaced evenly apart which get smaller the further away from the ‘engine’ they are.

Suddenly the inside of the engine begins to glow.

Venom flies between two of the lenses narrowly missing as

A bolt of plasma shoots out of the engine, the lenses focusing it into a high intensity beam.

The beam dies out. A whirring sound signifies the whole process is starting again.

Venom gets to his feet just as red tentacles come shooting out towards him.

He sends out his own tentacles.

The two tentacles meet and entangle in each other, directly in front of the smallest lens.

A tug of war starts between the two beings.

Both put all their strength in to the battle but neither move very much.

Suddenly the engine fires again.

The entwined tentacles that are in front of the beam are cut from their respective hosts and fall to the floor in a bubbling oozing mess.

As the beam dies away Carnage leaps over to Venom.

He lands on the wall just behind Venom, sticking their like an insect.

A brief second later he flips off the wall, kicking Venom in the face.

Venom flies into the side of the Engine.

Carnage is quickly on top of him, raining blows down on Venoms head.

The Engine begins to make a strange sound.

Venom uses a tentacle to pull up a piece of the metal floor and smacks Carnage across the head with it.

Carnage is knocked back a few steps but he quickly rights himself.

Carnage grabs Venom by the throat and slowly lifts him into the air.

Carnage throws Venom in front of the Engine but Venom uses a tentacle to wrap around Carnage and drags him in front of it too.

Carnage kicks Venom in the chest.

Venom smashes through the lenses.

Carnage goes after him. Grabbing Venom by the side of the head and pulling it down to meet his knee.

Venom manages to block the knee and pushes himself away from Carnage

The Engine begins to light up.

Carnage aims a blow at Venom’s head. His hand morphing quickly in to an axe.

Venom catches Carnage’s arm.

Venom punches Carnage hard in the chest.

Carnage flies backwards staright in to the

ENGINE

The Engine fires.

Carnage howls in agony as his abdomen begins to glow brightly.

The Engine begins to shake and moan. Steam begins to vent out of the top.

Venom dives out the way just as a beam erupts out of Carnage’s abdomen.

But it is too late. The blockage caused by Carnage has caused a massive feedback surge.

The engine begins to make more and more noise, soon it is deafinging. The shaking also threatens to tear itself apart.

EXT. STARK TOWERS - NIGHT
A load of people run out of the building.

DETECTIVE MACKEY
Is that everyone?

DETECTIVE HOLMES
All personnell evacuated sir.

DETECTIVE MACKEY
Okay we go in in teams of six.

A large group of heavily armed SWAT members line up behind the two detectives.

DETECTIVE MACKEY
(to SWAT)
Okay men you know what to do.
(pause)
Now lets get...

What appears to be a small earthquake causes the street to move. Car alarms start to go off and a few windows break.

Suddenly the foyer and next ten floors are engulfed in flames in a GIANT EXPLOSION.

DETECTIVE HOLMES
(shouting)
Everybody down!

Everyone hits the ground as a huge ball of fire rushes out toward them

DETECTIVE MACKEY
Holy ****.

He looks up. The first six floors are devastated but teh building is pretty much intact.

INT. PLASMA ACCELERATION LAB
The room is in ruins.

There are no signs of Venom or Carnage

All is silent

INT. STARK TOWERS, FOYER - DAWN
Detectives Mackey and Holmes stand in the middle of the devastated Foyer.

They are talking to a man in his mid thirties, short dark hair, moustache and business suit.

DETECTIVE MACKEY
Please sir if you would just let us do our jobs.
The moustached man raises his hand for silence.

DETECTIVE MACKEY (CONT’D)
Mr. Stark. Please!

TONY STARK
I appreciate you have a job to do but some of the stuff here is top secret.
(pause)
You understand?

DETECTIVE MACKEY
Not really. But do I have a choice?

TONY STARK
Glad you see it my way.

Tony Stark walks away leaving the two detectives alone.

DETECTIVE HOLMES
Now what?

DETECTIVE MACKEY
We come back later.

DETECTIVE HOLMES
Is that legal?

DETECTIVE MACKEY
Don’t worry. We’ll send someone else. That guy who just transferred here.

CUT TO:

INT. STARK TOWERS, BIO-WEAPONS LAB - NIGHT
The area is pitch black.

A small flashlight lights up the area.

We can now see that it is a man holding it. He is young, tall and brown haired.

VOICE IN THE DARK
(O.S.)
Hey are you all right down there?
(pause)
Mulligan are you alright?

Mulligan takes a few steps forward, walking carefully in what little light he has.

PATRICK (PADDY) MULLIGAN
(shouting)
I’m fine.
(pause)
Are you sure we should be down here?

VOICE IN THE DARK
Mackey said it was cleared.

PATRICK (PADDY) MULLIGAN
(sarcastic)
Well that’s okay then.

CUT TO:

INT. SHEILA’S APARTMENT - NIGHT
Sheila is sat on the sofa hugging a pillow as she watches the news.
On the news we can see a female News Reader.

NEWSREADER
Nobody knows what all these witnesses truly saw at Stark Industries but one thing is for certain, with an explosion that big there could not have been any survivors.

Just then the phone rings.

Sheila does not move. The answering machine takes the call.

BROCK
(through phone)
Sheila? Sheila are you there? Sheila I’m sorry but I have to go. As long as I’m around the city isn’t safe. You are not safe.
(Pause)
Until I figure things out, until I learn what I am I am just to dangerous to be around. So I’m leaving.
(pause)
Bye Sheila.
(quietly)
I love you.

Sheila buries her head in her pillow and begins to cry.

CUT TO:

INT. PLASMA ACCELERATION LAB - TIMELESS
Mulligan steps carefully into the room, debris litters the floor, bits of boxes, exploded barrels andlarge pieces of the Engine itself make it hard to navigate.

As he walks forward we hear a small squelching sound.

He looks down to find he has stood in a puddle of REDDISH-GREEN ooze.

PATRICK
(to himself)
****.

VOICE IN THE DARK
You okay? Did you say something?

PATRICK
I’m fine.

A few seconds of silence.

VOICE IN THE DARK
(Urgently)
Anything?

PATRICK
No.

Closer on the red/green ooze. It begins to crawl unseen and unfelt up his leg.

VOICE IN THE DARK
(shouting)
Mulligan get out of there!

PATRICK
What? Why?

VOICE IN THE DARK
(shouting)
That’s a biological weapons lab. I just looked at it’s manifesto
(pause)
There are toxic materials down there.

FADE TO BLACK:

INT. BLACKNESS
We see nothing but black

VOICE IN THE DARK
(screaming, anxious)
Paddy did you hear me? Paddy? Paddy? Get out of there. There are TOXINS down there.

FINAL FADE TO BLACK:

THE END?

--------------------------------------------------------------------
 
Well that was fun and I have left myself open to sequels so who knows what will happen in the future.

To all those that doubted him...

I told you Venom would be great in his own movie!
 
You're all in luck, I have decided to write a sequel.

So...coming soon to a Hype Thread Near You


VENOM 2 - TOXIN
 
*Applauds*

Well done, very well done. I'm glad there's going to be a sequel
 
Well I had thought about doing a sequel when I was writing it, then when I was writing the last bit it occured to me that there was another Symbiote (how could I forget) called Toxin, the host being Patrick (Paddy) Mulligan. So I stuck Paddy on the end of the movie and stuck in the word TOXIN(s), to keep the fanboys happy
 
Download the whole script as a PDF here

If you want to read it without readers comments :up: :)
 
Thanks.

As you may have noticed there is now a Sequel. I hope you all enjoy that one as much as this
 
I never really though of Venom as being a hero before. Very nice use of these characters and storyline.
 
I just go through reading the entire script, I thought it was awesome. Can't wait for the sequel!

:word:
 

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