I like Venom so...

[wolfsfang]

I like it. Carnages origin was quite a smart idea, never thot of that. Keep it up.

Glad you like it. Yeah I changed Carnages origin cuz I wanted to add something new while still keeping to the spirit of the characters

Anyway here is the next part (the first half of the fight of the century) enjoy

----------------------------------------------------------------------

INT. SHEILA’S APARTMENT, KITCHEN - DAY
Sheila busies herself filling the kettle, on one of the counters we can see a cup with a small teaspoon sticking out.

She plugs the kettle into the wall, flicks the switch and exits

INT. SHEILA’S APARTMENT, LIVING AREA
Sheila walks by the television set which is currently showing the news of the attack on the Police Station.

She sits on the sofa and grabs the television remote.

EXT. SHEILA’S APARTMENT, WINDOW
We are looking in at Sheila, but it is as if we are seeing through someone else’s eyes.

We watch as Sheila gets to her feet and moves toward the kitchen.

INT. SHEILA’S APARTMENT - NIGHT
Sheila walks toward the kitchen door. She stops as if she has heard something. She turns around.

Nothing.

PROWLER P.O.V.:
We are directly behind Sheila, no more than five feet away. Sheila opens walks into the kitchen. We do not follow.

NORMAL P.O.V.:
Sheila emerges from the kitchen holding a steaming cup of what is probably coffee.

A knock at the front door.

She walks to it but she does not open it.

SHEILA
Yes?

BROCK
(O.S.)
Sheila, it’s me. Open up.

SHEILA
Eddie?

BROCK
(O.S.)
Yes. Please open the door.

SHEILA
Okay. Just a second.

She undoes a bolt and turns the key in the lock.

She is just starting to open it when suddenly...

Sheila is YANKED BACKWARDS at incredible speed.

Brock BURSTS through the door to find

CARNAGE as a tight grip of Sheila’s throat.

CARNAGE
(to Brock)
So this is the little girlfriend is it?
(to Sheila)
I heard so much about you from a mutual friend of mine and
(motions to Brock)
His, that I just had to come and see you for myself.

Brock looks furious

BROCK
Let her go.

CARNAGE
Now why would I want to do that?

BROCK
Because if you don’t we will rip your spine out.

CARNAGE
Oooh. Big words. Though I would advise you to get your memory checked, because I seem to remember beating you last time.

BROCK
Last time you got us by surprise. Now we are ready.

CARNAGE
Really.

Carnage throws Sheila on to the sofa. She is dazed and confused but otherwise unharmed.

A red tentacle shoots out of the palm of Carnage’s hand.

It wraps around Brock’s waist.

Grabbing the tentacle with both hands, Carnage uses it like a rope. He swings Brock, hard, into the wall.

Plaster and debris fall down on Brock, covering him.

Carnage moves over to where Brock is covered by the debris.

A familiar black clawed hand reaches out and grabs Carnage’s ankle.
VENOM rises out of the rubble. As he does so he pulls on Carnage’s ankle. Carnage falls backwards, hitting his head hard on the floor.

Venom reaches down to grab Carnage but three red tendrils wrap themselves around Venom’s arms. They flip him head over heels into the television.

Sheila dives off the sofa and runs over to the far corner. All she can do is watch as two MONSTERS tear up her apartment.

Venom backhands Carnage, knocking him through the wall into the kitchen.
As Carnage begins to rise Venom stomps hard on his back, knocking him to the floor once more.

More red tentacles rise behind Venom and wrap around his chest.
They lift him into the air and swing him with tremendous force into a wall, then without giving him time to catch his breath, they swing Venom yet again into another wall.

Carnage rises to his feet and pulls Venom over to him.

He pulls back his fist and aims a punch at Venom’s head.

Venom catches the punch and twists.

Carnages tentacles release their grip on Venom just as

Venom’s own black tentacles slam into Carnages chest knocking him back into the sink.

They wrap themselves around Carnage.

Venom lifts Carnage and swings him into and through the apartment wall, across the hall and through another wall into

INT. BROCK’S APARTMENT
Carnage crashes into Brock’s / Venom’s apartment, landing just below the window.

Carnage rises unsteadily to his feet just as

Venom rushes toward Carnage in a tackle attack.

The window and wall explode outwards as Venom and Brock fall out of the apartment.

The two alien suited killers keep pounding each other with their fists and tearing at each other with their suits tendrils and tentacles as they
SLAM into the pavement, crashing straight through into a

INT. STORAGE ROOM
Venom lands on top of Carnage.

Carnage lifts his knees between his and Venom’s chest and KICKS upwards.

Venom flies into the air and lands outside the hole onto the street.
Carnage jumps out of the storage room

EXT. BROCK’S APARTMENT COMPLEX
Carnage lands next to Venom. He picks him up by the head then kicks him across the street, knocking over a light post.

What few people are there at first look in awe, but this quickly turns to fear. Some of them begin to run, but other seem rooted to the spot.

Carnage runs over to Venom and kicks him hard.

Venom slides down the street.

Venom slowly rises to his feet. He looks at where Carnage was but again

CARNAGE is gone.

Venom looks around.

Suddenly Venom STEPS to on side as CARNAGE comes crashing down feet first where Venom was just standing.

VENOM
You missed.

CARNAGE
I wasn’t even trying.

A black tentacle wraps itself around Carnage’s right arm and swings him hard across the street into a parked car.

The impact crushes the side of the car to such a degree that it only seems to have ever had one side.

Amazingly Carnage gets up. He seems to smile at Venom as he turns and LEAPS at the building.

He lands on the wall like an insect. Crawling up and onto the roof.

Venom runs across the street, jumps onto the hood of a car, then in one swift motion leaps into the air landing on the

EXT. ROOFTOPS
Venom lands roughly ten feet away from Carnage.

Carnage smiles before turning and running in the opposite direction.

Venom runs after him.

Carnage is running toward the end of the building. The other building is thirty feet away but Carnage doesn’t stop running.

He reaches the edge and jumps.

In mid jump Carnage twists his body just in time to see Venom JUMP after him.

Carnage sends out a long tendril.

It grabs Venom by the ankle and swings him hard. He soars past Carnage and slams into the wall of the building that they were jumping over to.

Carnage turns his body to face the right way just as he lands on the roof.

Venom peels himself off the wall, brick, mortar and plaster falling to the street below. He stays there for a moment, clinging to the wall like an insect.

He pushes himself off the wall and grabs hold of a telegraph pole. Then jumps / pushes himself off that onto the roof of the building.

 

[wolfsfang]

Venom chases after Carnage, both moving with superhuman speed. They jump from one building to the next in quick succession.
Carnage jumps to the side, falling fast to the

STREET

He lands, the force of the impact shattering windows all around him

He steadies himself and begins to run again.

Venom lands on the exact same spot Carnage just did.

Just as a CAR comes flying through the air towards him.

Venom JUMPS. He lands on the car, sending it crashing to the ground.

He looks up just as CARNAGE comes crashing into him.

The two super powers go rolling across the street.
They both flip to their feet, then simply stand and look at each other, both poised for the attack but neither moving.

CARNAGE
And you though mindless mayhem wouldn’t be fun.

Carnage laughs

Carnage rushes at Venom, punching him hard before Venom has a chance to react.

Venom sails through the air. He is about to crash into the ground head first, but he puts his hands out and lands in a handstand, then uses the momentum to flip himself backwards into a standing position.

CARNAGE (CONT’D)
Not bad. Old man.

Venom jumps toward Carnage. Carnage easily sidesteps it.

Venom swings a massive backhand at Carnage’s head. Carnage ducks, grabbing Venom’s arm as he does so.

Carnage punches Venom hard in the side. Venom howls.

Venom finds himself being thrown by his arm. He crashes straight through the side of a lorry and into the wall of a building.

Venom lies face down in the pavement. He slowly turns over, dazed and confused.

VENOM’S P.O.V.:
The vision is blurry but we can just make out the truck. The image begins to get sharper as countless red tendrils reach through the hole in the lorry.

They each grasp onto the side of the whole, roughly ten on each side, and pull

NORMAL P.O.V.:
The lorry is ripped in half, revealing Carnage.

Still holding on to the two halves of the lorry Carnage walks slowly and menacingly toward Venom. As he moves forward the tendrils lift the two halves of the lorry high over his and Venom’s head.

Carnage brings the two halves together, smashing them into VENOM, before throwing them in opposite directions down the street.
Venom is lying face down in the pavement, a large crater formed around him.

Carnage grabs him by the neck and lifts him up so they are face to face.
Carnage smiles as he raised his free arm. His hand morphing quickly into a crude axe shape.

He is going to use it to cleave Venom’s skull in two when

Venom’s TONGUE whips out and wraps itself around the axe-hands wrist.
The tongue twists and pulls. The hand snapping into an impossible angle.
Carnage screams in agony. Venom takes the opportunity and sends what can only be described as a ‘pillar’ of symbiotic suit out of his chest, smashing into the chest of Carnage.

Carnage flies backwards, crashing through the window of a television repair shop.

INT. TELEVISION REPAIR SHOP
Carnage crashes into the televisions, sending metal and glass flying everywhere.

Groggily he gets to his feet. He looks at his hand which is still twisted into a weird angle.

He simply flicks his wrist and it is quickly as good as new.
Venom walks through the hole in wall just as

A LIGHT illuminates the street behind him. Venom turns his head and looks up.

A HELICOPTER with the word POLICE on the side is hovering just above the buildings, a powerful SPOTLIGHT aimed at VENOM.

A second helicopter comes onto the scene. This one is labelled MRVL NEWS.

Venom turns his head to face Carnage but

Yet again CARNAGE IS GONE

EXT. STREET
Police cars and two vans labelled SWAT speed into the scene. Heavily armored and armed men and women jump out of the vehicles.

Hand signals are giving and they all make a wide circle around Venom, using the cars and Vans as cover.

It is then that we see that there are more police and swat teams on the roofs of the buildings, on balconies and aiming their guns out of windows.

Venom doesn’t look that bothered.

We move closer on Venom’s face so that we actually move through the mask

CLOSE UP:
Brock’s face. He closes his eyes.

A flash, a vision. He sees himself as if he was looking down at himself from high above.

NORMAL VIEW
Venom slowly tilts his head and looks up.

Numerous men in police and SWAT uniforms are all looking down at him, all with guns pointing down at him

His eyes rest on a man in a police uniform who is not wielding a gun. The man’s face is hidden by a gas-mask but we instantly recognize the bright red hair.

One of the officers next to Kasady notices that he is not holding a gun.

OFFICER
(to Kasady)
Where’s your gun?

No reply

OFFICER (CONT’D)
(to Kasady)
Officer,
(looks at Kasady’s name tag)
Kasady. Where is your gun?

Kasady slowly turns his head and smiles.

As he smiles the mask seems to break apart into many tiny tendrils before getting sucked back into Kasady’s shoulders.

OFFICER (CONT’D)
Oh ****.

The other officers on the roof all turn and look just as

Kasady’s SWAT uniform begins to tear itself apart, becoming a multitude of tentacles and tendrils, changing from a dark black in a blood red as they wrap themselves around Kasady’s body until...

Carnage looks at the officer and smiles.

OFFICER (CONT’D)
(shouting)
It’s the other one! OPEN FIRE.

A single officer standing five feet behind Carnage fires a single shot.

Carnage grabs the officer who asked to see his gun. He pulls him so that he is in the path of the bullet. The bullet hits him directly in the face.

Carnage shoves him into the officer who fired the shot, before kicking them both off the building.

Time slows to a crawl as tentacles and tendrils whip out of Carnages body. They begin grabbing officers, ripping the guns out of the grips, breaking bones and removing limbs.

INT. NEWS HELICOPTER
The pilot and the camera-man can only look on in shock and awe as the red monster literally tears the police officers apart.

As they watch a few of the officers manage to squeeze off a few rounds, but the bullets have no affect on Carnage.

 

[Swordmaster]

 

[wolfsfang]

Well what do you expect to happen when the two symbiotes get together? They sit down and have a cup of tea while discussion wallpaper.

As you can probably tell the fight isn't over yet and this is just the mid movie one. So we still have the final fight to look forward to.

 

[Swordmaster]

Damn...

Well, props to you for writing an swesome fight scene

(Though it would be somewhat amusing to watch Venom and Carnage, as you put it, sit down and have a cup of tea while discussing wallpaper.)

 

[wolfsfang]

Damn...

Well, props to you for writing an swesome fight scene

(Though it would be somewhat amusing to watch Venom and Carnage, as you put it, sit down and have a cup of tea while discussing wallpaper.)

Perhaps in the sequel.

"Venom faces his toughest challenge yet. what wallpaper will go with his nice new carpet?!"

 

[Swordmaster]

I think the blue one would

 

[wolfsfang]

Carnage turns quickly and looks directly at the two helicopters.

He crouches, then jumps with superhuman ability.

He lands on the windscreen of the Police Helicopter

POLICE PILOT
(panicked)
****. Someone get it off me.

Carnage leans back and smashes his fist through the windscreen. Grabs the pilot and rips him free of his seat, pulling him through the window.
The helicopter goes into an uncontrolled spin, moving down to earth very rapidly.

Carnage still has hold of the pilot with one hand who is kicking and screaming and desperately trying to get free, even though he has no where to go.

Carnage slowly lowers the pilot as if he is bout to drop him, but then he changes direction and instead throws the pilot into the air.

Blood splatters the helicopter as the Pilot is hurled through the whirling blades.

Carnage pushes off backwards, doing a massive back flip to land back on the roof he was just on, just as the Helicopter CRASHES into the street and explodes.

Police officers, SWAT and even VENOM jump for cover as large flaming chunks of helicopter fly out in all directions.

Carnage jumps down, landing heavily on the smashed wreckage of the helicopter, the reflection of the flames dancing in his eyes.

He pulls off one of the blades from the propellor and throws it.

The blade soars through the air, spinning like a boomerang straight toward
Venom DUCKS at the last second. The blade imbeds itself deep into the wall behind him.

Carnage leaps, landing like a cat on the blade stuck in to the wall behind
Venom.

He back flips off the blade, kicking out with both feet into Venom’s chest.

Venom flies back several feet.

Carnage lands in a crouching position beside three men in SWAT uniforms.

The three SWAT men quickly aim their guns at Carnage.

Before they have a chance to fire Carnage does a sweep kick, knocking two of the men off their feet. Carnage uses the momentum of the attack to the bring himself swinging into a handstand, as he does so the first foot connects with the third SWAT man’s gun, knocking it out of his hand and Carnage’s second foot kicks him hard in the face.

The man is just leaving the ground when Carnage finishes the motion into a
handstand and flips onto his feet. Carnage turns around very fast and grabs the man by the side of the head.

Head meets pavement with incredible speed and force.

Carnage turns around to look at Venom but

VENOM IS GONE.

CARNAGE
(quietly)
Run, run, as fast you can, but I will find you, little Gingerbread-Man

 

[Symbiote Hulk]

Awesome story! I love it when Venom's the "good" guy.

 

[wolfsfang]

Yeah I went for the whole Lethal Protector approach. He protects the innocents, just in a very violent and brutal manner. Oh well each to their won I suppose.

To give an idea of the action I am going for when Carnage is surrounded by cops, think of action movies such as Equilibrium, Ultraviolet, Underworld and so on where a single person is surrounded by lots of heavily armed people, then using great skill and training, the hero (or in this case the villain) is able to dispatch every single person without getting hit once themselves.

Of course this time instead of guns or swords to aid him, Carnage as the weapons that come naturally to him. But still it will have all the flips, dodges. Kicks, punches, turns and so on that you see in those high action scenes.

Of course Carnage uses tentacles and the knives and axes that his hands can form to dispatch his enemies and not the guns used in this clip but it will give you the basic idea of the speed and skill that he would move with.

http://www.youtube.com/watch?v=tINWl0gzQWI

The bit with the sword would be the closest to what Carnage would do.

 

[Symbiote Hulk]

Yeah I went for the whole Lethal Protector approach. He protects the innocents, just in a very violent and brutal manner. Oh well each to their won I suppose.

To give an idea of the action I am going for when Carnage is surrounded by cops, think of action movies such as Equilibrium, Ultraviolet, Underworld and so on where a single person is surrounded by lots of heavily armed people, then using great skill and training, the hero (or in this case the villain) is able to dispatch every single person without getting hit once themselves.

Of course this time instead of guns or swords to aid him, Carnage as the weapons that come naturally to him. But still it will have all the flips, dodges. Kicks, punches, turns and so on that you see in those high action scenes.

Of course Carnage uses tentacles and the knives and axes that his hands can form to dispatch his enemies and not the guns used in this clip but it will give you the basic idea of the speed and skill that he would move with.

http://www.youtube.com/watch?v=tINWl0gzQWI

The bit with the sword would be the closest to what Carnage would do.

Sounds good,

 

[wolfsfang]

Behind a van Detectives Mackey and Holmes rise slowly to their feet, after leaping out of the path of the exploding helicopter.

All around them cops and SWAT are doing the same.

Quickly guns are made ready and aimed at

NOTHING.

Both Venom and Carnage are gone.

DETECTIVE HOLMES
****. Where the hell did they go?

INT. BROCK’S APARTMENT COMPLEX, STAIRWELL
Brock stumbles up the stairs, falling to his knees on a few occasions. He is badly bruised and bleeding from numerous lacerations and small cuts.

Just as he reaches the top a pair of Women’s legs appears in front of him.

He slowly lifts his head up.

INT. SHEILA’S APARTMENT
Sheila supports Brock’s weight as she helps him in to her apartment.

She lies him down on the sofa which she has put right since the battle.

She ruses off screen, a sound of a FAUCET running and she comes running back in with a wet rag.

She starts to dab Brock’s face clean, pressing it gently against his forehead.

SHEILA
Eddie? Eddie can you hear me?

Brock nods

BROCK
Not so loud. My head’s killing me.

SHEILA
What the hell happened? What are you?

BROCK
Nobody. Eddie Brock, your neighbor.

SHEILA
No I meant...

BROCK
...I know what you meant. We don’t want to talk about it.

SHEILA
There you go with the whole we thing. You know at first I thought it was just the way you talked. But, now. I don’t know, it seems to be something more to it.

Brock slowly moves himself to a sitting position.

BROCK
Okay you want the truth?

Sheila nods

SHEILA
Sure.

BROCK
Well it all started with a certain wall crawler.

SHEILA
You mean Spider-Man?

BROCK
Yeah. Now as I was saying. Do you remember when Spider-Man had period where he wore black?

Sheila nods YES

As Brock talks we see images that relate to what Brock is saying

BROCK (CONT’D)
(V.O.)
Well what was not made known to the public was that it was not simply a change of color. His new suit was actually alive, a living alien suit that was trying to slowly take over. Needless to say that when he found out he was quite quick to have it removed. So in the dead of night at the top of a bell tower he tore it off his body, the sound of the bells keeping the suit from clinging back on to him as he did so. What he was not aware of was that I had been following him. I entered the Bell tower just as he left where I was discovered by the black ooze that had formed Spider-Man’s suit. At first I used my new suit to hunt down Spider-Man, you see I blamed him for all the bad things in my life. But the more I hunted and stalked him the more I begun to see the good he did for the city. I realized that as much as I hated him, and still do, that he served a better purpose alive then dead. So I left. I moved away from New York, to somewhere I could start over. So I came here.

Sheila is sat on the floor, her mouth open in a look of shock and awe at the story she just heard.

SHEILA
Christ.
(a Pause)
So this other guy. The red one. Is he like you? Are there two suits?

BROCK
Two symbiotes? Well I didn’t think there was. I always assumed my suit was the only one. I’m not sure how or where he found his but one thing is for certain.

SHEILA
What?

BROCK
I have to stop him.

SHEILA
Why you? Can’t you let the police or army handle him?

BROCK
He would slaughter them before they got close. As much as it hurts to admit it, especially to my friend.

Sheila looks confused at this remark but a slow look of REALIZATION appears on her face when she realizes that he is referring to the Symbiote.

BROCK (CONT’D)
This new guy is strong, stronger than us. He is bullet proof, super fast and able to throw cars and truck around as if they were weightless.
(pause)
No. The police won’t be able to stop him.

 

[Symbiote Hulk]

This keeps getting better and better...

 

[dr venture]

This story is great. Keep up the good work

 

[Swordmaster]

This story is great. Keep up the good work

Keeps getting better and better. Keep up the good work

Spoiler

Read Spartan

 

[wolfsfang]

EXT. SKYSCRAPER ROOF TOP - NIGHT
Carnage stands on the very tip of the sky scraper looking down at the city below.

A FLASH of lightning

Carnage is gone.

EXT. WAREHOUSE - NIGHT
Kasady walks toward the front of the warehouse. He lifts one of the shutter doors part of the way open, bends over and slips inside.

INT. WAREHOUSE
It’s dark, too dark to see anything.

A light flickers on and off, gradually getting brighter until

The building is illuminated.

Kasady walks over to a small area in the far corner that is fenced off.

FENCED OFF AREA

In the fenced off area is a small table and a locker. Kasady opens up the locker and removes a small case.

He puts the case on the table, opens it, and removes the contents, which consists of various knives and a few guns.

He smiles as he dumps the contents of the case in the bin.

INT. SHEILA’S APARTMENT - NIGHT
Brock and Sheila are sat on the sofa. Sheila is holding a cup of coffee, her hands trembling slightly.

SHEILA
So what does he want?

BROCK
We don’t know. We can sense him but his mind is so
(thinks)
Wrong, that we are having a hard time understanding his grand plan.

Brock stands and walks over to the window. He peers out into the darkness.

BROCK (CONT’D)
That is of course if he even has one.

SHEILA
What do you know about him?

BROCK
We already told you. Not much. His mind is too twisted for us to read.

SHEILA
But you must be able to pick up something. Try.

Brock closes his eyes. Concentrating

BROCK
He needs, no, lives for violence. He seeks attention. He needs to feel total control over life and death. He will probably strike somewhere,
(pause)
I don’t know.

SHEILA
Come on Eddie. Think. If you were him where would you go.

BROCK
Somewhere big. Somewhere important. Lots of people, the more famous the better.

SHEILA
Wait.

Sheila stands up. She begins to rummage through the rubble that is littering her apartment floor.

She picks up a small piece of wall.

SHEILA (CONT’D)
Ha.

She bends over and picks up a crumpled newspaper.

She hands it to Brock.

SHEILA (CONT’D)
Hot off the presses today. Is this the kind of thing you meant?

SHEILA (CONT’D)
It says all the top people will be there. Mayor, Chief of Police. If they’re rich,
they’re there.

CLOSE UP OF NEWSPAPER

The heading reads.

CHARITY BALL AT HAMMER TOWERS

We zoom away from the newspaper and find that we are now in

INT. HAMMER TOWERS, LOBBY
A lone security guard is reading the newspaper. He is sat in front of a large circular desk. On the desk their are monitors showing the different entrances, exits and floors of the building.

The security guard turns the page. A new smaller heading that reads simply

CARNAGE IN THE CITY

CARNAGE
(O.S.)
Carnage! I like the sound of that.

The security guard spins around in his chair.

Carnage is before him.

The security guard opens his mouth to scream but Carnage quickly clamps a claw / hand over his mouth.

CARNAGE (CONT’D)
Shhh. Hush now and sleep.

Carnage’s other hand forms a small blade which he uses to cut the guards throat.

HALLWAY, OUTSIDE PENTHOUSE BALLROOM

Two armed security guards stand in front of a huge ornate double door. This is the only door on the floor except for the doors to the elevator.

The elevator dings.

Slowly the elevator doors open.

The guards stand and watch, their hands moving instinctively to their weapons.

Cletus Kasady steps out. He is wearing a tuxedo.

He moves toward the doors but one of the guards stops him.

GUARD
Invitation.

KASADY
Excuse me?

GUARD
Your invitation please.

Kasady shrugs his shoulders.

KASADY
Okay.

Kasady grabs the guards arm then twists and bends, forcing the elbow in the wrong direction.

The guard is in too much shock to make any sound, but the other is not.

GUARD TWO
What the hell?

Kasady, still holding onto the first guards arm, delivers a massive kick in to the mid section of the second guard, sending him hard into the wall.

Then he places his free hand on the head / neck area of the guard he has a hold of. He pulls the arm and pushes the head.

The result is the neck of the guard snaps and the arm is ripped off at the shoulder.

INT. PENTHOUSE BALLROOM
We are in a large room decorated with lots of priceless paintings and sculptors. The room is filled with chairs with a make shift auction stage at the front.

The chairs are filled with men and women in their best tuxedos and dresses.

On the stage is the auctioneer.

AUCTIONEER

So what am I bid for this lovely painting?
(pause)
Do I hear fifty thousand.

VOICE IN CROWD
FIFTY

SECOND VOICE
ONE HUNDRED

THIRD VOICE
ONE FIFTY

CARNAGE
(O.S.)
Prices like that and they call me a monster.

Everyone turns around to see who spoke.

They all gasp and scream in terror and shock.

Carnage is standing in the doorway. Held in the air by a red tentacle / pseudopod is the limp body of the second guard.

Carnage moves forward, casually throwing aside the body which crashes into a large glass statue.

He sees the horror in their face and smiles.

CUT TO

Venom comes crashing through the window.

Carnage, who is holding on to a young woman in a black dress, turns to look at him.

CARNAGE (CONT’D)
Just couldn’t stay away could you? Tell me the truth. You love slaughtering people as much as I do! Go on, admit it.

VENOM
Let the woman go.

CARNAGE
Fine.

He drops the woman on the floor. She rises to her knees and quickly scurries away. Carnage watches her in disgust before turning his attention back to Venom.

CARNAGE (CONT’D)
I don’t get you. Why are you protecting them? Why do you deny what you are?

VENOM
I protect them because it is the right thing to do. I protect them because they are innocent.

CARNAGE
Oh puh-lease. These people are about as innocent as I am. We all know what rich people are like.

VENOM
So you think you can be their judge and executioner?

CARNAGE
Well perhaps not a judge. But you have to admit I have executions down to an art.

VENOM
You know I will stop you, right?

CARNAGE
Why? Why follow their rules. They’re just pitiful, They’re human.

VENOM
So are we.

CARNAGE
No. We were! But not anymore. Come on. You feel the power inside you, just the same as me. The moment you joined with the suit you became more than human. We became GODS!

VENOM
No. We became monsters. But I refuse to let that be my fate.

CARNAGE
(spits)
Foolish human sentiment. I suppose the ***** put you up to it.

CUT TO:

INT. SHEILA’S APARTMENT
Sheila is sat on the Sofa.

Venom is crouched on her window.

SHEILA
Be careful Eddie.

Venom’s Mask retracts back into his shoulders

BROCK
Don’t worry.
(pause)
Bye.

The Mask reforms and he jumps out of the window.

Sheila runs over to the window and looks out.

SHEILA
(quietly)
Bye Eddie.

 

[Swordmaster]

^Definitely one of your better chapters. Which is saying something, since all your chapters are good










*Note I use Chapters lightly

 

[wolfsfang]

Yeah well scripts don't come in chapters. I just write as much as I can be bothered at the time, then I post it for you all to enjoy (or not). What is here is as much as I have written. Well up to this point of course

 

[Swordmaster]

Yeah well scripts don't come in chapters. I just write as much as I can be bothered at the time, then I post it for you all to enjoy (or not). What is here is as much as I have written. Well up to this point of course

Which is why I used it lightly. I guess a better term would be 'segment'?

 

[wolfsfang]

I prefer to call it a "bit" as in "the next bit"

 

[Swordmaster]

I prefer to call it a "bit" as in "the next bit"

In the words of my good friend, Morgan Freeman, "Fair Enough"




It was a very good bit, btw

 

[wolfsfang]

CUT TO:

INT. PENTHOUSE BALLROOM
Carnage begins to slowly walk around Venom. Venom merely turns his head to watch him.

CARNAGE
Stop me? Stop me? Really?
(laughs)
Come on man, we’ve been through this before. How can you stop me when every time we meet I kick the crap out of you?

VENOM
True, I admit you are stronger. But there is one thing you forget.

CARNAGE
What?

A long black tentacle flies out of Venom. It grabs Carnage by the head and slams him hard to the ground.

VENOM
I’ve been wearing the symbiote longer than you.

Still on the floor Carnage raises his hand and fires several small projectiles from his finger tips.

Venom moves swiftly to one side, the projectiles imbedding themselves in the wall behind him next to large WINDOW.

Through the window we can see another Skyscraper. A large SIGN reads

“STARK INDUSTRIES”

As Carnage begins to rise to his feet the guests begin to run toward the doors.

He turns to look at them, throws a quick glance at Venom, then moves the frightened guests.

A woman in a red dress pulls open the doors but it is quickly slammed shut by a long red tentacle.

She pulls as hard as she can, others begin to help, but it is no use. The door is held tight

RED DRESS WOMAN
(crying)
Please.

VENOM
Let them go.
(shouting)
NOW !

CARNAGE
No.

A black tentacle wraps itself around the red tentacle that holds the doors shut and pulls it away.

The people take the opportunity to open the door and run out.

Carnage looks angrily at Venom.

CARNAGE (CONT’D)
Why do you insist on ruining my fun?

VENOM
Killing innocent people is not fun? But tearing you to pieces will be the highlight of my day.

Carnage leaps at Venom, pushing him hard into the wall.

Venom grabs Carnage by the neck and then swings him around into the wall.

Carnage knocks Venom’s hand away from his throat then backhands him across the room, shattering a table and knocking some of the chairs flying

Carnage is quickly on top of Venom. He picks him up and throws him into the air. Venom slams into the ceiling before falling hard to the ground face first.

Carnage grabs Venom’s arm and throws him across the room. More chairs are knocked aside as Venom crashes onto the make shift stage.

CARNAGE
So old man, when do you plan on tearing me to pieces?

VENOM
Pretty much now.

Venom rises to his feet, grabbing a broken piece of wood as he rises.
He throws it hard, his superhuman strength enabling it to stick deep into
Carnage’s shoulder.

Carnage staggers back. He looks down at the piece of wood

CARNAGE
(laughing to hide the pain)
Ow. Man that hurts.

He grabs the wood and pulls it out. Blood drips off the edge.

CLOSE UP OF WOUND.

The hole in Carnages shoulder vanishes before our eyes and the suit repairs itself.

NORMAL VIEW

Carnage admires the piece of wood for a few seconds before tossing it aside.

CARNAGE (CONT’D)
Nice shot.

Carnage rushes at Venom. Venom grabs him, twisting his own body around and letting Carnage’s own momentum help to slam himself hard into the wall by the window overlooking Stark Industries.

Carnage is just getting to his feet when it is his turn to be hit by a charging
Venom.

Both of them smash through the wall

EXT. HAMMER TOWERS, PENTHOUSE - NIGHT
We now see how high they are. The ground is at least one hundred and fifty floors down.

The force that they exited Hammer Towers propels them across the street.

They smash through the windows of Stark Industries several floors lower than the Hammer Towers Penthouse.

INT. STARK TOWERS, OFFICES
The room is filled with people at desks, answering phones and typing on computers.

Suddenly the large windows that fill the entire wall shatter inwards as Carnage and Venom come flying through.

The people rise to their feet, screaming and running for the exit.

Venom and Carnage are locked together in a mutual grip.

Venom manages to get a foot free and kicks Carnage hard.

Carnage slides rapidly across the room, through a glass door and into a hallway.

He rises slowly to his feet just as Venom slams once more into him. Carnage is knocked back against a wall, leaving a large impression in it as he falls forward.

 

[dr venture]

This keeps on getting better and better

 

[wolfsfang]

I'm glad you all are liking it.

Have you spotted all the references to the other Marvel Characters yet?

 

[Swordmaster]

Like Justin Hammer and Tony Stark? Oh yeah. Nice touches.