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Iconic movie score in recent years

ray243

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One thing that annoys me recently is the fact that there hasn't really been MUCH iconic movie score that has been produced in blockbusters recently, especially in the past five years of so.

Has there been a movie theme that audience can easily hymn and recall without much trouble? I find it hard to easily recall the main theme from a number of recent blockbusters, even for major films like Avatar, Avengers and etc. Has there been a recent trend away from creating movie soundtracks that is iconic?

I mean would people even recognise the theme from Avengers if it was suddenly played by a orchestra?
 
Marvel doesn't care about musical scores, that's ok though.

I thought that Star Trek, dark knight, catching fire, and inception had great scores.
 
Marvel doesn't care about musical scores, that's ok though.

I thought that Star Trek, dark knight, catching fire, and inception had great scores.

Hmm..but I think there have yet to become as iconic as the original Batman score, Star trek score don't you think?
 
100% agreed. It has become a lost art.
 
I would point to Howard Shore's work on LOTR as the last truly iconic composition. I'm finding The Hobbit falling way short. Hans' work for Nolan's Bat films and Inception have been extremely memorable. I'd put them up there with LOTR, but docked a few points for not really being all that melodic. Star Trek is beautiful (dat French horn!). I just don't know how much it would be recognized by the kind of general public that doesn't go to sites like this.
 
I feel like I'm the only one who loves the Avengers theme. Seriously, when it played after the "I'm always angry" moment, I got really pumped up. And I also love its full reprise at the end credits.

Other good recent franchise scores: Nolan's Batman trilogy, JJ Abram's Star Trek movies, and The Hunger Games.
 
I would point to Howard Shore's work on LOTR as the last truly iconic composition. I'm finding The Hobbit falling way short. Hans' work for Nolan's Bat films and Inception have been extremely memorable. I'd put them up there with LOTR, but docked a few points for not really being all that melodic. Star Trek is beautiful (dat French horn!). I just don't know how much it would be recognized by the kind of general public that doesn't go to sites like this.

Yeah. I think that the last truly iconic score was for LOTR.
 
I don't know. I can't for the life of me think of the music from The Hunger Games, despite how many times I've seen it. The Avengers was good, but I have a hard time putting that tune together in my head as well.
 
It has annoyed you that there haven't been any iconic original scores as of late? Really? The bar is set at iconic?

I'm sorry, but that seems like a pretty bizarre barometer to me. There's a reason why we haven't seen it that often, as it's not exactly an easy milestone to achieve. Anyway, I can't recall any scores I'd consider iconic either in the last decade or so, but I've heard plenty of damn good ones. My favorite in recent times would have to be the Tron: Legacy OST. Mediocre movie, but Daft Punk hit a home run with the score.
 
Ooooh, TRON: Legacy is outstanding. Totally forgot about that one. It occupies a fair amount of real estate on my workout mix.
 
But when you think about it how many iconic scores can you name? You can go through the normal list I guess (Jurassic Park, Jaws, Star Wars etc etc) but those themselves are very rare. There have been the odd few. Lord of the Rings. I'd argue the most recent and most memorable to the wide public would surely be Harry Potter?

And I can hum The Dark Knight and Inception themes but I'm not sure how well known they actually are. Zimmer's Inception score got A LOT of praise though.

You can always look back and say look how iconic they are! But they're only iconic cause they stood the test of time then, think of the hundreds of other films that had soundtracks during those years. There's definitely some now that will have the same impact years from now.
 
Hunger games, Abrams' Star Trek, Harry potter (though that's over a decade old at this point, though I loved Alexandre Desplat's score for the final two). Desplat and Giaccino are my two favorite composers working today.
 
My favorites in recent years...

LOTR
The Dark Knight Trilogy
Man of Steel
Tron: Legacy
Gravity
The Raid

Whether any of them are iconic is up for debate, but I think they're all outstanding.
 
But when you think about it how many iconic scores can you name? You can go through the normal list I guess (Jurassic Park, Jaws, Star Wars etc etc) but those themselves are very rare. There have been the odd few. Lord of the Rings. I'd argue the most recent and most memorable to the wide public would surely be Harry Potter?

And I can hum The Dark Knight and Inception themes but I'm not sure how well known they actually are. Zimmer's Inception score got A LOT of praise though.

You can always look back and say look how iconic they are! But they're only iconic cause they stood the test of time then, think of the hundreds of other films that had soundtracks during those years. There's definitely some now that will have the same impact years from now.

I don't think you need a wait for years before we can say how iconic the movie theme was. Do we have to wait for 3-4 years before we can say the soundtrack in LOTR is iconic? Most of the time iconic scores have an immediate impact, right after we walk out of the theatre.

Hunger games, Abrams' Star Trek, Harry potter (though that's over a decade old at this point, though I loved Alexandre Desplat's score for the final two). Desplat and Giaccino are my two favorite composers working today.

I like their works, but it's hard to find a catchy and easily memorable tune in their works. If someone played their musical arrangement over the radio, I would probably not be able to name the movie.

None of the recent works have an ability to annouce a movie in the same manner movie themes from LOTR, Back to the Future, Jurassic Park and Star Wars.

I don't think that recent composers like Desplat and Giaccino have matched the achievement of earlier generation of composers. They make some really nice music, but I will not call them iconic in any way.


It has annoyed you that there haven't been any iconic original scores as of late? Really? The bar is set at iconic?

I'm sorry, but that seems like a pretty bizarre barometer to me. There's a reason why we haven't seen it that often, as it's not exactly an easy milestone to achieve. Anyway, I can't recall any scores I'd consider iconic either in the last decade or so, but I've heard plenty of damn good ones. My favorite in recent times would have to be the Tron: Legacy OST. Mediocre movie, but Daft Punk hit a home run with the score.

Yet it has usually been fairly easily to name iconic movie soundtrack up until the early 2000s at the very least. You can easily name iconic soundtrack from every half a decade and chances are people will remember the tune. What I am saying is there seems like there has been a dark age of iconic film scores in recent years compared to the early 2000s and the 1990s.

We have a huge amount of major blockbusters and superheroes movies, yet none of their scores had become iconic in the same manner as scores from the original Spiderman trilogy, Pirates of the Caribbean, LOTR and Jurassic Park. It used to be fairly easy to remember the tunes from major blockbusters.

The current and new generation of composers seems to pale in comparison to composers that established themselves in earlier decade.
 
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I don't think you need a wait for years before we can say how iconic the movie theme was. Do we have to wait for 3-4 years before we can say the soundtrack in LOTR is iconic? Most of the time iconic scores have an immediate impact, right after we walk out of the theatre.

I was unclear with what I meant. The score itself can be iconic when you leave a theatre but I more meant the idea that iconic themes need time to leave their era if that makes sense?

Like the way people say "they don't make films like they used to" and they cherry pick all the classics while ignoring that much like today hundreds of films were being made. Some awful, some okay, some good, some classic. Then as years go by those "classics" are continued to be spoken about whilst other films are forgotten. Same with scores IMO.

Though obviously yes sometimes you can leave the theatre thinking woah that soundtrack was good.
 
I was unclear with what I meant. The score itself can be iconic when you leave a theatre but I more meant the idea that iconic themes need time to leave their era if that makes sense?

Like the way people say "they don't make films like they used to" and they cherry pick all the classics while ignoring that much like today hundreds of films were being made. Some awful, some okay, some good, some classic. Then as years go by those "classics" are continued to be spoken about whilst other films are forgotten. Same with scores IMO.

Though obviously yes sometimes you can leave the theatre thinking woah that soundtrack was good.

I'm mostly comparing the blockbusters in the past 5 years with blockbusters in the previous eras. The ones that became the top grossing film of the year usually have a rather memorable theme compared to the top grossing movie today. I know it is rather subjective to personal opinion, but I have been finding a number of friends that agreed with me on this point.

At the end of the day, we have to be care in assuming that ever era is the same when it comes down to producing "classics" that are memorable. We cannot assume that there must be some scores produced in the recent era that will definetly be remembered as a classic in the future era. Chances are, they could be entirely forgotten.

We used to recall how prominent leitmotif was in blockbusters soundtrack, but it seems like people are finding it harder and harder to remember the leitmotif in recent soundtracks.
 
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I feel like Zimmer's work on Sherlock Holmes is overlooked. Really memorable theme for me.
 
A lot of Zimmer's recent score's seem pretty iconic to me. The public awareness of his work on the PotC and TDK franchises is pretty strong. Even Inception and MoS, really.

That said, I think Deserana has a point in that we won't know what really sticks around from this era until we've left this era behind.

The days of the "hummable fanfare" seem to be, for the most part, behind us. Or is at least in pseudo-retirement much like the man who became the figurehead that movement, Mr. Williams. It does make me a little sad because I felt like James Horner did a wonderfully old-fashioned hummable fanfare for Spidey back in 2012, and that score got trashed for being too cheesy or cartoony or whatever. Yet it's my personal favorite superhero score of the last decade or so because it had a little touch of that old-school magic. I personally think the standards of what constitutes a good score are at least partially a generational thing, and when a lot of people say they love those old scores, what they really mean is they love them in those old movies where they belong (in the same nostalgic ways they love those old movies), but if those scores were used in contemporary movies, they'd find them ill-fitting and cheesy. Just a theory. Because the musical landscape has changed dramatically over the last decade or so, and the cinematic landscape has changed as well. It's only natural that the landscape in which the worlds of music and movies meet would also change accordingly.
 
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