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Joss Whedon developing Marvel SHIELD series for ABC

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If they do use Jessica Drew, here's a thought: have her start out as a villain, an experimental weapon of Hydra, engineered and brainwashed to be a superhuman assassin. This gives the writers options: if the audience really takes to her, she can be saved by SHIELD, free herself, and become a hero. If the audience really takes to her *as a villain*, that all can seem to happen, but its a ruse. And if the audience doesn't strongly take to her either way, she can be a potential casualty that establishes "No, stuff won't automatically go like in the comic."
 
Except, we have seen Hill already (in The Avengers). And what we've seen of the MCU version of Hill does not indicate such a personality. For the most part, she's fairly generic. More importantly, she appears to be supportive of Fury, his side project regarding the Avengers Initiative, and his leadership - enough to side with him over their bosses when it came to deploying nukes against the Chitauri.

That said, I do agree that it is entirely worthwhile to have a protagonist (out of the ensemble) who holds a contrarian view to Fury's pro-superhero stance on the metahuman situation.
The fact that you characterize her as "generic" means we haven't really seen much at all of her actual personality. She's just sort of there for most of the movie. She backs Fury because she doesn't want to see New York nuked, but that doesn't mean she's not by-the-book; Fury's still her direct superior, so the book says she's supposed to follow his orders as well as their bosses'. She just made the choice to follow Fury's over theirs. Even so, we see her clash a bit with Fury in other areas; she calls him on manipulating the Avengers with Coulson's death, she points out that his priorities seem out of whack at the beginning when he's got her loading supplies after they were called into the dark energy research center to deal with a potential catastrophe, etc. They barely scratched the surface with Hill in the movie, so they'd have plenty to explore in the show, plus she'd have that instant recognizability that others mentioned. Pretty good compromise between a wide-open, brand-new character and a heavily continuity-burdened established character, if you ask me.
 
Well, yeah, that's why I said I don't see her in such extreme terms. I think she can see that the system is flawed, but she's likelier to characterize the flaws as human-centric rather than an endemic flaw in the system itself. The system works--if you've got the right people in play. We saw her abandon the system due to corruption when Osborn took over and she went on the run with Tony, so I don't think she's quite as married to the system or as myopically committed to the law-above-all-else as you make her sound.

I was never trying to suggest that she's so devoted that she'd stick around during the Osborn administration or anything like that. Like, I'm not saying it's an all or nothing case. Clearly, I think there are scenarios where she'd go against, like the previously mentioned mentally ill mass murderer becoming director of SHIELD, renaming it to sound more murder-y, and making everyone wear uniforms based on the outfit he wore when he murdered a police officer's daughter on live television. I think most people would take issue with that.

But I think paranoid, uptight, and wholly devoted to the system very much describe her. Maybe fascist was a bit extreme, but I think she does have the misanthropy that comes with fascism that basically says "people need order to keep them in line or everything will turn to ****."

But like, yeah, she's not pure evil and there would definitely be extreme cases where she has to choose between lawful and good and would choose good. But most of the time she views lawful and good as the same thing, I think is fair to say.
 
People get reassignments and new missions all the time.
Anything other than her current job or Fury's job wouldn't be a "reassignment" for her, though, it would be a demotion. Sure, Fury could send her on a particularly special mission, but at the end of the day, she'd still have to report back directly to him. They need the main character to be someone who can report back to someone less expensive and more available than SLJ.

Don't get me wrong, I'm all for Maria Hill making appearances every now and then. I even hope HIMYM ends soon so that she could eventually be a regular. Maybe she can be the "boss's boss" that the main characters report to only for the big missions. But practically, it just doesn't make sense to make her the main character, imo.
 
I was never trying to suggest that she's so devoted that she'd stick around during the Osborn administration or anything like that. Like, I'm not saying it's an all or nothing case. Clearly, I think there are scenarios where she'd go against, like the previously mentioned mentally ill mass murderer becoming director of SHIELD, renaming it to sound more murder-y, and making everyone wear uniforms based on the outfit he wore when he murdered a police officer's daughter on live television. I think most people would take issue with that.

But I think paranoid, uptight, and wholly devoted to the system very much describe her. Maybe fascist was a bit extreme, but I think she does have the misanthropy that comes with fascism that basically says "people need order to keep them in line or everything will turn to ****."

But like, yeah, she's not pure evil and there would definitely be extreme cases where she has to choose between lawful and good and would choose good. But most of the time she views lawful and good as the same thing, I think is fair to say.
Then you and I agree, sir. You just made her sound like a bit more of a totalitarian b**** than I think of her initially. :)
 
re:flickchick Indeed. And also: Cobie's not available. Ain't gonna happen.

If they do use Jessica Drew, here's a thought: have her start out as a villain, an experimental weapon of Hydra, engineered and brainwashed to be a superhuman assassin. This gives the writers options: if the audience really takes to her, she can be saved by SHIELD, free herself, and become a hero. If the audience really takes to her *as a villain*, that all can seem to happen, but its a ruse. And if the audience doesn't strongly take to her either way, she can be a potential casualty that establishes "No, stuff won't automatically go like in the comic."

I see things going like this.
 
If they do use Jessica Drew, here's a thought: have her start out as a villain, an experimental weapon of Hydra, engineered and brainwashed to be a superhuman assassin. This gives the writers options: if the audience really takes to her, she can be saved by SHIELD, free herself, and become a hero. If the audience really takes to her *as a villain*, that all can seem to happen, but its a ruse. And if the audience doesn't strongly take to her either way, she can be a potential casualty that establishes "No, stuff won't automatically go like in the comic."
So basically this show's Spike.
 
Anything other than her current job or Fury's job wouldn't be a "reassignment" for her, though, it would be a demotion. Sure, Fury could send her on a particularly special mission, but at the end of the day, she'd still have to report back directly to him.

How do you know that's how SHIELD works? How do you even know what her job, specifically, is? Maybe she was as visible as she was because she was the lead agent assigned to Project Pegasus at the beginning of the movie. Or maybe she's a kind of all purpose high ranking agent, and she gets long and short term assignments depending on what's needed of her, and helping Fury out with the Tesseract and the Avengers was her assignment at that time. And then she could get reassigned to be the leader of a group of field agents doing whatever it is the main characters will be doing in the SHIELD show. Like, sending her to be in charge of a group of field grunts on a very important long term mission to recover alien technology/fight super villains/recruit super humans into SHIELD/whatever wouldn't really be a demotion, that'd be a pretty important job. I mean, it's not like she's Fury's secretary or valet or anything, if she's given an important enough long term assignment there's no reason she couldn't months without seeing the guy.
 
I'd be down with that if it leads to Spider-Woman getting killed off. :oldrazz:
 
A lot of her scenes were cut from the movie for time. In the deleted scenes she's criticizing Fury behind his back all the time and is wicked uptight and by the book about everything. But most of the scenes where she had the chance to do that also weren't necessary for the film so they got cut when they needed to make it shorter.

Also, like, being uptight and dogmatically patriotic doesn't mean you're going to be okay with your bosses making a split second, heat of the moment decision to murder 8 million American citizens. That's a pretty big stretch even for the most blindly loyal.

I haven't seen the deleted scenes yet so I'll take your word for it. However, it's important to note that they were deleted and did not make the final cut - i.e. not canon. As such, we are left with what we saw in the movie.


The fact that you characterize her as "generic" means we haven't really seen much at all of her actual personality. She's just sort of there for most of the movie. She backs Fury because she doesn't want to see New York nuked, but that doesn't mean she's not by-the-book; Fury's still her direct superior, so the book says she's supposed to follow his orders as well as their bosses'. She just made the choice to follow Fury's over theirs. Even so, we see her clash a bit with Fury in other areas; she calls him on manipulating the Avengers with Coulson's death, she points out that his priorities seem out of whack at the beginning when he's got her loading supplies after they were called into the dark energy research center to deal with a potential catastrophe, etc. They barely scratched the surface with Hill in the movie, so they'd have plenty to explore in the show, plus she'd have that instant recognizability that others mentioned. Pretty good compromise between a wide-open, brand-new character and a heavily continuity-burdened established character, if you ask me.

That, to me, shows that she simply has a better/stronger moral compass than Fury; especially odds are those supplies Fury had her loading (the Phase 2 weapons) were classed with a higher priority level than the base's support staff.

Likewise, siding with Fury over the council because it was the morally right thing to do also doesn't strike me as being 'by the book' since 'the book' says that in a chain of command, the higher ranking individual's orders overrule those of the lower ranking individual; i.e. if she was led by 'the book' rather than her own sense of right and wrong, she would have greenlit the nukes. After all, Fury's decision to go against the council's wishes was hardly universally supported aboard the Helicarrier; as seen by the two planes that were deployed. For that to happen, there must've been a whole crew of agents who were more 'by the book' than Hill.
 
What have you got against Spider-Woman, bro?
Just never liked her. I also kind of resent her for getting shoehorned into practically every Avengers comic at some point just because she's one of Bendis' pet characters.

I'm kidding, though. I'm not actively wishing for her death. I'd be able to live with her on the show if she's there; I lived with Spike, even though I stopped liking him after a few seasons.
 
How do you know that's how SHIELD works? How do you even know what her job, specifically, is? Maybe she was as visible as she was because she was the lead agent assigned to Project Pegasus at the beginning of the movie. Or maybe she's a kind of all purpose high ranking agent, and she gets long and short term assignments depending on what's needed of her, and helping Fury out with the Tesseract and the Avengers was her assignment at that time. And then she could get reassigned to be the leader of a group of field agents doing whatever it is the main characters will be doing in the SHIELD show. Like, sending her to be in charge of a group of field grunts on a very important long term mission to recover alien technology/fight super villains/recruit super humans into SHIELD/whatever wouldn't really be a demotion, that'd be a pretty important job. I mean, it's not like she's Fury's secretary or valet or anything, if she's given an important enough long term assignment there's no reason she couldn't months without seeing the guy.
Correct, she's not his secretary, she's more important - his executive officer. He gives orders, she delegates them out. Practically everything he did, he did through her. That's a pretty clear and established role throughout the film. No mention of her being brought on board just for this project, and no indication that there was anything new or in progress about their dynamic. I mean, she was running the Helicarrier - hardly a "project Pegasus" exclusive. Any change in her position now that's not a promotion to Fury's job would just feel horribly contrived, imo. And again, the actress isn't available anyway, so as I said, it's just not practical.
 
I am not really a spider woman fan myself. Just thought she be an ideal character to use/develop in show. And costume I see no reason she wouldn't have one. If we see costumes in show. And take cues from cap/shield agents id workable. Can't wait to see what theme of show will be and who/characters wise will be used.

Also its not like jessica would be main character. Could be a guest character/reurring role develop over time. And the main cast be sitwell, danvers, woo, mockingbird, quatermain, and occasionally fury/hill. And go from there.
 
I don't know, costumes on main characters don't seem too likely to me. The norm in the movies, outside of Fury, Hill, and the technicians aboard the Helicarrier, seemed to be a standard black suit and tie.
 
I think there will be a mix, it's like a cop show when the detectives wear suits and the patrol officers wear uniforms.
 
Ummmm... you know you can adapt a comic book hero to TV or movies faithfully and still change the costume, right? It's happened with pretty much every super hero movie ever.

Batman still looks like comic-book Batman in every single film I've seen him in. Spider-Man looks like comic-book Spider-Man in every single film I've seen him in. Same for Superman, same for Iron Man, same for Thor, Hulk, Captain America, Black Widow, Hawkeye (Ultimate version, anyway), the Fantastic Four, Daredevil, Elektra, Ghost Rider, Hellboy, Kick-Ass, Green Lantern, the Watchmen, Spawn, Blade, The Crow, Dredd, Punisher.....in fact, I can't think of a single instance of a superhero who didn't look *recognizably* like their comic book counterparts. At least, in any movie that didn't start with the letter "X." Villains, however, are a different story. Although there's not *that* many of even the villains that radically departed from their comic-book look, other than Bane and Galactus.

Fact is, a 100% comics accurate costume, form fitting and showing off, and I quote the original poster here, "her curves and her boobs completely," it would look really stupid on screen and be wicked sexist. Like, not only would making sure the costume shows off "her curves and her boobs completely" be pointless, over the top sexualization, but everyone would be wondering why she was dressed like someone from circ de soleil when she's supposed to be assassinating people and fighting robots and stuff.

It wouldn't hurt the character to change the costume, especially if it's just to the point of keeping the same basic design but making it out of less silly and exploitative materials than tailored form fitting spandex.

Fact is: costumes are a defining characteristic of the superhero genre. Always have been, always will be. The genre's foray into film has been characterized, yes, by a boring minimalism that tries to make superheroes dress in everyday civvies (the X-Men films for the most part; Heroes; No Ordinary Family; Chronicle, etc.). But in comic books themselves? It's always been overwhelmingly about colorful costumes.

Let me ask you something: why do you think people love to dress up and cosplay at conventions? Ever see a whole boatload of comic book geeks and geekettes run around trying to "dress up" like Peter Parker, Clark Kent, Tony Stark, Diana Prince or Selina Kyle? Of course not. But Spider-Man, Supes, Iron Man, Wonder Woman, Catwoman? Yes. Ever wonder why one of the biggest features of superhero video games based on Marvel or DC characters has been about collecting the various costumes and alternate costumes of the characters?

TLDR: Superhero fans love costumes. Costumes are what makes the superhero genre "superhero," and not "regular guys and girls running around shooting lightning bolts out their asses."

Really: how hard is this to understand for so many of you? Why do you insist on trying to water down comic book movies, when Joss Whedon just *proved* that four-color comics are a film goldmine waiting to happen? What scares you so much about the extraordinary?
 
I'm not saying costume sucks.

All I am saying is that when they adapt her costume, they should change it just enough so she doesn't look like an exotic dancer.

Why is this a controversial statement?
 
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I'm really curious how you got the impression that I'm somehow anti costume or "scared of the extraordinary" when all I said is that making sure that a costume is tailored specifically to "show of her breasts and everything" is kind of sexist.
 
Batman still looks like comic-book Batman in every single film I've seen him in. Spider-Man looks like comic-book Spider-Man in every single film I've seen him in. Same for Superman, same for Iron Man, same for Thor, Hulk, Captain America, Black Widow, Hawkeye (Ultimate version, anyway), the Fantastic Four, Daredevil, Elektra, Ghost Rider, Hellboy, Kick-Ass, Green Lantern, the Watchmen, Spawn, Blade, The Crow, Dredd, Punisher.....in fact, I can't think of a single instance of a superhero who didn't look *recognizably* like their comic book counterparts. At least, in any movie that didn't start with the letter "X." Villains, however, are a different story. Although there's not *that* many of even the villains that radically departed from their comic-book look, other than Bane and Galactus.



Fact is: costumes are a defining characteristic of the superhero genre. Always have been, always will be. The genre's foray into film has been characterized, yes, by a boring minimalism that tries to make superheroes dress in everyday civvies (the X-Men films for the most part; Heroes; No Ordinary Family; Chronicle, etc.). But in comic books themselves? It's always been overwhelmingly about colorful costumes.

Let me ask you something: why do you think people love to dress up and cosplay at conventions? Ever see a whole boatload of comic book geeks and geekettes run around trying to "dress up" like Peter Parker, Clark Kent, Tony Stark, Diana Prince or Selina Kyle? Of course not. But Spider-Man, Supes, Iron Man, Wonder Woman, Catwoman? Yes. Ever wonder why one of the biggest features of superhero video games based on Marvel or DC characters has been about collecting the various costumes and alternate costumes of the characters?

TLDR: Superhero fans love costumes. Costumes are what makes the superhero genre "superhero," and not "regular guys and girls running around shooting lightning bolts out their asses."

Really: how hard is this to understand for so many of you? Why do you insist on trying to water down comic book movies, when Joss Whedon just *proved* that four-color comics are a film goldmine waiting to happen? What scares you so much about the extraordinary?
:applaud
 
I'm not saying costume sucks.

All I am saying is that when they adapt her costume, they should change it just enough so she doesn't look like an exotic dancer.

Why is this a controversial statement?

I'm really curious how you got the impression that I'm somehow anti costume or "scared of the extraordinary" when all I said is that making sure that a costume is tailored specifically to "show of her breasts and everything" is kind of sexist.

Of course it's a sexy, and sexist, costume. And of course comic books have been notorious for objectifying women for well over half a century now. But so have noir films and detective fiction, most action movies, and pretty much any genre aimed squarely at guys (of any age).

But that's the point about adapting superhero comics to film: the target demographic is almost exclusively male, as it always has been. Whether it's little boys, or little boys who grew up into big boys. They --- *we* --- are the ones who read the comics, and are interested in seeing those comics become movies. *Not* Oprah Winfrey or the National Organization for Women.

So who, exactly, are you trying to PC these costumes up for? A bunch of feminists who have absolutely no interest in comic books or CBMs in the first place....?

Eh, I know it's like arguing with a brick wall, and you guys will choose to remain ever vigilant against those sexist superheroine costumes for the sake of flowering maidenhood and all (you might want to tell all those girls that dress up in those costumes at all the cosplay conventions to quit reinforcing the stereotype too, no....?), but I'll just close with this:

Lynda Carter dressed up like Wonder Woman in the 1970s. Star-spangled panties, huge cleavage and all. And her show was a massive success --- for men and women alike. Men and boys, who obviously appreciated the eye candy; and women and girls, who actually adopted WW as an empowering force for the growing women's rights movement. I know that's hard for you kids to understand, but I grew up in the 60s and 70s, so I had a bird's eye view, so to speak.

In other words: Lynda Carter dressed up in the WW hooker garb, unchanged from the comics. And you know what? Nobody got offended. Pretty amazing, huh.
 
Of course it's a sexy, and sexist, costume. And of course comic books have been notorious for objectifying women for well over half a century now. But so have noir films and detective fiction, most action movies, and pretty much any genre aimed squarely at guys (of any age).

But that's the point about adapting superhero comics to film: the target demographic is almost exclusively male, as it always has been. Whether it's little boys, or little boys who grew up into big boys. They --- *we* --- are the ones who read the comics, and are interested in seeing those comics become movies. *Not* Oprah Winfrey or the National Organization for Women.

So who, exactly, are you trying to PC these costumes up for? A bunch of feminists who have absolutely no interest in comic books or CBMs in the first place....?

Eh, I know it's like arguing with a brick wall, and you guys will choose to remain ever vigilant against those sexist superheroine costumes for the sake of flowering maidenhood and all (you might want to tell all those girls that dress up in those costumes at all the cosplay conventions to quit reinforcing the stereotype too, no....?), but I'll just close with this:

Lynda Carter dressed up like Wonder Woman in the 1970s. Star-spangled panties, huge cleavage and all. And her show was a massive success --- for men and women alike. Men and boys, who obviously appreciated the eye candy; and women and girls, who actually adopted WW as an empowering force for the growing women's rights movement. I know that's hard for you kids to understand, but I grew up in the 60s and 70s, so I had a bird's eye view, so to speak.

In other words: Lynda Carter dressed up in the WW hooker garb, unchanged from the comics. And you know what? Nobody got offended. Pretty amazing, huh.
May I give you back to back standing ovations?:applaud
 
Of course it's a sexy, and sexist, costume. And of course comic books have been notorious for objectifying women for well over half a century now. But so have noir films and detective fiction, most action movies, and pretty much any genre aimed squarely at guys (of any age).

But that's the point about adapting superhero comics to film: the target demographic is almost exclusively male, as it always has been. Whether it's little boys, or little boys who grew up into big boys. They --- *we* --- are the ones who read the comics, and are interested in seeing those comics become movies. *Not* Oprah Winfrey or the National Organization for Women.

So who, exactly, are you trying to PC these costumes up for? A bunch of feminists who have absolutely no interest in comic books or CBMs in the first place....?

Eh, I know it's like arguing with a brick wall, and you guys will choose to remain ever vigilant against those sexist superheroine costumes for the sake of flowering maidenhood and all (you might want to tell all those girls that dress up in those costumes at all the cosplay conventions to quit reinforcing the stereotype too, no....?), but I'll just close with this:

Lynda Carter dressed up like Wonder Woman in the 1970s. Star-spangled panties, huge cleavage and all. And her show was a massive success --- for men and women alike. Men and boys, who obviously appreciated the eye candy; and women and girls, who actually adopted WW as an empowering force for the growing women's rights movement. I know that's hard for you kids to understand, but I grew up in the 60s and 70s, so I had a bird's eye view, so to speak.

In other words: Lynda Carter dressed up in the WW hooker garb, unchanged from the comics. And you know what? Nobody got offended. Pretty amazing, huh.

1: You brought up the Batman films in your former post. In the Batman films the suits were not form fitting, and were made from a completely different material than what they look like they're made of in the comics. Also, they were all black, which was not Batman's color scheme in the comics until after that. Many other characters you mentioned, like Dare Devil and Captain America, were changed upon similar lines. My suggested change to Spider-Woman's costume, tailor it in such a way and make it out of a material so that it isn't form fitting to the point of looking like body paint, is no more significant a change to the costume than the changes that were made to the characters you mentioned. You can't accuse me of wanting to change the costume to the point that it is no longer recognizably her and no longer a true super hero costume when you cite examples of good costume adaptations that are changed to the exact same extent as what I'm suggesting.

2: You argue that objectifying women in comics and in comic book movies is okay because the target audience and the people who like comic books and comic book movies are men. This is wrong for three reasons:

A) It's demonstratively untrue. Women do read comics. Women do read super hero comics. The demographics of comic book fans are more male than female, but women who love comics and love super heroes do exist. I'll list some right now:

Gail Simone
Angie Harmon
Felicia Day
Teal Sherer
Jill Pantozzi
Jane Espenson
Marti Noxon
Lauren Faust
Amanda Connor
Lindsay Ellis
Kasey Poteet
Aeryn Walker
Rosario Dawson
Tori Amos
Leah Moore
The vast majority of the women on this list:
http://en.wikipedia.org/wiki/List_of_female_comics_creators
The people who run this blog:
http://girlsreadcomics.wordpress.com
The people who run this blog:
http://girl-wonder.org/girlsreadcomics/
Katrina Hill
Morgan Webb
And Kevin Bacon.

(okay the last one was a gag)

Every name on that list is someone who is enough of a public figure that you can google them to confirm their geek cred.

Many of these women would self identify as feminists, and all of them, and many women besides them, are legitimate fans of the super hero genre and/or the comic book medium and they don't deserve to be marginalized because their numbers are fewer.

B) Wether or not it is true (which it is not), rampant and blatant sexism is the reason a lot of women are driven away from comics. I hear a lot of stories about women and girls who were interested in comics and super heroes, they saw a Batman or X-Men movie and thought it was pretty good and decided to try and check out some comics about those characters to see if they would like them too. Five minutes after walking into the comic book store they left without buying anything and vowed never to return again because everyone there was either ignoring them completely when they asked for help looking around or spent the entire time staring at their breasts. Now that's the behavior of the fans and not the content of the comics but the two do feed into each other. There's also always stories of women who, under more friendly circumstances, really tried to look into comics but the first things they were exposed to were gratuitous T&A or female characters being brutally murdered by a villain simply to give a male character something to be upset about, which turned them off to comics.

Alienating half of the world's population from an art form is kind of completely lame.

C) Comic books and comic book movies don't exist in a vacuum. They're a form of art and the influence our culture and how people think and treat each other. Perpetuating stereotypes and ****** world views in art is dumb.

3: You bring up cosplayers, which is a false equivalency. Cosplayers can do whatever they want, I don't care. They're expressing themselves, their bodies, their own opinions of their bodies, and in some cases their sexuality in a way that they feel comfortable with and is fun for them in a setting where the entire point is to get together with like minded people and have a good time. That's great. I respect that enormously.

But that's not really the same thing as the representation of a female character in a work of art. Specifically a female character who is a terrorist and an assassin, lives a life of violence, and ultimately joins a government agency and works as their field agent to atone for her sins. Putting her in an outfit so tight and made from such a thin material that it perfectly forms around the shape of her breasts and makes it look like she's pretty much naked would serve no purpose besides sexualizing her for the sake of sexualizing her. Not using her sexuality as a point in the story, not saying anything about it, just doing it for it's own sake. It's not her, as a character, expressing her sexuality in a way that she's comfortable with and enjoys, it's sexing her up solely for the titillation of others regardless of wether or not it makes sense for the character or setting. That's what I think isn't okay.

4: Wonder Woman.

... okay?

I mean, yeah, her costume was very comic accurate in that show. It also looked wicked silly because that show was wicked silly.

I mean, there, it comes down to a matter of tone, intent, and execution. The Wonder Woman show was basically a live action cartoon, and they put her in the cheap and silly looking costume because it was what she wore in the comics, more or less, and that added to the silly cartoon like tone. That was the purpose behind it, and the show never went out of it's way to sexualize her in it, which is why it never really bothered anybody.

And that's really the point. This all started when someone said the costume on the show needs to be so tight that bit "shows off her curves and her breasts and everything." That's not making a super comic-accurate costume for the sake of making a silly tongue in cheek live action cartoon show, that's making a super comic accurate costume for the sake of sexualizing her. There's the difference.

And I want to make it clear that, at the core, my reason for my not wanting the costume in the show to look exactly like it does in the comics, level of form fitting-ness and all, is because it would look stupid. This isn't going to be the 70s Wonder Woman, it's not going to be a silly live action cartoon. At least I hope not. And a costume tight enough and thin enough to show off her curves that perfectly would look awful. She wouldn't look like a super-assassin she'd look like a stripper. It wouldn't be something you could take seriously. It would also be wicked sexist, don't get me wrong, but looking laughably bad is the first thing that springs to mind.

And I'm not against her costume design. Keep the design. Keep the color scheme. Keep everything. Just make it looser fitting and made from a thicker material than body paint. That's not any more of a change than any other movie or TV adaptation.

I'm not fighting for banality against exceptionalism. I'm just fighting for good tailoring.
 
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^These are the posts that deserve standing ovations, not rants which describe the X-Men, Heroes and Chronicle franchises as "boring," state the target audience for summer blockbusters is virtually all male and fail to discern the point of other posters and follow it up with: "What's so hard for you to understand?"
 
You still don't acknowledge that Spider-Woman's comic costume is intentionally sexy? That that's part of Jess' character? Same with, say, Emma Frost or She-Hulk. There's plenty of half-dressed comic book heroines who openly acknowledge that they dress that way to distract their opponents --- or simply because they're exhibitionists.

Is it still sexist? Hell, yes. Those costumes, and their excuses, are still made by horny young men, or horny old men, in the Marvel Bullpen. (Or DC, or Wildstorm, or whoever.) But is that par for the course for the genre? Hell, yes. Does the genre and the medium need to change to be less offensive to women? Hell, no.

Some things are aimed at guys. Specifically. A woman goes to a football (AMERICAN football, I'll specify) game, and she sees big hulking grunts beating the hell out of each other, and she sees half-naked cheerleaders dancing like strippers on the sidelines. A woman goes to a boxing or MMA match, and she sees guys beating each other to a bloody pulp, and ring girls strutting around in skimpy bikinis. Awful, right?! Think we need to start being sensitive to their needs, and take the sex and violence out of contact sports? Hell freakin' no. It's a guy thing.

Go ahead and call me a chauvinist, a misogynist, whatever you want. I'm neither. Instead, I'm simply a realist, and recognize an obvious truth that the inclusive-ists refuse to acknowledge: some things are guy things, and some things are girl things. I don't go around asking women to put explosions, shootouts, car chases and strip clubs in Sex and the City or Sisterhood of the Traveling Pants or any other chick flicks; in return, I simply ask that women return the favor and not ask me to castrate and emasculate my guy things. Which includes the superhero genre, which has always been --- and still remains --- a *guy* thing.

(*Edit: the post was directed at TheQuestion, a sensible sort, not at that petty anti-comic-book revisionist who posted just above me.)
 
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