After months of eager anticipation after some good trailers, JUSTICE LEAGUE: THE NEW FRONTIER hit store shelves yesterday (as a normal release and a 2-disc special addition that's maybe $5 more) and if I can gauge my ancedotal account, this will sell very well. I went to a BEST BUY store in the heart of Manhattan in the early afternoon (before 3:30 p.m.) and the 2-disc special edition was already sold out, and by the time I finished plucking a DVD off the shelf, 2-3 other guys had already done likewise. I haven't seen a comic based DTV selling this well since the original ULTIMATE AVENGERS. Naturally, with Bruce Timm & Co. behind the production and with Darwyn Cooke himself involved in the production, we expected an instant classic.
My first gut reaction after seeing it? This was a good film that was utterly cheated out of timeless greatness by a low running time. As it is, it is A-/B+ quality. Had it been allowed more time, it could have easily been an A+ translation.
I actually read the comic book version of the story, which is titled DC: THE NEW FRONTIER, last year in anticipation of this tale. That title is accurate because while it does focus on various characters like Hal Jordon, J'onn, and so on, it really encompasses a wide range of the DCU of the Silver Age. It was a story where more of the enjoyment for me was in the details and the style than in the actual plot. Cooke's attention to detail and handling both comic book and real life elements from the 50's era was incredible. Working in themes of racism and McCarthyism alongside the costumes and aliens and dinosaurs really made it click, along with the strong character focus on Hal, Barry, and J'onn. Cooke's immediate reaction to hearing about this animated project was, according to a teaser blurb, "there is NO WAY they could tell this story in so short a time frame", or words to that effect.
Essentially, he is correct.
At 75 minutes, the story basically grinds through a CLIFF'S NOTES version of the story, scaling down many scenes to the bare bones and eliminating a lot of the spare elements meant for mood, or details about lessor characters (The Losers sequence that opens the comic is completely eliminated for instance, with only Faraday's death scene homaging it, and other bits pop up in title sequences). More than some stories, NEW FRONTIER was a tale where the devil really IS in the details and without them, you have a good, fun adventure story, but it isn't quite the same. Because, boiled down, the plot is fairly generic; various heroes and government people team up against all odds to destroy an alien menace before it kills the planet. NEW FRONTIER was about more than that simple plot, but without a second to spare for that sort of thing, the animated movie is forced to be more blunt and concise and while I enjoyed it, it just didn't have that OOMPH I got from some of the comic. I am also curious how those who hadn't read the comic would react to this bare bones treatment; I could imagine some 13 year old kid who hasn't read it going, "ULTIMATE AVENGERS had more action" and dismissing it.
The fact that the running time is so short is one of those areas where the execs at WB that approve these things simply do not get it. 75 minutes is naturally the "golden time" for a DTV so it can be re-aired on some network and only require a 90 minute block (15 minutes worth of commercials). However, these DTV's are intended for an older audience and the language alone will prevent it from airing on CN unless they really bend some standards. If these are meant to be standalone movies to appeal to older fans, then they need to be MOVIES and not snippets barely longer than 3 episodes of a TV show. Disney & Pixar have gotten movie audiences used to longer animated movies. THE INCREDIBLES, CARS, and RATATOUILLE all bordered close to the two hour mark. Even Marvel LG's DTV's, which are hardly as classic as some of the Timm material, started getting it right with their later releases, inching closer to the 90 minute marker and even surpassing it (if the box to DOCTOR STRANGE is to be believed). At 75 minutes, JL:NF is packed to the gills and hardly any scene or character has room to breathe. The fact that despite all this the movie is still enjoyable says something about the devotion of the production team and actors chosen.
Despite the low running time, there were some notable changes to the core storyline, basically to allow Batman and Superman at least one extra scene than they had in the comic version, if not several. This I am sure was done for corporate reasons, as Batman & Superman are the biggest stars DC has. Batman especially, as his movie/TV franchise is the healthiest of any DC character right now. Since the film had to rely more on the actual plot, more effort was made to connect The Centre to the other superheroes via having him "posess" the various villains they are fighting, such as Captain Cold for Flash or that cult-leader for Batman & J'onn in Gotham. It was awkward at first but it helped connect things together since this was the basic plot so I felt it worked out. Some scenes were negated or altered; the scene with Hal as a kid is completely gone and I think that was a bad call, but again, with only 75 minutes, what can you do? Rather than meeting Batman with Gordon via the Batsignal to give him the data on The Centre before trying to rocket home, J'onn managed to invade the Batcave. J'onn in particular relies more on shapechanging and his density/invisibility powers than strength, much as he did in JL/U, as Timm naturally seeks to separate him from Superman, and I always am down for that. The biggest addition was including Batman in the final battle and having him come up with some of the plans; in the comic Batman is absent from the main story after his meeting with Superman (with Robin in tow). Again, as the WB approved this story more than likely because it had Justice League characters in it, it was probably estimated quickly to include "The big three" in the final battle, even if Superman seemingly takes a powder rather quickly. Naturally Ray Palmer, Green Arrow, and Adam Strange take part in the final battle but much like everything else, even their cameos are chopped down (Green Arrow has no lines of dialogue, for instance, and the scene of Hal training as GL in the desert is omitted, another bad call for me). Faraday also isn't present in Central City for the trap to arrest Flash, which eliminated the need for a "meeting" between the pair later. Damn that run-time. One could go on and on about what was cut and altered, and I bet Cooke may have done so on his commentary track.
Naturally, the narration from the characters is gone, which in a way made it odd to watch compared to the comic. SIN CITY was perhaps the best example of translating comic narration into a media adaption and doing it well. Of course, hey, that movie was long enough to do the job, wasn't it? Another HUGE omission, beyond the Wildcat fight, was the John Henry subplot. In fact, this film cut out the racial tension bit almost altogether. They kept the focus on the Cold War era paranoia but eliminated the race issue, which I felt was a huge mistake. All Henry gets is a footnote mention. Again, every issue you point to, and it all comes back to, "they didn't have the time."
The animation models do a great job of trying to capture Cooke's style, although they do have more angular elements, which seems to be Timm's thing. More straight lines and points and whatnot than Cooke did. But the core elements of his style are present in every design, and it is even clearer that Wonder Woman is slightly taller than Superman in NF, which is a detail I always liked (as well as her nickname for him, "spaceman"). The animation quality is better than many episodes of JLU and that's fine for a DTV. Some of the Flash running bits looked a little awkward but aside for that everything looked peachy. Flash's eyebrows did get somewhat distracting but aside for that, everything looked good, especially Superman, Batman, Wonder Woman, J'onn, and Green Lantern himself.
The casting is top notch for over 95% of it; casting Keith David as The Centre was a mark of genius by Andrea Romano, and he totally nailed that role. Naturally, animation voiceover regulars like Lex Lang, Corey Burton, and Townsend Coleman all get roles to play, but the rest of the cast has done more sparse voice acting roles but they by and large do the job quite well. I will say that I didn't care for Jeremy Sisto's Batman; yes, I know after nearly 15 years of Kevin Conroy it is hard for anyone to step into the cowl, but Rino Romano and Ron Perlman have voiced the character since in various areas and I haven't minded them. Sisto acted well, I just thought he was a bit miscast, TOO gravelly. David Boreanaz is perfect as Hal Jordon naturally and Neil Patrick Harris does great as The Flash, which I figured he would having done Spider-Man a few years ago (The MTV series). Much ado was made of Lucy Lawless voicing Wonder Woman considering she often comes into the running for live action versions and by and large her performance was good; she said some lines with more gusto than was needed but that's just niggling really. Kyle MacLachlan's Superman sounded great too, perfect for the 50's era and perhaps a little beyond (I am unsure whether I preferred him to Adam Baldwin, who voiced Superman in SUPERMAN: DOOMSDAY or not). From Brooke Shields to Kyra Sedgwick (who last worked with Timm on MYSTERY OF THE BATWOMAN, the last Batman animated material for the "Timmverse" that was made), the cast is stellar. Miguel Ferrer's J'onn naturally is worth mentioning. As always, Andrea Romano knows how to cast a...uh, cast. The little bump with Sisto isn't a major thing with me.
I bought the basic DVD so the only extras were a JUSTICE LEAGUE featurette that was about twice as long as any of the ones on Marvel LG features, a sneak peak at BATMAN: GOTHAM KNIGHTS (which I call "The Batiatrix" as it basically has the same format as THE ANIMATRIX a few years ago), and two commentary tracks. Even for a non-special edition, that's more extras than Marvel's DTV's offer, and is almost on par with the HELLBOY ANIMATED DTV's (which are ALWAYS loaded with great stuff). Naturally the 2-disc special edition has more stuff as well as 3 episodes of JLU on it, which is more than worth the few extra bucks if you feel like nabbing it. The WB used to charge $19.99 for 3-4 episodes of JLU alone, if one recalls.
Finally, when I watched SUPERMAN: DOOMSDAY, it became very clear to me that Timm & Co. didn't care for the original DEATH OF SUPERMAN storyline and thus didn't feel obligated to translate it terribly faithfully, doing about 70% of their own thing with it, even if that meant rehashing some Bizarro episodes of S:TAS. JUSTICE LEAGUE: NEW FRONTIER on the other hand shows a passionate love for the source material, with as many scenes and lines from the comic translated as humanly possible. That is why it pains me so much that the low run time ripped a lot of the soul out of Cooke's work here. Had Timm & Co. BEEN given an extra 15-30 minutes, I am sure it would have been legendary, or at least better. It is about time the WB was willing to put the time and money into making these things as long as an actual movie and not barely longer than an infomercial. Every animated DTV has been creeping towards and past the 90 minute mark and it is time that WB does so as well. I mean, could anyone imagine KINGDOM COME in 75 minutes? Because I sure as hell wouldn't want to.
Still, this is easily better than BATMAN: SUBZERO, or BRAINIAC ATTACKS, or some other of the DC DTV's. Parts of SUPERMAN: DOOMSDAY jazzed me more but only because of the violence and the "WTF crazy stuff is coming next?" factor, as this was more predictable; overall this is a better product than S: D even if it is very different.
Had this bordered on 2 hours like CARS, I am sure this would be in the pantheon of DTV's or Western animation to begin with. As is, it is a satisfying plain hamburger instead of one with all the proper fixin's. It is very good but kept from greatness by the low run time. In a perfect world I'd love for another edition, a "director's cut" to emerge with another half hour, more scenes and whatnot, but I doubt that. For 75 minutes, this is the best NEW FRONTIER could have been. The opening and endings were particularly memorable with stellar use of music. Can't go wrong with that.