blueharvest
Avenger
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Yeah but Rise was an actual reboot, not a technical one. Back then they had to introduce the world from the start and win back audiences after Tim Burton's film. This may have taken seven years to get made but the audience already existed, the series was already loved and the world was already there, despite taking place a few centuries after the last one. What I mean is if they are indeed waiting for a similar box office increase, with those factors in place, and with the state cinema is today, they're likely in for a disappointment.Yeah, it did better than War for the Planet of the Apes in NA. Not bad since it was technically a reboot sequel with all new characters.
I’m sure they’re hoping the next one increases like how much Dawn increased over Rise.
Crazy to think that the 2001 Tim Burton Apes is still the biggest domestically when adjusted for inflation.
The reversal in fortune began after a rough May that saw The Fall Guy, a potential franchise newbie, spin out at the box office, followed by the blowout of Furiosa: A Mad Max Saga ($172 million globally), which had followed the triumphant relaunch of the series with Mad Max: Fury Road ($380 million) in 2015. The one bright spot of May was Kingdom of the Planet of the Apes, one of the numerous film properties Disney’s film empire inherited after the larger acquisition of Fox assets in 2019.
Apes was a crucial test in the post-Disney merger, and it passed; the movie grossed nearly $400 million globally, enough to fulfill filmmaker Wes Ball’s dream of a new trilogy. Alien: Romulus, released in August, was another successful test of the 20th Century-Disney marriage (the pic has grossed north of $300 million globally, the second-best showing of the franchise behind 2012’s Prometheus, not adjusted for inflation).
Speaking of Marvel Studios’ Deadpool & Wolverine, it’s a balm for Kevin Feige’s superhero studio. The film is the second-biggest title of the year with more than $1.287 billion in ticket sales and a franchise best no matter how you slice and dice it. In the span of a few short months, Disney — the Hollywood studio designed more than any other to subsist on franchises — once again is dominating its rivals after losing its No. 1 standing to Universal last year in a stunning fall from grace. Its movies accounted for $1.5 billion in summer domestic box office ticket sales, or a 42 percent share. Disney insiders are especially pleased about such titles as Apes and Aliens because those were properties that came from 20th Century Fox and were more difficult to pull off in terms of reviving older brands with less of a built-in crowd than, say, Deadpool.