DA_Champion
Avenger
- Joined
- Aug 26, 2013
- Messages
- 12,106
- Reaction score
- 930
- Points
- 73
A decent movie, I think the problem is that the third act was too long, too much action, which is the story of 2013.
A decent movie, I think the problem is that the third act was too long, too much action, which is the story of 2013.
My problem wasn't the amount, it was how it was filmed. Just horrible
I managed to follow to action much better on blu-ray and it made the movie much more enjoyable to me.
Well the movie doesn't really address any of it in a real way. Like, what is the logical outcome of the movie's conclusion? Elysium, like a lifeboat, will get swamped. Its limited resources will be used up, and it will fall into disrepair like the rest of the world.
A good movie would explore all that.
This sums it up. Although I think I liked it slightly more.I'm of two minds of Elysium:
I'm glad that it's an original film. I'm glad that Neill is able to do something that's big without spending 200 million.
But...
Overall it's a sophomore slump. Not a bad movie, but more of a frustrating experience because if Neill polished the script a bit more, the movie could've been amazing. Instead, it's okay to moderately good. Everything was painted with broad strokes, which is unfortunate.
And it happens. Neill is young and the future is bright for him. It's not a crash (like a 47 Ronin) but more like a stumble for his career, but he'll keep on trucking.
It would be an understatement to say that Neill Blomkamp's "Elysium," which arrived four years after the filmmaker's "District 9," was hugely anticipated. Many looked forward to the former to see if the filmmaker was a one-hit wonder or a bold new genre voice, and the reactions were divisive. I liked the movie more than most, and thought the mix of social and political elements, if heavy-handed, mostly worked. But there were some really duff aspects, starting with the clunky flashback sequences. In case you were wondering, Blomkamp himself wishes he had a do-over.
"...I feel like I f***** it up," the director candidly told Uproxx. "I feel like ultimately the story is not the right story. I still think the satirical idea of a ring filled with rich people hovering above the impoverished Earth is an awesome idea. I love it so much, I almost want to go back and do it correctly. But I just think the script wasn’t… I just didn’t make a good enough film is ultimately what it is. I feel like I executed all of the stuff that could be executed, like costume and set design and special effects very well. But ultimately it was all resting on a somewhat not totally formed skeletal system, so the script just wasn’t there…"
It's a remarkably honest assessment, one you don't hear very often from filmmakers working with hundreds of millions of dollars and A-list stars, but then again, Blomkamp has already tended to forge his own path. Moreover, he seems to understand what his flaws might be as a filmmaker.
"The problem with me is I get so caught up in concepts and ideas. Like I just said, the ring is so cool. The satirical idea of a diamond encrusted ring above, like, slums is such a satirically cool idea —I’m not like a normal person in the sense that I have to have a story for something to be interesting. Concepts are just as interesting to me as stories are. Where, to normal people, stories are more interesting," he explains. "So that’s an example of what I mean. I can be like, 'F***, I love this ring, I love all the visual effects related to it, I love these images and how they’re juxtaposed with one another.' And then be like, 'as a director, I could have done better.' And you sort of realize that all these people prefer this element I didn’t pay as much attention to, but I paid a lot of attention to this."
He adds: "...the artists I really respect are the ones that are able to very objectively stand back from work and critique it. So, that has been something I’ve always been good at. I don’t assume something’s good because I did it and I get all cloudy and f***** up by it. There’s a separation and you got this really right and you got this really wrong —and learn from it and adapt."
But did he learn his lessons going into "Chappie" which opens on March 6th? And more importantly, will cool concept art translate into a good movie for his "Alien" flick? Time will tell...