Alright Alright, good points. I like Alizée's first album because it is something unique. It's truly a breakaway from what the other artists are doing. I like this not because of Alizée, but because I’m a huge fan Mylène (songwriter/lyrics) and Laurent (songwriter/composer/director) and their strange, iconoclastic and gothic world. When they went to water it all down and produce and write a young pop singer, their influences sank in and it came out to be a very strange album. It had a huge dance hit, but the rest of the album sank a little after that, the material was not typical of any of the commercial success of her competitors, exclusively because it is the work of Mylène and Laurent, and they just used their clout to finance it no matter how the public would respond. It's very narcissistic and a strange world with a strange atmosphere, and it's strangely adult themes angered parents, much to my delight. So in short, I find it to be a greatly interesting album with unexpected depth.
Of course, the next album leaned more into commercial pop/rock drivel, and thus Alizée made a move to escape the producers and pop world, only to attempt to stage a return on her own terms (which will probably largely fail, much like the career of her husband who's newly released second album is mostly self produced and arranged, owing to much creatively and public disappointment.) This is of course because the popular French music is even worse than popular American music (the top 40 there is all rip-offs of the top 40 here), and nobody wants to buy a good album over there. And my hope of liking anything in the top 40 is almost really dead due to the fact that I don't think Mylène has been good since 93. But, she was a great artist with real, honest talent.