Yep, Hawley's film actually sounded interesting, unlike everything else Trek-related in the past 20 years. The focus on reboots and prequels is exhausting, and it doesn't seem like Kurtzman is interested in exploring anything new. Even Lower Decks, the best of the new Trek shows, is just an overly-hyper nostalgic rehash of past series. They just started shooting a new movie and I have zero hype for it.I've just accepted at this point that Star Trek isn't going to do anything original or interesting at any point for the foreseeable future. I'm not some anti-modern Trek crusader, I'm not one of Those People, but it's all pretty... Insular and tacky to me. Such a shame, Hawley is the exact kind of creator I want on Trek.
Star Trek shouldn't need $150 million per film, though. The most expensive Trek film before Abrams was Nemesis and that was only $40 million. Adjusting for inflation that's still just $67 million. Trek is clearly a niche franchise compared to other big properties. Beyond bombed and yet it made $335 million, more than double the highest grossing non-Kelvin film. Paramount needs to stop chasing Star Wars & Marvel numbers and budget accordingly. There's no reason a Star Trek film should cost more than $80 million.
I corrected the numbers in my post, Nemesis actually cost $60 million ($100 million today).Paramount does not want it to look like a canadian produced sci fi show. The Star Trek shows are still SIGNIFICANTLY cheaper than what Marvel and LFL are pumping out. I think you really need to see just how much $80 million buys you in terms of sci fi films.
I've just accepted at this point that Star Trek isn't going to do anything original or interesting at any point for the foreseeable future. I'm not some anti-modern Trek crusader, I'm not one of Those People, but it's all pretty... Insular and tacky to me. Such a shame, Hawley is the exact kind of creator I want on Trek.
A far future setting avoids many story continuity issues — because you’re inventing a new continuity....I really want to see a new Trek with a big time jump. And I don't mean like the 930-year one they did in Discovery, because that was still essentially the Discovery crew and their ship in a more futuristic environment - I mean a wholly new crew set far in the future, with a new highly advanced ship, new villains, new everything.
Yes, they are all connected to the main Star Trek timeline (this is part of why Discovery was/is so contentious for some fans).This might be a really dumb question, but -
Are the new Paramount Plus Star Trek shows in canon with prior Star Trek shows (outside of Picard)? If so, what ones? Or is it Kelvin or some other timeline entirely?
Going to watch the original, next generation, and wondering if Enterprise, D9, etc. are connected to the new shows or not. (Also, are there callbacks to Enterprise and D9, etc. in the Piccard show since that’s a continuation of TNG?)
I know that DISCOVERY is supposed to be in the same timeline, but I personally think of it as being a parallel universe.Star Trek: Discovery once mentioned Captain Jonathan Archer (who would have served in Starfleet some hundred years earlier). And in season 2 of Disco, there was an entire storyline involving Christopher Pike and Spock — including a flashback to original footage from “The Cage” with Jeffrey Hunter and Leonard Nimoy. And that storyline, in turn, begat Star Trek: Strange New Worlds.
So more-or-less all connected. And more-or-less from the original timeline.
This might be a really dumb question, but -
Are the new Paramount Plus Star Trek shows in canon with prior Star Trek shows (outside of Picard)? If so, what ones? Or is it Kelvin or some other timeline entirely?
Going to watch the original, next generation, and wondering if Enterprise, D9, etc. are connected to the new shows or not. (Also, are there callbacks to Enterprise and D9, etc. in the Piccard show since that’s a continuation of TNG?)