Will this movie along with the BTS drama ruin Olivia Wilde's directorial career?I'll write my review later but here's a sneak peak:
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Now I want to hear your ideasMan, the more I think about this movie, the more annoyed I get. On a technical level there's so much I really liked and want to praise, but it's all so wasted on this horrible script. Having read the original spec, it's equally as bad, which blows me away.
There's so much you could've done with this premise, and they botched it so hard. Just in my head, I've been able to workshop so much more interesting ways to go about what they wanted to do.
Now I want to hear your ideas
Will this movie along with the BTS drama ruin Olivia Wilde's directorial career?
A lot of them revolve around cutting the whole virtual reality shtik because it's really stupid in it's usage here, but if I was forced to use it, I would've fundamentally changed its usage.
I would've had everyone being completely aware of what was going on, not just the men and Olivia Wilde's character. Chris Pine would've been this therapist that uses this virtual world to help guide people through whatever their respective issues are. For Wilde, it's dealing with the loss of her children. For another couple, it might be a husband's reclamation post-military service, etc. For Pugh and Styles it would be relationship counseling. So, on the whole, the VR world would be representative of the false realities that people are made in the mind in response to trauma.
Pugh and Styles would be in a much more overtly abusive relationship, and are attempting to use the VR to amend issues by living in what would be a "perfect world". Pugh's hallucinations would be physical manifestations of her anxieties within her relationship that she feels not knowing what Styles does during the day while he goes off and works in the real world to keep up with the costs of the VR. Essentially the conflict would come down to the struggles of escaping an abusive relationship, and breaking from the false reality that Styles' character has forced Pugh into.
Yeah, this movie is basically like if you putGet Out, The Stepford Wives and The Village in a blender, but came up with something not even close to being as good as Get Out (but it might be marginally better than the other two). It looks really good and Pugh and Pine deliver great performances. The movie itself is just mediocre and very, very predictable. It’s amusing to see how Wilde thinks it’s much smarter than it actually is; she uses extreme closeups in the flashbacks early on to attempt to hide the fact that the scenes occur in the present day and not in the 1950s but you can still tell if you look closely. As for the Jordan Petersen/incel stuff, the movie doesn’t do a terrible job of showing how a man with a fragile ego could be susceptible to that (and Wilde does a good job of making Harry Styles look like a total deadbeat loser lol) but I think you needed more there. I get that they were trying to save the “twist” for the end but ultimately then you just had about 90 minutes of Florence noticing things and getting reprogrammed and it gets really repetitive. And then the movie just ends, conveniently introducing a Matrix-style element of characters dying in real life if they die in the Victory Project (which never comes close to being explained or making sense), so that Harry can’t put her back into the system. But since there’s no one to free her from her restraints, I guess Florence wakes up chained to a bed and presumably can’t get free so she either dies that way or eventually some incels come and put her back in the system? Or maybe not since Gemma Chan took over? But it seems like maybe she’s a true believer in the project and just wanted to usurp Pine? Eh. Why am I wasting my time pondering any of this?