Its a simple enough scene, really.
Christian Bales Russell is recently out of prison and hoping to reunite with Zoe Saldanas Lena, who has taken up with the sheriff while Russell was away. You can see by the look in Lenas eyes shes never stopped loving Russell.
What happens next should be left for you to experience. It is a scene expertly written, filmed and acted. After Lena walks away, Russell is left alone on a bridge. Without any attention-grabbing histrionics, Christian Bale plays every moment of that scene so perfectly, you feel as if youre eavesdropping on real life.
One hesitates to dive into the reference bag to say a young Brando when lauding a performance, but Bale is that good here. That GREAT here.
Out of the Furnace is one of the best movies Ive seen this year. Director/co-writer Scott Coopers second feature (his first was Crazy Heart, which won an Oscar for Jeff Bridges) is a stark, bleak, intense drama set in a dying corner of the Rust Belt. This is a place where it always seems cold, and everyones house is in need of repairs, and even if youre lucky enough to have a job at the mill, you know it wont be for long.
With echoes of everything from the Charles Bronson bare-knuckled fighting classic Hard Times to The Deer Hunter to Winters Bone, this is a story of some tough, flawed people who deep down want to do the right thing and some tough, soulless people who will chew up and spit out anything that gets in their way.
Out of the Furnace is set in Braddock, Pa., in 2008. The locals barely pay attention to the visuals of Teddy Kennedy lauding Barack Obama on the TV sets in the bars, and Obama talking about hope and change. It means nothing to them from where theyre sitting, in a town destined to slide right off the map.
We open at an outdoor drive-in theater, where Woody Harrelsons Harlan DeGroat explodes in a violent rage over the smallest of perceived slights. We later learn DeGroat is the unquestioned king of a deep backwoods enclave in New Jersey the kind of place where even law enforcement doesnt mess with the locals who have lived there for generations. Dealing meth and getting tweaked on his own supply, DeGroat is Walter White without even the beginnings of a moral compass. He is pure, fuming evil.
Bales Russell Baze is a solid guy whos probably been in a bit of trouble here and there but is trying to walk the straight path. Its Russells younger brother Rodney (Casey Affleck) whos the tinderbox home from three tours of duty in Iraq, sinking deep into debt with stupid bets at the OTB, seething with rage about what hes seen in Iraq and the utter indifference hes met with upon his return.
Their mother is gone. Their father is dying. The only thing good in Russells life is the beautiful and sweet Lena. The only thing good in Rodneys life is his brother looking out for him, which seems like it wont be nearly enough to save him.
But its Russell who winds up doing an extended prison stint. And by the time Russell gets out, many terrible things have transpired, and hes powerless to do anything about most of these events. He missed his own best chance at a good life.
Incapable of handling a regular civilian job, Rodney turns to bare-knuckle fighting to earn cash. Rodney talks his way into a big-money payday in that backwoods Jersey town, which lands him neck-deep in DeGroats world. The fight scenes are so brutally realistic you want to turn away, but we know there are greater, potentially fatal horrors waiting outside the ring if things dont go DeGroats way.
What a great ensemble. Affleck is terrific. Willem Dafoe is perfectly cast as a local bar owner and bookie whos involved in all sorts of shady doings, but still has a soft spot for Russell and Rodney. Sam Shepard is stoic greatness as Russells uncle. Forest Whitaker is, well, Forest Whitaker playing the sheriff whos with Lena and knows shell never love him the way she loved Russell, but hes not about to give her up.
From the use of Pearl Jams Release as a framing device to the breathtakingly beautiful, 35mm Kodak cinematography from Masanobu Takayanagi, Cooper makes one brilliant choice after another. Even the smallest detail, e.g., the way everyone at a small dinner gathering heads into the kitchen to scrape the plates and put the dishes into the sink, feels just right. And when Cooper directly borrows a couple of moments, one from The Deer Hunter and one from The Silence of the Lambs, it feels like homage, not easy ripoff. Hes earned those scenes.
I was surprised to learn Bale is only about a year older than Affleck. The age difference between the brothers they play is a few more years than that, but we can tell Russell has been looking out for Rodney forever, and Rodney admires the hell out of his older brother and yet cant help but create situations that could kill one or both of them.
Bale has given a number of memorable performances, but this just might be his best work to date. The Wales-born actor looks, sounds and comports himself like someone whos been living in the same Pennsylvania town his whole life, who knows hes probably going to die in that town, and just wants to make the best of it. Bale strikes so many different notes and hits each with the same precision, whether Russell is enjoying a tender moment with his girlfriend, using his charm to get Rodney out of a jam or methodically doing what has to be done with the proverbial s--- hits the proverbial fan.
Its as good as any performance Ive seen all year.
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