Or, if she was given as much publishing time as MJ and there was a huge publicity campaign around Gwen and Peter's wedding- and if every reader whose picked up the comic since 1987 knew Gwen as Peter's wife/love interest, she'd be linked to Peter just as Lois Lane is linked to Superman.
Point is, it's all just speculation. Had she lived, there was no guarantee she would be considered the "Lois Lane" of Spider-Man or not. However, with her death, her legacy was ensured.
I've always said that despite my not liking the results, ASM #121-122 are great comics. And while yes, they are a watershed moment in both Spidey and comic book history- So what, really? It's a one-time thing that neither changed Spidey or comics. Yes we were introduced to an era of darker heroes (Punisher, Wolverine, etc.) but ultimately comic books didn't reflect Gwen's death. Popular characters were and still only rarely are killed off- and an unfortuante result of the Goblin's death is the reversal of "final" deaths. The Goblin was the first major villain we SAW die (No explosion without a body or fall into the abyss that were later explained as lucky escapes.) We saw the Goblin die. Felt the finality of it. But of course were told years later it didn't happen. So the event of these issues only ushered in the total meanlinglessness of comic book deaths, as we see in current Spidey.
Agreed. It's also one of the reasons why I really didn't like Marvel bringing back Norman Osborn because it diminished the impact of that story.
You didn't look at the issues...
I did actually. And guess what, you're analysis is still wrong.
This is only because all we ever get of her over the last near-40 years are quick flashbacks of how much Peter loved her and that she died. If we were presented with actual stories featuring her during the period when characters were allowed to be more flawed and explicitly presented (And if she had some good writing of course) this wouldn't be the case. (Excluding Sin's Past of course).
Or like Spider-Man: Blue.
Okay- this is way too much of a generalization. Now, granted I agree that Gwen's first appearance was a rather b****** introduction. Why? Because Gwen is only looking for an ego-boost, and when Peter doesn't give it, she get ticked off at him. But this was as much to be presented as "Parker luck" as Gwen being a b*****. Obviously we were being presented with "The Chase" aspect of the relationship. The Will-they/Won't they part that always makes for fan excitement. They were also establishing Gwen as a gal with gumption. Betty became a wear on Peter due to her squeemishishness about Spider-Man. So Gwen was being shown to have some backbone. As for her feelings about Peter she knew why she liked him. She could sense the strength within him. She was just annoyed that he was constantly blowing her off.
That's certainly what was going on with Gwen, no question--when Steve Ditko was illustrated and co-plotting the books. Once he left, however, Gwen's personality changed. She was no longer confrontational towards Peter; if anything, she became more reserved and had LESS of a backbone.
As far as the post-MJ stuff- it isn't as if MJ would have had an exclusive on either partying or dressing sexy. MOST young girls at that time dressed that way and went hanging out (Not wanting to be considered "square") Before MJ's intro Gwen was in fact having parties and invited Peter to them. But of course, his life as Spidey drove a wedge in that. And, of course, once Gwen and Peter became an item, the focus was more on them alone than being in the crowd. But they still did their hanging out and partying. Again, Gwen being elevated to female lead meant that she was now in the dramatic scenes. The same exact thing happened with MJ. With ASM #151, MJ was pissed off with Peter for leaving her during JJJ's party, etc. etc.
Except, by doing so, she's presented as being all too similar to Mary Jane in terms of partying and dressing sexy--especially if she didn't show those characteristics before. One could suggest that Stan and Romita, rather than relying on the strength of Gwen's character, showed Gwen partying and dressing sexy in a similar manner as Mary Jane in an attempt to convince readers that she was the better match for Peter. Notice that it was AFTER Peter and Gwen got together we never saw Gwen portrayed in that way again.
But that aspect didn't last very long. Capt. Stacy died in ASM #90. By #98 her blaming Spidey had dissipated and really never came up again. Stan was simply moving along a reasonable dramatic arc. It's just that Gerry Conway didn't know what to do next.
But if you think about it, the death of Captain Stacy was similar to another beloved relative of one of Peter's girlfriends--Betty Brant's brother Bennett, who was also killed--while acting heroically--in a story involving Doctor Octopus and the result was the girlfriend blaming Spider-Man for the death of her relative. The differences are obvious, such as Bennet was Betty's brother and a gambler, while Captain Stacy was a retired police officer and Gwen's father, but they are still similar stories. And the pattern, like both stories, that Peter felt he could never tell Gwen he was Spider-Man because he feared she would blame him for her father's death, just like he couldn't tell Betty because he feared she would blame him for her brother's death. One could say that, because Captain Stacy died, Peter's relationship with Gwen could have been doomed to fail just like his relationship with Betty and for similar reasons.
First of all, the same thing has happened with MJ. In all these 40 years of her existence, what flaws has she been presented with? Some flightiness, annoyance at Peter's life as Spidey and smoking. And when she was "killed" we were presented with the same idealized flashbacks as with Gwen. Like I said- it isn't Gwen- it's how comics are made.
The thing is, that as with Gwen, after The Chase is concluded, things simmer down. But unlike Gwen, Peter and MJ have hardly any drama with them. MJ really does nothing at all in those years. My point is that despite what a fantastic character we're told MJ is, this isn't reflected in the writing. Why is it that so little has been done with her over the last 4 decades? Even now in the current comics it's back to The Chase.
Hmm, what flaws does MJ have other than the ones you mentioned? Aside from the fact that she has a tendency to escape from emotionally difficult situations by trying to go out and have fun, by acting superficial in order to keep others from knowing the real her, and maybe being a bit too sarcastic with her zany comments, I really can't think of any. Oh, and nothing done with her over the last 4 decades? I suppose having it be revealed that she came from a broken home, abandoned her sister in a time of need which gave her a tremendous sense of guilt, that despite her tendency to run whenever problems arose chose to stay with Peter to comfort him after Gwen died, fell in love with Peter despite her own misgivings, revealed to Peter that she knew he was Spider-Man, became his wife (until that was retconed), almost had a child, and learned not to stand by and do nothing when someone needed help based on Peter's example. Nothing done with her, huh?
Although, I do agree it all depends upon what the writers want to do with these characters.
If Wolfman intended to further explore MJ, why didn't he? And there's clearly an inconcistancy here. Back during Clone saga 1, MJ was up in arms, fighting for Peter against Gwen's clone. Then suddenly she isn't interested in a serious relationship? Makes no sense. And Wolfman did nothing with her character but gradually fade her out. Since the relationship with Betty went no where either, it clearly wasn't the case that this was the reason.
Sure it does. Conway established that Mary Jane was falling in love with Peter, but that she didn't want to because she was more comfortable being Peter's friend. It's only when Gwen came back that she decided to fight for Peter. However, being in a relationship is one thing, but marriage is quite another, and Wolfman, based on MJ prior characterization, made MJ panic and duck out of Peter's proposal due to her fear of commitment. In issue #185, he makes it clear that MJ was still in love with Peter via a thought balloon and the way she was snipping at Betty reminding her--and Peter--that Betty was still married. He also, in issue #191, was the first to reveal WHY she rejected Peter because she was afraid what happened to her parents might happen to her. And, even though Wolfman wasn't writing the series, MJ was still making appearances in Spectacular Spider-Man. Wolfman clearly was laying the groundwork for her character, just one of many subplots he was working on, but once he left the book, most of that stuff either was set aside or unsatisfactorily wrapped up (such as the Jonah having a nervous breakdown subplot and Peter at the Daily Globe subplot).
Truth is, During Len Wein's run he was really only interested in the adventure aspects of Spidey's life. The personal stuff took a back-BACK SEAT. Then from Wolfman's run through the start of Stern's Marvel didn't know what to do with Spidey's personal life. The writing in that area was clumsy and stagnant. The real problem is that almost no writers since Stan has had a clear vision of who Peter Parker is. Whereas Stan developed relationships the writers since have simply tossed them in as something between fight scenes.
Agreed.
This is why the relationship and marriage to MJ seemed like simply a gimmick. Something tossed in rather than something Peter and MJ developed into.
Not to mention to coordinate Peter and MJ's wedding in the newspaper strip--and Peter and MJ getting married was Stan Lee's own idea in the first place.
I'm not denying the MJ was popular. Hell, I love the character. But to say the she was more popular than Gwen or vice-versa isn't true. Folks weren't abandoning the books because Peter wasn't with MJ.
Neither were they with Gwen.
SAN- take a look at the period when sales jumped so significantly- that would be #144. And who returns in that issue?
Sales were indeed going down after Stan left. And we know that Gwen was killed in part to boost sales. My point is that it not only did not work as sales continued to fall after her death- but if indeed MJ was more popular- why didn't sales pick-up after she became the book's female lead? After The Clone Saga, sales dropped again.
Take a look again and you'll see why, with all due respect, you're slightly incorrect. You have to go from that issue's filing date to the last filing date in order to get the what the comics average sales for that year were. Also, you cannot count the issue in which the statement appears in since they wouldn't have included the sales total for an issue that was just released on the market. So, that gives us the following
1967--361,663 (issues #47 to #58)
1968--373,303 (issues #59 to #70)
1969--372,352 (issues #71 to #82)
1970--322,195 (issues #83 to #94)
1971--307,550 (issues #95 to #109)
1972--288,379 (issues #110 to #117)
1973--273,204 (issues #118 to #131)
1974--288,232 (issues #132 to #143)
1975--273,773 (issues #144 to #154)
1976--282,159 (issues #155 to #166)
1977--281,860 (issues #167 to #177)
1978--258,156 (issues #178 to #194)
Now, you could say that, yes, sales went down in 1973, but they were already going down BEFORE Gwen Stacy was killed off. And if Gwen's death caused sales to go down, then why in the following year did the sales start going up BEFORE she was even brought back into the comics. As you said, issue #144 was when Gwen--or at least her clone--came back, yet all through that year prior to her "return" the sales for the comic were going UP not down and BEFORE issue #144. If anything, it looks like Gwen's "return" not to mention the departure of Gerry Conway, caused a momentary dip in sales.
Of course fans wanted SOMETHING done. They've also wanted SOMETHING done with MJ. It's just the choices made. Peter and Gwen had been together for a good six years by the time of her death. It was time for something new. But there were many other options aside from Marriage and Death.
Yes, but you could say it was somewhat limited given that they kept Peter in college.
I'm not saying he wasn't good. Like I said, ASM#121-122 are classic. But relationships weren't his stong-suit. Which is why all he did was have Peter and MJ engage in the Chase. He left when actually having to deal with their relationship became an issue. If he were as good as Stan and developing a relationship he could have done things to infuse Peter and Gwen's relationship with some juice.
Well, I thought Conway did want to do more plans with Spider-Man prior to his leaving the title for other assignments, but I could be mistaken on that.