Anyone read this on the CS homepage yet? It's an interview with director Matthijs van Heijningen:
Shock: So was this a project that you fought for or was this something they came after you to direct?
Matthijs Van Heijningen: I was prepping a movie called "Army of the Dead," produced by Zack Snyder. It was 3 months before shooting and then the crisis hit and it fell apart, and then I was prepping that for a year almost, so I was like in a little void. Then I was in my car and I was like, "Oh God, I have to read all these scripts again." Is there anything like one of my favorite movies that I went to, thinking about "Alien," thinking about "The Thing" and then I called my agent and said, "Whatever happened to The Thing? Did anyone ever do something with it?" And he said, "Yeah, Strike Entertainment is prepping something with The Thing.'" I didn't know if it was a prequel or a sequel. So they got me in contact with them and they had already a script, and then I said, "Hey, well, can I read it?" And they were very enthusiastic about my work. I read it and I liked it, and I said, "Well, I think if you want to do a prequel to JC's movie, it has to be really true to that movie." As an audience you would know who was The Thing, but the basic rule of his movie is that you don't know who's the Thing, I mean, that's the whole paranoia. So we started from scratch, to bring in JC's movie as sort of the design of what our movie should be. Just really go back, you know. I said, "Well, if I can pitch it to the studio, it should be with real Norwegian. Otherwise, as a European, I mean it's ridiculous if it's like Americans pretending to be Norwegians. I'm just gonna pitch it and see, probably they don't like it and it's gonna be washed under the table." But they said, "It's cool, let's do it." Real Norwegians, that sort of thing. So that's how it started.
Shock: Do you have specific memories of your first exposure to "The Thing"?
Van Heijningen: Yeah, that I went to see it at the cinema and it blew me away like, I really... the ending was that dark, which is something that I really liked. I'm really fighting for that same sort of tone.
Shock: What was involved with reverse-engineering all the stuff we saw in that movie? Obviously a lot of things we see you can guess what happened, but you don't really know. Was a lot of that done in the script stage?
Van Heijningen: Well, I think that was the beginning of our approach, "Let's see all those key points in the Norwegian camp. The axe in the door, the two-faced monster. Is there a way for us to explain that and incorporate it in the story about all these people?" So that's how we sort of came up with the story, and of course Universal was fine with Norwegians but we need to have some Americans so that way we sort of constructed it in there.
Shock: How did you bring the Americans into the story?
Van Heijningen: The way we did it was that one of the main characters is a Norwegian guy, and they basically want his help and he's based in NY and he brings his team and his two assistants which are Americans. So that's sort of a logical way to get a little bit of Americans into the story.
Shock: Can you talk about casting? How did you arrive at Joel Edgerton, who not many Americans might know.
Van Heijningen: No, I was just trying to find this believable, hardboiled guy, a Vietnam Vet who just starts a business in Antarctica and doesn't care about people anymore. Maybe he experienced a lot of stuff. So we cast Joel. I read about him, that he was in a play on Broadway, which had rave reviews and he just came in and that's the guy. And for Mary (Elizabeth Winstead), we were trying to find somebody who was between 25 and 30 and believable as a clever person that could be a scientist. So the moment that somebody pretends to be a scientist and you don't believe it, I'll basically step out. So that was what I was looking for.
Shock: Did you have to audition with her or did you see some of her previous work?
Van Heijningen: Yeah, we auditioned and she felt calm and strong and believable and sort of vulnerable in the beginning, and then she has to step up, not because she wants to but because she has to. That's what I like.
Full interview:
http://www.shocktillyoudrop.com/news/topnews.php?id=17347