LastSunrise1981 said:
I think people just didn't understand Superman Returns. This isn't a knock on you or naything, but the people of America have short attention spans. Only a few seem to enjoy great movies with emotion and deeper meaning.
I think it's more a case that not all movies are meant to be for arty-farty appreciation by auditoriums full of high-brow film aficionados with wild hair and with their spectacles balanced on the end of their nose, nodding sagely at each other over the production value of a certain scene.
Some movies are meant to be more entertaining, or just to be entertaining.
They aren't meant to be overly cerebral.
That's not how I view X-Men.. all three movies have more depth and quality than Pirates... but it's an example that maybe some films aren't meant to be for the intelligensia, or to be viewed in that fashion.
I mean, does every meal have to be a four-course meal at the most expensive restaurant in town, or can you sometimes just enjoy cheap junk-food like a hotdog or takeout?
In Box Office terms, X3 made a wise move, incorporating some of the 'summer blockbuster' energy and fun that is found in Pirates as well as continuing the deeper socio-political themes of the story (which is why the cure storyline was used - I have mixed views over that storyline, but nonetheless, each X-Men movie has shown a wider political prejudice at work - the registration act to control mutants, Stryker's attempt to eradicate mutants, and the cure that ends up being a weapon against mutants... the choice of including these as main themes being the reason that Jean Grey's unique inner turmoils have taken a backseat)
LastSunrise1981 said:
The rest of them just seem to want action, action, action, and more action. I think people went into Superman Returns expecting exactly that, and we disappointed at the result. Sure, it was long and sure it could've had a bit more thrills, but I loved it for what it was and will buy the DVD.
But seriously the only film this year that's destroying all the competition is POTC 2.
I think Saw III will definitely do great business too, considering how much Saw II was.
I certainly didn't see Superman wanting wall-to-wall action.
There were parts other than the lack of better action (interpersonal battles, rather than lifting inanimate objects) that left me dismayed.
It felt like a great idea poorly executed and badly edited. Things like the kid screaming when Lex threw his wig (what kid would scream like that over a hairpiece?), young Clark wearing glasses (why!??), young Clark doing super leaping (since when does Superman do super jumps!!??), Clark cruelly throwing the ball too far for his dog to fetch (is he that sadistic to his own dog?), the scene with the dog having eaten its companion (yuk - and what purpose did it serve, what was with the anti-dog sentiment in this film!?), Lex's plan (for real estate no one would ever want!), the vague history (Lois's memory or non-memory of having slept with Superman - which is it?), the whole issue of the kid (she must have met and slept with Richard quickly enough after sleeping with Superman for Richard to believe he was the father of the child!), the poor security at the Fortress of Solitude (protected only by a snowstorm!? WTF!?)... and the list goes on. The film is riddled with inconsistencies, with some things done purely for effect (the screaming kid, the throwing of the ball), and no one has yet managed to explain them all.
But I'm sure what put off the mainstream audience were trailers that did not appear to show gripping action like a super-showdown or a new villain. Lex has been done to death in the previous movies and done to death again in Smallville. Give us something new! (Dark Knight had better watch out when it recycles the Joker).
What I wanted from Superman was better editing (remove some of the crap I mentioned above, insert the Krypton exploration scene), some one-on-one action (new supervillain, with a superpowered showdown), and a better story structure. Bryan has a habit of ignoring the global effects of his characters' actions - Superman's absence and return, and the fact it led to the freedom of Lex Luthor, was never properly explored. Similarly, in X1 and X2, you never get a properly explored sense of the effect of events on the world (like the effect of Dark Cerebro when it targeted mutants and then humans.. how many people were affected, injured, killed?). Bryan's approach is very 'intimate' and that may suit some viewers, but when these people do things that have global impact, surely we need to see that impact...