darkseid26
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2001: A Space Odyssey
There's a certain lack of tangibility that's fairly obvious when it comes to CG sets and backdrops. They always seem to feel flat and have a lack of depth and weight. A fairly obvious one off the top of my head is the St. Peter's Basilica sequence in Angels and Demons.
The sets from from Metropolis
Yea, MiB had amazing SFX. A lot of it still holds up today. Who did the SFX for it? Must have been WETA or ILM?
filmmakers today are far more quick to rely on CGI and computer effects rather than make the effort to devise traditional in camera effects that would very well result in more convincing and impressive effects.
Anything from the Thing is still awesome.
traditional or CGI theres always gonna be the good and that bad. good CGI looks better than crappy traditional, of course. but i think good traditional effects always trump good CGI. but filmmakers today lack the ingenuity and drive to put that effort into it. it just sucks to me that people seem to think you cant make a film today without CGI.Except that though there are quit a few gems from past decades, the vast majority of in camera effects, or those done with stop motion, or any effects ever are pure crap. Just as there is crappy cg, so ther has been cheap model work, poorly drawn matte paintings and shoddily sculpted latex masks. .
It's easy to look at, say, last year A-Team movie, with its crappy cgi poorly composited parachuting tank and then look at the effects in Blade Runner, and declare modern day directors as lazy, unimaginative, and overly dependent on cgi. But then of course you have to look at the large amount of crap that came out in the 1980's as well.
Laziness and bad filmmaking are the only constant in the film industry.
Yes if a film requires a plane explosion, many directors today would intinctively reach for a computer mouse. Could they do this in camera? Yes. Might it possibly be better than the digital solution? Maybe. Or maybe it will look as bad as much of the effects of the 1980's. Or maybe they know how to use cgi effectively
Just as there were true artists that used the tools of their times to create effects that stretched the limits of what is possible there are some that combine the resources available to them to produces some truly fine films. It is these films and these filmmakers that will be remembered and those films that will be discussed on messageboards that are beamed directly into our brains in the year 2040. The crap, as I said before, will fall away into the bargain bin of history.
You must also remember that many of those "traditional effects" were not always tradition, they came about from people trying new things, through trial and error and sure at least a few were an absolute gimmick when they were first implemented.