The Chris
TDK Trilogy Forever!
- Joined
- Apr 26, 2007
- Messages
- 7,882
- Reaction score
- 895
- Points
- 103
The thing is, Elfman was brought onto two franchises with a established main theme. Brad Fiedel had established the sound for Terminator way before Elfman even hit it big with Batman, and I don't know what Guillermo del Toro was smoking when he passed up Marco Beltrami in favor of Elfman for Hellboy II (Hellboy is one of Beltrami's finest scores).
Elfman does better doing sequels to movies he's already scored, because he knows the overall sound of his themes better. A lot of people prefer Elfman's Batman Returns to Batman, but I think Elfman hit it out of the park with Spider-Man 2 (despite the post-production grief Raimi gave him with the temping issue).
Young's score for Spider-Man 3 is a lot of fun though.
I can see that. I liked the Music Young put in Spider-Man 2 though (The Train sequence and the fusion scene)