Supercrooks - Mark Millar & Leinil Francis Yu

He's gonna ****e it out once Francis Yu is done with the 1st arc of Superior and they move onto Supercrooks. :p I mean if its 4 main character that means its gonna be 4 auctions for the names, which could mean if its 8 thousand per name that makes 32 thousand dollars for charity, OUTRAGEOUS!
 
Is Francis Yu going to ever be done with the first arc or Superior, though? It's been something like 6 months since that last issue came out.
 
Marvel made him draw Avengers vs. Ultimates, but he's apparently finishing the last issue and was almost done with #5, so it should come out August/September and end in November/December when he begins with Supercrooks. >_>
 
First Look at Supercrooks

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- Nacho Vigalondo (director of Time crimes ) is directing the movie.
- The pitch of the series by Millar's words: So a bunch of supervillains head for Spain for one last job, for a heist. And I love heist movies – I’ve always wanted to do a ‘men on a mission’ story with supervillains. So the idea is a bunch of super-villains get together to pull off one last job; the biggest job of their career.
- Universal seems to be the company that bought the rights for the movie.

Haha so its pretty much hyping for the movie, 2 character designs and the cover and teases to get people to buy Clint #9. :p
 
Well, of those, Kick-Ass, The Losers, Watchmen and Scott Pilgrim vs The World either underperformed or flopped. I'm not sure on Preacher, but I think the Sandman TV series is basically dead. Red was a modest hit, I think. Wanted and Walking Dead were successes. No idea about Human Target, but I remember reading it was in cancellation. So, I don't think they'll be looking at indie's more than they already were, because for all of those there's been the attempts (of success and not-so-successful variety) of the bigger IPs from Marvel and DC. As soon as the comic movie boom they've been digging anywhere for them. If there's anything you can argue made them look that way it was the out-of-nowhere success of Wanted or 300 before that, but they've yet to emulate those to any significant degree.

And, yeah, there's truth in comics needing more exposure, but the movie thing isn't working anymore than anything else. The superhero/comic book movie boom has been going pretty strong for at least a decade now, when even some of the more mediocre films were pulling down some good, solid numbers. And, in all that time, we haven't seen any kind of real results for comic sales. We'll get a bump for a little while for trades, but that's it. If movies were the answer, we would have seen the results by now (I know some think the direct market is the sole culprit, but I still think comics are accessible enough to where if there was real interest, they could be sought relatively easily). The truth is that movies provide a momentary interest that, much like the film itself, is over fairly quickly.


There are misfires, but by no means enough to "scare" hollywood.


It's still cheaper to work Comics and graphic novels now than have hollywood spend the money they used to on script writers etc...Much easier to have some exec thumb through a comic than a full script.

Jesus we are getting Movies that "steal" the comic style and visually pretend to be based on comics.

Comic to Film still is very viable and a 'top' priority of Marvel.
 
There are misfires, but by no means enough to "scare" hollywood.


It's still cheaper to work Comics and graphic novels now than have hollywood spend the money they used to on script writers etc...Much easier to have some exec thumb through a comic than a full script.

Jesus we are getting Movies that "steal" the comic style and visually pretend to be based on comics.

Comic to Film still is very viable and a 'top' priority of Marvel.

Well, yeah, but I wasn't really saying that the comic to film isn't viable anymore or anything. I was talking about the idea that it's good for comics to basically be pitches for movies, that it's helping the industry financially, more than anything there.
 
It seems Supercrooks will be 4 issues, so Jan-April or Feb-May and then we can get more Superior arc 2, sounds good to me.
 
Don't we have to finish Superior arc one first?
 
Thats what he's doing before Supercrooks starts January/Feb. He's starting doing Superior once Avengers vs. Ultimates concludes in July.
 
Well, yeah, but I wasn't really saying that the comic to film isn't viable anymore or anything. I was talking about the idea that it's good for comics to basically be pitches for movies, that it's helping the industry financially, more than anything there.


Well it depends what you consider "good" for the industry.

I mean money wise, between Comics, Toys, Movies, Video games... Franchises like Spider-man and X-men make more money than they ever have been.

I guess that's good right? I still hold the hope that the success of the Movies and games will eventually ensure a stabile comic market, although maybe not grow it.

Anyway for what its worth, I'm tired of these "movie comic minis" as well.
 
Well it depends what you consider "good" for the industry.

I mean money wise, between Comics, Toys, Movies, Video games... Franchises like Spider-man and X-men make more money than they ever have been.

I guess that's good right? I still hold the hope that the success of the Movies and games will eventually ensure a stabile comic market, although maybe not grow it.

Anyway for what its worth, I'm tired of these "movie comic minis" as well.

Well, they make more money in the merchandising area probably (though that's were they've always had great financial success at). I really don't see any proof that it's ensuring anything stable, for that matter. There's been very little bled in from the movies financially for the actual comics themselves. The most you get is a few months of trade bumps, but then it quickly drops again.

But no, I was wasn't really talking about the financial side of things with that stuff. More so the creative side, what you do to the medium when you simply write comics as storyboards for easier pitches to Hollywood, stuff of that nature.
 
Supercrooks #1 preview!

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"Supercrooks" may be the first new comic coming from Mark Millar's Millarworld comics line in 2012, but he's been working on the super powered heist story for year. "'Supercrooks' came about because I'd always wanted to see a supervillain story done like a Guy Ritchie movie -- a sort of big, over the top heist story done like 'Lock, Stock' or 'Oceans 11,' but with cracking new super-villains and interesting powers," the writer told CBR as he and longtime collaborator Leinil Francis Yu shared six exclusive pages of the Icon comic as the kickoff to CBR's Millarworld week of reveals. "I remember watching 'Lock, Stock' and thinking, 'I'd love to see something in comics done like this -- a bunch of guys getting together to pull off a big robbery.' So, 'Supercrooks' has been in my mind since back then. I thought there was such potential there for a rogues gallery who all had distinct personalities and specialties. They get together and pull one big job.

The Spanish setting played heavily into the creation of the book, both for Millar and Philippines-based Yu, and not just because there's a long history of Americans abroad stories across genres. "I love that clash of pop culture ideologies. It seems so interesting, and I've noticed that in quite a lot of the books I'm doing this year and next, the setting is more international -- superheroes in unfamiliar places," Millar said. "'District 9' was an invasion movie like 'Independence Day,' but setting it in South Africa gave it a slightly different feel. Just setting this book somewhere else makes the background different. During the day, when they're planning the robbery, these guys are hanging around Spanish markets and Spanish bars. It's also got a European comics feel to it. Leinil has drawn it in a slightly more European style. It looks more like a French or Spanish album than it does like an American comic, and I like the fact it feels distinct. It makes it something I've never seen before. I love it when I pick up a comic and see something new. It feels fresh. With American villains in an alien environment, the story almost writes itself."

At the core of "Supercrooks" are the bad guys themselves, of course, but the ragtag team isn't a unit of thieves at the top of their game -- a concept Millar owes to many classic crime tales. "The set-up is that the main guy Johnny Bolt -- one of his old friends is in trouble, so he gathers up a crew of old villains who all owe this guy a favor. They have to help out because they have a loyalty to him because he looked after them in prison and inducted them into the super-villains when the neo-nazis or the Irish or the Muslims had their eye on them. So, they go to Spain, because that's where America's biggest supervillain of all time has retired, and he has his entire haul in the mountains underneath this big villa, and they want to steal it.


Just as with his other creator-owned hits, Millar is bringing plenty of his personal interests and flourishes to bear in building the cast up in the comics pages. "The characters they bring in are all very distinctive," he said. "We've got two underground cage fighters, because I love the idea of fight clubs for supervillains. You've got this idea of wrestlers with super powers fighting illegally and using their powers against each other. These two brothers are in there. Then, you've got the main character's girlfriend, who is pissed off because she doesn't want him to be a villain anymore. She's an ex-supervillain who's trying to go straight, and he hauls her back in for one last job. Then there's his best friend who became a real estate guy because he was fed up with the superheroes taking him to prison so often. It's a bunch of guys who were trying to go straight getting back together for the biggest job of their careers. I love that idea, which we've seen in crime heist movies before, but never seen it done with superheroes."

4 more pages of preview inside ze link. =)
 
Thanks, Drz. I just logged on to post this preview, but you very kindly did it for me. cheers mate.

Frank Quitely's superhero epic, Romita Jr's Hit-Girl spin-off, Steve McNiven's Nemesis 2 and The Secret Service with Dave Gibbons. Please check CBR every day this week for big colour preview thingies!!!

Lotsa love,
Mark Millar
 
Supercrooks #2 solicitations!
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Supercrooks #2
Mark Millar (W) • Leinil Yu(A/C)
Variant Cover By Bryan Hitchjohnny Bolt Is A Villain Living In A World Where Pickings Are Slim And The “Heroes” Are Everywhere. Now, With Little Left To Lose, He’s Convincing His Pals That Their Last, Best Hope Lies Overseas. But Will Culture Shock Get To Them Before The Policía Do? Continuing The High-Stakes Escapade From The Creative Team That Brought You Superior!
32 Pgs./Mature …$2.99
 
Page from #2 of Supercrooks:
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#3 Solicitations

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SUPERCROOKS #3 (OF 4) (MR)
(W) Mark Millar (A/CA) Leinil Francis Yu

Johnny Bolt has gathered a group of super-villain friends from his past to pull off the biggest robbery in history. The real surprise–the victim’s identity! But things go horribly wrong and it’s too late to turn back. The greatest super-villain of all time might have amassed a billion dollar fortune, but he’s not going to be easy to steal from. A massive secret in the American superhero community might just work in their favor…
 
This comic is awesome so far.
 

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