That Guy With The Glasses II - Part 3

Other than this year's Longbox, I haven't watched any TGWTG in weeks.

Partly because time has been tight, and partly because of a lot of stuff I've heard about with the company behind the scenes that makes me hard to want to support them anymore.

When I have time, I'll probably catch up on some individual producers again from their non-TGWTG pages.
 
Other than this year's Longbox, I haven't watched any TGWTG in weeks.

Partly because time has been tight, and partly because of a lot of stuff I've heard about with the company behind the scenes that makes me hard to want to support them anymore.

When I have time, I'll probably catch up on some individual producers again from their non-TGWTG pages.
Like what?
 
Treating various producers badly, especially some of the women. Harassment. Trying to get producers to sign over the rights to their show when they leave (not sure if still going on, but it used to happen). The whole Indiegogo fiasco. Patreon goals and rewards. Refusing to go to cons unless they're comped AND get first class flights. The CEO of the company basically being a terrible CEO and refusing to put any effort into networking, and jumping onto opportunities.

Basically a couple of big things, and a bunch of smaller things.
 
I tune in for the Nostalgia critic videos once a week, aside from that I stick to the Brad jones' site and Todd in the shadows on chez apocalypse. I used to watch Nostalgia chick videos, but all she's been doing for the past month are vlogs of her and her friends trying beers. Weren't they trying to write another book or something?
 
TGWTG hasn't been what it use to be really, I mostly just stick with the Critic.
 
I've lapsed in what I used to watch. I mostly stick with NC, Linkara, Todd, and Phelous. I need to catch up on Brows Held High, Obscurus Lupa, and Cinema Snob.
 
TGWTG hasn't been what it use to be really, I mostly just stick with the Critic.

Yeah it's gone downhill. It seems a lot of people jumped shipped after the last 'real' special. Other than the Critic I don't really watch much. I'll watch Linkara if he does a mainstream comic. Some Todd in Shadows, a nd I'll watch "a British person" try the wierd infomercial things he buys.
 
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TGWTG really isn't what it used to be.

The only videos I watch regularly are the Critic, the Cinema Snob, and Todd in the Shadows. I would actually watch the Nostalgia Chick more if she posted reviews more often, but I have been enjoying the pumpkin beer reviews from Maven and Nella (because I'm a fan of beer; especially when it comes to discovering new ones!).

But yeah ... TGWTG just isn't the same. I would say the site was at its prime back in 2009 and 2010.
 
I don't watch Nostalgia Critic as much as I used to, some of his videos are entertaining on repeated viewings, lots of them either are fun on first view only, or not fun at all.
 
I think it started to go south right around the time Snoopy was gone.
 
I rely on Live Bookmarks and a news-ticker addon to tell me when people from TGWTG are posting new videos. I'm subscribed to Critic, Nash, Rap Critic, and Lupa. I also have live bookmarks directly from Brad's website, Spoony's site, and Chez Apocalpse (Chick, Maven/Elisa, Nella, Paw, Kyle, Todd, and a couple others who aren't on TGWTG). I think Chick has a job in television these days, so she doesn't update as much. Paw & Elisa don't post videos as often now that they're married and have a baby.
 
This company, I swear...

They've finally put up their new site at channelawesome.com

The site is horrible and the menus pretty much only work on a large monitor (don't try it on mobile!)

Not only that, but the original site has no announcement of the new site. It's only been announced on twitter, and yet they're going to close down the old site in two weeks...which they also only announced on twitter...

:facepalm:
 
Also, there's apparently no SEO (search engine optimization) on the site. So good luck to anyone trying to find it on google, or to them hoping google searches will promote it for them.
 
This company, I swear...

They've finally put up their new site at channelawesome.com

The site is horrible and the menus pretty much only work on a large monitor (don't try it on mobile!)

Not only that, but the original site has no announcement of the new site. It's only been announced on twitter, and yet they're going to close down the old site in two weeks...which they also only announced on twitter...

:facepalm:

At this point, you could just skip the website entirely and go directly to people's blip and youtube pages. That's what I do.
 
I have the Blip pages bookmarked for people that I like.
 
The new site is an eyesore.
 
Well, I haven't watched anything in months other than Longbox.

It's just the utter ineptitude of this company lately. All this waiting for a new website, and they ended up just buying a wordpress template and halfass converting it. Plus, those ads that they sold for $140 a month on the old site, not on the new site. Are they going to refund that money?

$96,000 from their Indigogo campaign, ostensibly for a game show that they still haven't produced or released in over a year (even though they had the set at least partially built back then), and other shows that haven't manifested. (They really just used the funds to put their bank accounts back in the black.)
 
Sooooo with the Channel Awesome site being a thing now, will That Guy With The Glasses cease to exist?

I just checked the new site and it isn't very user-friendly. It's kind of a mess. But I digress. I noticed that TGWTG hasn't been updated, which is why I'm asking if that site is going away.
 
They're killing the old site in two weeks.

They're just not announcing it...for reasons.
 
I haven't watched Nostalgia Critic in years, back when they ran out of bad movies... and it just started to be movies and pop-culture in general.
 
They're killing the old site in two weeks.

They're just not announcing it...for reasons.

Gotcha. Kind of explains why Doug Walker made a big deal about the final episode of Ask That Guy With The Glasses.

He had not made one of those episodes in a couple years, so I was kind of surprised/puzzled that he was filming a "last one." :P
 
Soooooo apparently some stuff/drama has hit the fan with Channel Awesome? Lots of reviewers are leaving the site. Phelous and the Nostalgia Chick are among the names that are leaving.

I don't know much of what's going on. Lindsay Ellis wrote a blog post about her departure as the Nostalgia Chick character; that she was always uncomfortable with being "the reviewers of girly things," and that she still plans to make videos on her own site, just not as the Nostalgia Chick. Ms. Ellis herself has stated that there's no drama with her departure, but apparently some stuff is really going down with everyone else, especially Phelous.

I'm curious as to what's going on (if there is stuff going on, that is)?

Did anyone watch the Grandma Got Run Over By A Reindeer review?

I did, and I really enjoyed the review a lot. I especially loved the ending. I personally thought it was hilarious (that's probably because I'm a Christmas junkie myself; I can relate to Doug's enthusiasm, haha).
 
Soooooo apparently some stuff/drama has hit the fan with Channel Awesome? Lots of reviewers are leaving the site. Phelous and the Nostalgia Chick are among the names that are leaving.

I don't know much of what's going on. Lindsay Ellis wrote a blog post about her departure as the Nostalgia Chick character; that she was always uncomfortable with being "the reviewers of girly things," and that she still plans to make videos on her own site, just not as the Nostalgia Chick. Ms. Ellis herself has stated that there's no drama with her departure, but apparently some stuff is really going down with everyone else, especially Phelous.

I'm curious as to what's going on (if there is stuff going on, that is)?



I did, and I really enjoyed the review a lot. I especially loved the ending. I personally thought it was hilarious (that's probably because I'm a Christmas junkie myself; I can relate to Doug's enthusiasm, haha).

http://obscuruslupa.tumblr.com/post/108008749157/bye-ca
Bye, CA!

Okay, so by now you’ve probably heard that Phelan, Lindsay, Andrew, and I are the most recent folks to exit TGWTG/CA. If you haven’t, well, you have now. But I’ve gotten a lot of questions about it, so here’s a long post explaining what happened as far as I’m concerned.

(EDIT: Clarifying none of the exits outside of Phelan had anything to do with me, and even then Phelan and I had been planning on leaving for quite some time.)

So was I fired? Well, yes and no. I was let go, but calling it being “fired” implies I worked for CA, and I did not. The only people with contracts/a payroll are those who work directly for them in Chicago. No producer has ever been paid by CA, and that includes the anniversaries. All profits from those, including the DVD sales, go directly to CA, and we were paid in “exposure” and “a free trip with our friends.” The only contracts we ever had to sign were for the anniversaries, mostly to sign over to them any crossovers we filmed (to pay for our trips there). So in actuality we were not on a “free trip” with our friends; we were working off our trip while also acting in a film we would have no profit from (the exception being commentaries, which we could keep). If we questioned this, we would be told we didn’t have to go and that was that. We did get a free copy of the movie for ourselves, if they remembered to send it to us. If you didn’t get a copy of To Boldly Flee, don’t worry, neither did I. One of Mike’s favorite things to tell us was how great it was that they hosted our stuff and never asked for a cut of our profits.

ANYWHO, my exit starts with the midrolls and Patreon. I’d been struggling for awhile to pay the bills, and ad revenue was down, and one of the things keeping me afloat was extra midrolls, which weren’t extremely popular. But I also had to do that to make barely enough to live, as this is my job. So while I’m in Chicago, Mike corners me while I’m alone and proceeds to tell me my midrolls are screwing everyone else by making people turn on adblock. It was very hostile, unprofessional, and uncomfortable. I told him I needed to do that to make enough money to live, he didn’t care (and also told me they left up comments about the midrolls as a hint to me, apparently), and it ended with me crying in a bathroom over how I was going to pay my bills. This was followed shortly after with a call from him and Doug mandating how many midrolls we were able to use, among other insulting things. Doug suggested I simply make more videos, like his TV show vlogs, because that was just his “work ethic.” I, of course, wouldn’t know about a work ethic. Mike was also unaware that I’d been posting on Sundays for 3 years, and implied that videos that weren’t OLPs didn’t count.

Anyway, I’m looking for alternative ways to make money, and Patreon is starting to do well for some folks. I decide why not? It wouldn’t hurt to try it out. So I start one up, and ask if Mike can put a link up to it under my next video. Mike and company do not know what Patreon is, and have not checked, because they’ve decided in their heads what it is. So he tells me I’m not allowed to promote it. I explain that it’s like an ongoing Kickstarter, and he tells me they won’t promote those either. This is despite them having already promoted Nerdquest stuff and their own Indiegogo, which you might remember was given $90,000 for something they have yet to produce.

(Side note: how many times does it take to film a game show pilot? As it turns out, at least 17, most with the same questions and guests. The other shows don’t even have a title, much less any start on production.)

Incidentally, the reason I don’t use as many midrolls now? Patreon. If they’d had their way, I’d still be broke, and people would still be using the same archaic system.

Rob then messages me and tells me adding Patreon to midrolls is a “slap to the face” and that their Indiegogo was “executive authority.”

Suede had made a video about the pros and cons of Patreon, and they told him he could not post it on the site. We weren’t allowed to put up any links, and only after the news about Suede got out and they looked bad did they tell us we could do a promotion at the end of our videos. After many of us had filmed them, they randomly told us they could only be 30 seconds long. I don’t know why.

Fast forward to now, and I see that they’ve posted Brad’s Patreon video on the new site. I ask Mike why it’s okay now, and quote the previous conversation with Rob. He tells me there was no reason to bring that up again because they’d said it while they were “still on the fence” with Patreon (“slap to the face” = “on the fence”). I told him, yes, there was reason to bring it up, because they never told us any of that was okay now. About 50% of the site’s problems could be fixed by them simply telling us things. I told him they were being hypocrites and should apologize, he deflects me, and I told him they’re always making excuses why things aren’t their fault.

So he asks me if I have time for quick call. I tell him no.

2 hours later, I’m away from the computer and Mike creates a new convo with me, him, and Doug. He asks if I can talk now. I don’t answer because, again, I am away from the computer. He waits approximately 15 minutes, and then tells me because I’m ignoring them they’re taking my stuff off of the site and letting me go. My stuff is immediately removed, which, coincidentally, is the only thing they’ve updated since the new site has gone up. Keep in mind, when the Noah incident happened, they never let him go, they simply kept extending his suspension. I was never even put on suspension. And he got a nice farewell post!

(Edited to add that Mike has been known to stop contact for weeks at a time and, to think he’d be available within 15 minutes of any contact is laughable.)
They’re getting a lot of bad PR right now, which probably could be fixed if they hadn’t fired their PR person the day after her surgery.

The site has had many, MANY behind the scenes issues, and ANYONE who has said anything has been labeled a troublemaker. Also, anyone who has said anything is gone now. It is a site fueled by yes men and denial, and many broken promises. They’ve referred to the other producers as “children” on more than one occasion, which is as patronizing as it sounds. The site has ALWAYS been about Doug, and they don’t care about anyone else there.

But what does this mean for videos? Nothing, actually. Us former CA members are still making videos on our own sites, you can find me, Phelan, and Andrew on Phelous.com, Lindsay on Chez Apocalypse, and I encourage you to continue to support folks who have or will leave the site. The producers are still friends, we will still work together, and we still love what we do.

tldr; I was let go for being away from the computer for 15 minutes.
 

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