10. Red Rain
9 . Prey
8. Ten Nights of the Beast
7. Son of the Demon
6. The Killing Joke
5. Venom
4. Shaman
3. Knightfall
2. Year One
1. The Dark Knight Returns
A top 25 is a stretch as my reading is largely relegated to the modern era, even if the trade paperback format usually only reprints stories from this time where the medium became more aware and recognized as a serious from of art and literature.
I find Batman to be the most versatile and unique character in the whole industry and place Dark Knight Returns on top for helping to expand the market and adding more dimension to the mythos.
For all the discussions of Millers work being overrated it has garnered an overblown reputation throughout the years but it's still powerful storytelling and indicative of how the bat books have been static since that timeframe. Theyre still much more relevant and important to the mythos than Halloween or Victory, which was just a cut and paste overlay of the general modern landscape of Batman and mob films. The books are well written enough not to be dismissed, and readable to an extent but whether those writings are worth reading Im not real sure, as theyre places readers are already familiar with, recycled scenarios and events to pander to the fan base, 700 pages thats more a random collection of events. The stories have no depth or foundation with so many characters, and that implausible shock ending which is not justified by the writing. Halloween/Victory presents a lot of old themes or events done before and better. I wouldnt include either on any best of list. And Im not sure why after Hush and how it nearly obliterated the recent, strong continuity of the realm, the same derision wasn't laid upon that story like Millers DKSA. It's another fasle exploitative "mystery" that leaves more questions than answers and has that same derivative, inconsistent tone of previous writings.