another Good review of Spidey 3
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Spider-Man 3Review by Brian Tallerico
Every good movie fan has been burned by a three-quel. Bring up the third chapters of the Godfather, Back to the Future, or, perhaps the most derided of all, Alien franchises, and watch true hardcore fans start to tear up. Having been burned multiple times by Hollywood's third trip to the well is bad enough, but when you start considering the history of comic book movies, it gets that much more painful. Just mentioning Batman Forever or Superman III might get you kicked out of some comic book stores. Those movies shattered as many dreams as when we were told Santa Claus didn't exist or that He-Man wasn't real.
The main thing that most faulty third chapters have in common, however, is a new eye behind the camera. Joel Schumacher takes most of the blame for what happened to the Dark Knight, and the hate mail that Brett Ratner has received for X-Men: The Last Stand could fill a dead letter office. So, with the same faces in front of and behind the camera, can Spider-Man 3 break the curse of the three-quel? (It's a question we'll ask again and again this summer with the Shrek, Pirates, Ocean's and Bourne franchises facing the same deadly installment.) Spider-Man 3 may not live up to the incredible highs of the second film, but it easily matches the thrills of the first and proves that all rules, even comic movie rules, are meant to be broken.
The opening of Spider-Man 3 immediately reminds fans of how much the series has really become a "trilogy," closer in scope to Star Wars than the Batman or Superman movies, in which each chapter feels like a new stand-alone adventure. Sam Raimi has been setting up threads of loyalty and revenge since the first film, and the opening credits of the third installment almost serve as a "previously-on" segment for the entire series. Trust me - you'll be pumped and ready to go from the very beginning. In the first act, Raimi plunges us back into the lovey-dovey relationship between MJ (Kirsten Dunst) and Peter (Tobey Maguire). They hang out on webs together and look at the stars while Peter plans his marriage proposal, something that scares him as much as any super-villain. Meanwhile, as is always the way in the Marvel Universe, evil is brewing in the background. Harry Osborn (James Franco) is still planning his revenge for what he sees as Peter's murder of his father, and we watch as the Venom symbiote (a cool black goo) hitches a ride to NYC on a meteor and Flint Marko (Thomas Haden Church) becomes the Sandman.
Happiness never lasts too long for a hero like Spider-Man, and the action kicks in pretty quickly with an amazingly choreographed aerial fight between Harry (in full Goblin gear like his proud papa) and Spider-Man. From there on out, Spider-Man 3 is largely a series of different Spidey fights - "vs. Sandman," "vs. Harry," "vs. Venom," "vs. Himself" - culminating in a soon-to-be legendary battle royale with five different characters involved. As you can imagine, the action in Spider-Man 3 can't really be faulted and the effects - it is arguably the most expensive movie ever made - look unbelievable. When Flint turns into Sandman near the beginning, that scene alone should win the Visual Effects Oscar and that doesn't even take into account all of the awesomeness left to come. Raimi has crafted an astounding visual canvas that looks great at every turn.
However, the webbing between the action sequences is where Spider-Man 3 slightly falters. It's a little too long and too much of the film's heaviest plot - the love triangle between Peter, Harry, and MJ - rests on the shoulders of James Franco, and the young actor is simply not up to the challenge. Franco doesn't have the screen charisma to carry a movie as big as Spider-Man 3, and when he starts to sulk (or, in the worst scene in all three movies, do the twist with MJ), you'll just be wondering what more interesting characters (like anybody) is doing. The action is just as good as the previous movies, but the connective tissue feels more strained, as if the actors have grown a little tired of playing the same game. Even Aunt May seems a little tired of talking about Uncle Ben.
These are just a few minor complaints, only to illustrate why Spider-Man 3 isn't as great as the series' flawless second chapter, but don't fret. The first major summer movie of 2007 is going to leave fans very happy and probably justify repeat viewings long into the warmer months. Cameos by Stan Lee, Bruce Campbell and James Cromwell help with the fun atmosphere created by a very strong supporting ensemble that includes the perfectly cast Topher Grace as Eddie Brock/Venom and Bryce Dallas Howard as Gwen Stacy. Thomas Haden Church is a nice choice for Sandman, but he's not given quite enough to do beyond two main expressions - angry and "whoa, I'm turning into sand."
In the end, Spider-Man 3 thrives on a classic comic book lesson, one that has really been the foundation of all three parts of this trilogy, that love, not hate, makes a hero. Hate makes Sandman or Venom. Love makes Spider-Man. Director Sam Raimi's love for his craft has made him a true hero for movie fans worldwide and, with Spider-Man 3, the movie hero continues to fly high.
Directing: A-
Writing: B+
Performances: B
Visual Appeal: A-
Overall: B+
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