I'm not just talking about the killing. I'm talking the destruction he caused in Smallville and Metropolis.
I find it nearly impossible to was any kind of Superman motion picture without any preconceived notions.
We don't go into a CBM film saying "This looks interesting let's take a look". It's more "I can't wait to see what I know of the character on screen".
And I understand if people may not like the film because of taste. I just don't like it when people say "That's not Superman"
Why can't Superman go through what that character went through in MOS.
I'm not calling MOS a perfect film. I have a big problem on how they killed off Jonathan Kent. Because in any movie and any situation a person with the ability to save his father would do it. Other than that anything else that Kal did, you can see anyone else doing.
The most thing you can ask for a character is that their heart is in the right place.
Again, for the record, I've already stated the only moment of destruction I personally took issue with was the fall of the scout ship, which Superman was directly resonsible for.
Also, I have never said 'it's not Superman' BECAUSE he killed.
I actually really loved Cavill's portrayal, I think they got a lot right, and all I think is really missing is him having an actual passion against injustice, which I feel has been the core of the character since his conception.
Superman killing in an impossible situation if you have written the story so that there is literally a human life at stake... That's just logical. Of course he'd do it.
My complaint has only ever been that this was the way that it was written, and that they way they handled the situation does not sit right with me for the reasons I've stated over and over again.
I can understand why a lot of Superman purists wanted to see the writers craft a different storyline where he didn't have to kill Zod.
But why? Why take the easy route? I know Superman has killed before, but the vast majority of writers over the years always put him in a situation where he finds some way to outwit the enemy without resorting to killing them.
I thought it was actually a bit of a ballsy move by Snyder to have Superman being forced into an no-win situation where ultimately, someone was going to die. And he had to make the difficult choice of whether that was going to be an innocent human(s), or Zod.
Is it against his moral code? Yes - you can see how he struggled with it.
Is it against our almost messianic image of Superman? Yes, to a certain extent.
But that messianic image has only been formed because decades of writers decided that when push came to shove, it was much easier to have Zod suddenly be dispatched to the phantom zone, or have Superman come up with a Plan B at the end, or for a third party to intervene so that he would never have to kill whoever he was fighting.
In this situation in MOS, there was no other way out, no other options, and no Plan B for Superman. A film isn't like the comics, where characters appear, disappear, die and come back to life many times over in the course of 5, 10 , 20 years. A film has to have a certain finality. He had to make a horrible decision, and I applaud the writers for actually going through with it for once.
I don't think either is the easy way.
In fact, in terms of imagining a believable way of the story ending, MOS took the easy way.
They just said 'this is what the most obvious outcome of two super beings fighting it out would be. Let's not out think it. Let's just go with that.'
The harder thing to do would have been setting up Zod and co being banished to the phantom zone, without it coming off as too cheesy.
But as myself and a few other posters have presented, there where ways of doing it that had the potential of being just as dramatic and climactic.
Im not sure is this post is serious. This is not disrespect to you, cause I think you're sincere.
But this post......
I don't know what your trying to say, but your implying my post is stupid or doesn't make sense in some way, so I guess you didn't understand it...
Isnt always the writers choice as to what happens to character.
MOS is a superhero film. Not a biopic.
I know. That was my point.
That you cannot defend a criticism of the writer's decision to include that scene with 'he had no choice', because he's a fictional character, so it's not about his choice... It's about the writers choice to put him in that positon.
Too handle the killing of Zod would need to be in another film. If Kal were to even start addressing the killing of Zod in MOS the film would need another hour for it to be addressed properly.
The Zod killing, the conversation with Swannick, and the Daily Planet scene was all done for a sequel. The topics brought up in those three things would take on another 2 hours.
I completely disagree.
As I've suggested in my earlier posts, it may have only taken a few attempts on human life (that Supes intervenes) before the final family so that it feels more like a 'last resort' moment; followed by actually mentioning it with a line or two while in the graveyard with his mother.
I'm not saying that the whole film should have been built around that moment... I'm just saying there should have been scenes acknowledging the scale of it.
I mean, the moment itself is designed to acknowledge the scale of Superman killing and how huge it is. Massive, loud crack reverberating through silence and a scream of turmoil.
They got that moment right.
But everything around it is just trivial. Especially what comes after.
So it just sits wrong.