The "Dragon Dynasty" thread.
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Superman-Prime
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Wow! No one ever post any more information for the recent/future films!
I'm a true fan of Jackie Chan, Sammo Hung, Yuen Biao, Jet Li, Michelle Yeoh and others who can fights in any movies!! Otherwise Sammo Hung is now 56 years old. His birthday was on Jan 7th.
I own:
1. Kill Zone (SPL)
2. Jackie Chan: Police Story
3. Jackie Chan: Police Story II
4. Above The Law (Righting Wrong)
5. Shanghai Express (Millionaires' Express)
6. Jackie Chan: Crime Story
7. Dragon Heat (Dragon Squad)
8. Robin B Hood (Rob-B-Hood)
Now for the movies....
Recently, Jackie Chan's last year film "Rob-B-Hood" has been released as known as "Robin B Hood".
It's out on Walmart, Best Buy and other stores.
So, there are some movies that will coming up soon:
Release Date: January 22.
Site: http://www.dragondynasty.com/films/show/100
Donnie Yen's FLASH POINT:
According to a source, Flashpoint will be a limited theatrical release in March.
Date: 4/22/2008.
Also, Invisible Target will be release in this early year. Still unknown date yet. I'll keep it post for you guys.
Plus, THE BANQUET (HK) is now LEGEND OF THE BLACK SCORPION for U.S. to release by Dragon Dynasty.
Release Date: February 26, 2008.
More coming up soon.
I'm a true fan of Jackie Chan, Sammo Hung, Yuen Biao, Jet Li, Michelle Yeoh and others who can fights in any movies!! Otherwise Sammo Hung is now 56 years old. His birthday was on Jan 7th.
I own:
1. Kill Zone (SPL)
2. Jackie Chan: Police Story
3. Jackie Chan: Police Story II
4. Above The Law (Righting Wrong)
5. Shanghai Express (Millionaires' Express)
6. Jackie Chan: Crime Story
7. Dragon Heat (Dragon Squad)
8. Robin B Hood (Rob-B-Hood)
Now for the movies....
Recently, Jackie Chan's last year film "Rob-B-Hood" has been released as known as "Robin B Hood".
It's out on Walmart, Best Buy and other stores.
So, there are some movies that will coming up soon:
Release Date: January 22.
Site: http://www.dragondynasty.com/films/show/100
Donnie Yen's FLASH POINT:
According to a source, Flashpoint will be a limited theatrical release in March.
Date: 4/22/2008.
Also, Invisible Target will be release in this early year. Still unknown date yet. I'll keep it post for you guys.
Plus, THE BANQUET (HK) is now LEGEND OF THE BLACK SCORPION for U.S. to release by Dragon Dynasty.
Release Date: February 26, 2008.
More coming up soon.
Flash Point = YESSSSSSSSSSSSSSSSSS 
Thanks for updating the thread, friend
I am REALLY excited because the next Shaw Bros. release from DD is (apparently) Eight Diagram Pole Fighter
Curious? Watch this...
[YT]KRiN-DyvnbI[/YT]
It's not even the end fight
Thanks for updating the thread, friend
I am REALLY excited because the next Shaw Bros. release from DD is (apparently) Eight Diagram Pole Fighter
Curious? Watch this...
[YT]KRiN-DyvnbI[/YT]
It's not even the end fight
Superman-Prime
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DRAGON DYNASTY UPDATE!!!!
The ROYAL TRAMP: Collection: both ROYAL TRAMP I and II!
http://www.dragondynasty.com/films/show/101
Release Date: February 12, 2008
Legend of the Scorpion: ( :rolleyes2: )
Release Date: February 26, 2008
http://www.dragondynasty.com/films/show/102
The ROYAL TRAMP: Collection: both ROYAL TRAMP I and II!
http://www.dragondynasty.com/films/show/101
Release Date: February 12, 2008
Legend of the Scorpion: ( :rolleyes2: )
Release Date: February 26, 2008
http://www.dragondynasty.com/films/show/102
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http://www.comingsoon.net/news/movienews.php?id=42746
Exclusive: Donnie Yen is Back in Action!
Source: Edward Douglas
March 10, 2008
Diehard martial arts fans have known Hong Kong action star Donnie Yen's moves from his man action films, most notably Yuen Wo-Ping's 1993 classic Iron Monkey. Since then, he's made memorable appearances in movies like Shanghai Knights, Guillermo del Toro's Blade II and who can ever forget the fight between Yen and Jet Li in Zhang Yimou's Hero?
It's been a few years since we've seen him in an American production but he's kept busy in China making one or two movies a year, most of which have only been released in the United States on DVD. Fans of Yen's martial arts skills who've been dying to see them on the big screen where they're meant to be seen should be thrilled that Flash Point, Yen's third film with director Wilson Yip (Kill Zone), will be getting a theatrical release in a few cities this Friday. In the movie, Yen plays one of two policeman brothers who has to avenge acts of revenge made against his family and loved ones by a trio of young gangster thugs.
Mr. Yen was kind enough to take some time from his busy schedule to answer some of ComingSoon.net's questions:
ComingSoon.net: This is your third film in a row with Mr. Yip, so how has your working relationship evolved over the three films, especially in terms of filming the fight sequences for "Flash Point"?
Donnie Yen: First of all, we get to understand our weaknesses and strengths. He's always trying to think of ways to present the characters and situations in new and unusual ways. For me, I like to have explosive moments, whether it is a particular movement itself in the whole sequence. I like to have shocking moments; for audiences to feel, like, "Whoa!" It's always been my forte.
CS: The police/gangster genre has been very popular in China in the last few years and I'd be interested in your take on why the genre has gained so much interest especially in the last seven years.
Yen: Police/gangster films always have a huge following and huge audience because of the power, glamour, and certain fantasy aspect they have to them. When people watch movies they like to fantasize being in a surreal world, and sometimes a criminal world can be attractive because you possess so much power and money, not like the average 9 to 5 guy.
CS: I've noticed that many of these movies (including "Flash Point") are set in the late '90s. Has Hong Kong changed a lot since the transfer of HK back to China that makes it important for this story to be set during that time?
Yen: Well, of course the censorship tightened after '97. Subject matters needed to be taken into consideration, to be approved in China. Before '97, it was anything goes. In that respect it's not very good for the filmmakers, but you have to make films according to how markets change.
CS: The big difference between "Flash Point" and some of the other police films we've seen from Hong Kong is the inclusion of your martial arts fights, so how did you evolve that style from your earlier films to fit into this environment?
Yen: Obviously, I try to be more involved as I get more mature with filmmaking. Whether I'm acting or making it, at the end of the day it's telling the story; action, drama. You want the audience to feel it--the story, the action, the scene, or a particular shot. I just keep working on crafting my art, on how to make action movies.
CS: Is it common for the police in China to be trained in martial arts and to use it in the field while facing opponents?
Yen: I don't think it's specific to Asian culture. It's no longer just a Chinese thing. It's a skill that requires self-discipline.
CS: A big part of the movie is whether it's okay for your character to be so violent with these despicable criminals what are your own feelings on that?
Yen: It's a movie! I act according to the requirements of the character, and if I try to play the role, then I play it truthfully. In my daily life, I'm a laid-back, peaceful guy. I'm just doing my job to act.
CS: Can you talk about the casting of Louis Koo as your brother and working with him? Most Americans will know him from "Election" and "Election 2" and this seems like a very different role for him.
Yen: Actually, not really. He's a pretty versatile actor. He's done a lot of gangster films but he's been in lots of comedy. I think he's just testing out different things. He's an actor! He's exploring his talent.
CS: Many of your fight sequences for "Flash Point" you had to do in your street clothesleather jacket, jeans and carrying all the police equipmentwhich seems like it would be harder to pull off some of the stunts and movies. Was that the case?
Yen: Well, of course it's easier with martial arts gear, but it's filmmaking!
CS: When you make a movie like this, do you save all the big action and fight sequences--particularly the one with Collin Cho--until the end of the shoot to avoid getting hurt or bruised before doing the dramatic sequences? How long did it take to shoot that fight with Collin?
Yen: Collin had to go back and forth to the States, and we were shooting through Chinese New Year, so the whole time was about two weeks. Yes, we usually leave the ending fight scenes to the end of movies. For any movie, you try to finish off the lighter scenes in the beginning and leave the final, most complicated one for the end to wrap up then and to avoid injury.
CS: I can't tell you how great it was seeing your movie on the big screen because so many Chinese martial arts films are released only on DVD here. How do you feel about this and do you think it's important to get these movies to the States sooner to avoid the piracy problems?
Yen: You want as many people to watch as possible and a theatrical release means more people watching. No, putting it in the theatre doesn't avoid piracy, I don't think. Plus, "Flash Point" has been out a long time. Put it in the theatre; that's great!
CS: How have things been going on "Painted Skin" have you finished shooting yet?
Yen: Like any other movie! I worked hard, get paid, you know! For me, it's another film!
CS: Will you be directing another movie soon?
Yen: Not anytime soon.
CS: In this film, you definitely seem to be doing more drama and comedy along with the martial arts. Jet Li has stated that he'd like to stop doing as many martial arts films. Do you have the same aspirations and do you see yourself doing films without any action or martial arts in the future?
Yen: Yes, if someone wants to hire me, why not? Why not get paid the same and have less of a physical demand? But I would absolutely not stop. It's great to do martial arts films, and rep martial arts films, and be a successful icon, and set trends. I feel it's an honor to set a trend in the martial arts film world.
CS: I loved the dream fights between you and Jet Li in "Hero" and your work with Jackie Chan in "Shanghai Knights." Any chance we might ever see you in a dream fight against someone like Tony Jaa and do you think you'll work with Mr. Yuen Woo-ping again sometime in the future?
Yen: Anything is possible in the future. I don't really have a dream project with anyone. I've made too many action movies in my lifetime for me to be too eager and look forward to it. I just focus on each film one at a time and do the best I can.
CS: Any plans to do more Western films in the future and is that something you're actively seeking out these days?
Yen: Anything goes! (With the) right project right script, I'll do it! But you can only make so many films a year; you have to choose the one that you want to make!
CS: You worked with Edison Chen on the two "Twin Effects" movie. Have you had a chance to talk to him after the problems he's had to make sure he's okay and do you think it's fair what happened to him and that he had to leave Hong Kong over the scandal?
Yen: I don't really have anything to comment on that. It's too complicated. All I can say is that as an adult and entertainer, we have a responsibility towards the things we project to society and on screen. That's all I can say.
You can see Donnie Yen back in action in Wilson Yip's Flash Point when it opens in New York at the ImaginAsian and other theaters, as well as in Los Angeles and San Francisco.
Exclusive: Donnie Yen is Back in Action!
Source: Edward Douglas
March 10, 2008
It's been a few years since we've seen him in an American production but he's kept busy in China making one or two movies a year, most of which have only been released in the United States on DVD. Fans of Yen's martial arts skills who've been dying to see them on the big screen where they're meant to be seen should be thrilled that Flash Point, Yen's third film with director Wilson Yip (Kill Zone), will be getting a theatrical release in a few cities this Friday. In the movie, Yen plays one of two policeman brothers who has to avenge acts of revenge made against his family and loved ones by a trio of young gangster thugs.
Mr. Yen was kind enough to take some time from his busy schedule to answer some of ComingSoon.net's questions:
ComingSoon.net: This is your third film in a row with Mr. Yip, so how has your working relationship evolved over the three films, especially in terms of filming the fight sequences for "Flash Point"?
Donnie Yen: First of all, we get to understand our weaknesses and strengths. He's always trying to think of ways to present the characters and situations in new and unusual ways. For me, I like to have explosive moments, whether it is a particular movement itself in the whole sequence. I like to have shocking moments; for audiences to feel, like, "Whoa!" It's always been my forte.
CS: The police/gangster genre has been very popular in China in the last few years and I'd be interested in your take on why the genre has gained so much interest especially in the last seven years.
Yen: Police/gangster films always have a huge following and huge audience because of the power, glamour, and certain fantasy aspect they have to them. When people watch movies they like to fantasize being in a surreal world, and sometimes a criminal world can be attractive because you possess so much power and money, not like the average 9 to 5 guy.
CS: I've noticed that many of these movies (including "Flash Point") are set in the late '90s. Has Hong Kong changed a lot since the transfer of HK back to China that makes it important for this story to be set during that time?
Yen: Well, of course the censorship tightened after '97. Subject matters needed to be taken into consideration, to be approved in China. Before '97, it was anything goes. In that respect it's not very good for the filmmakers, but you have to make films according to how markets change.
CS: The big difference between "Flash Point" and some of the other police films we've seen from Hong Kong is the inclusion of your martial arts fights, so how did you evolve that style from your earlier films to fit into this environment?
Yen: Obviously, I try to be more involved as I get more mature with filmmaking. Whether I'm acting or making it, at the end of the day it's telling the story; action, drama. You want the audience to feel it--the story, the action, the scene, or a particular shot. I just keep working on crafting my art, on how to make action movies.
Yen: I don't think it's specific to Asian culture. It's no longer just a Chinese thing. It's a skill that requires self-discipline.
CS: A big part of the movie is whether it's okay for your character to be so violent with these despicable criminals what are your own feelings on that?
Yen: It's a movie! I act according to the requirements of the character, and if I try to play the role, then I play it truthfully. In my daily life, I'm a laid-back, peaceful guy. I'm just doing my job to act.
CS: Can you talk about the casting of Louis Koo as your brother and working with him? Most Americans will know him from "Election" and "Election 2" and this seems like a very different role for him.
Yen: Actually, not really. He's a pretty versatile actor. He's done a lot of gangster films but he's been in lots of comedy. I think he's just testing out different things. He's an actor! He's exploring his talent.
CS: Many of your fight sequences for "Flash Point" you had to do in your street clothesleather jacket, jeans and carrying all the police equipmentwhich seems like it would be harder to pull off some of the stunts and movies. Was that the case?
Yen: Well, of course it's easier with martial arts gear, but it's filmmaking!
CS: When you make a movie like this, do you save all the big action and fight sequences--particularly the one with Collin Cho--until the end of the shoot to avoid getting hurt or bruised before doing the dramatic sequences? How long did it take to shoot that fight with Collin?
Yen: Collin had to go back and forth to the States, and we were shooting through Chinese New Year, so the whole time was about two weeks. Yes, we usually leave the ending fight scenes to the end of movies. For any movie, you try to finish off the lighter scenes in the beginning and leave the final, most complicated one for the end to wrap up then and to avoid injury.
CS: I can't tell you how great it was seeing your movie on the big screen because so many Chinese martial arts films are released only on DVD here. How do you feel about this and do you think it's important to get these movies to the States sooner to avoid the piracy problems?
Yen: You want as many people to watch as possible and a theatrical release means more people watching. No, putting it in the theatre doesn't avoid piracy, I don't think. Plus, "Flash Point" has been out a long time. Put it in the theatre; that's great!
CS: How have things been going on "Painted Skin" have you finished shooting yet?
Yen: Like any other movie! I worked hard, get paid, you know! For me, it's another film!
CS: Will you be directing another movie soon?
Yen: Not anytime soon.
CS: In this film, you definitely seem to be doing more drama and comedy along with the martial arts. Jet Li has stated that he'd like to stop doing as many martial arts films. Do you have the same aspirations and do you see yourself doing films without any action or martial arts in the future?
Yen: Yes, if someone wants to hire me, why not? Why not get paid the same and have less of a physical demand? But I would absolutely not stop. It's great to do martial arts films, and rep martial arts films, and be a successful icon, and set trends. I feel it's an honor to set a trend in the martial arts film world.
Yen: Anything is possible in the future. I don't really have a dream project with anyone. I've made too many action movies in my lifetime for me to be too eager and look forward to it. I just focus on each film one at a time and do the best I can.
CS: Any plans to do more Western films in the future and is that something you're actively seeking out these days?
Yen: Anything goes! (With the) right project right script, I'll do it! But you can only make so many films a year; you have to choose the one that you want to make!
CS: You worked with Edison Chen on the two "Twin Effects" movie. Have you had a chance to talk to him after the problems he's had to make sure he's okay and do you think it's fair what happened to him and that he had to leave Hong Kong over the scandal?
Yen: I don't really have anything to comment on that. It's too complicated. All I can say is that as an adult and entertainer, we have a responsibility towards the things we project to society and on screen. That's all I can say.
You can see Donnie Yen back in action in Wilson Yip's Flash Point when it opens in New York at the ImaginAsian and other theaters, as well as in Los Angeles and San Francisco.
Donnie Yen kicks ass
Here's the Dragon Dynasty trailer for Flash Point: http://www.dragondynasty.com/films/show/104
The creators of Kill Zone take action to the next level with a breakthrough combination of hard-hitting mixed martial arts battles and nail-biting tension. Kung fu legend Donnie Yen (Hero, Seven Swords) returns as the police force’s most dangerous detective, building a case against a vicious trio of drug smuggling brothers. When evidence is destroyed and witnesses are murdered, he takes the fight directly to his enemies – no holds barred. Climaxing with a spectacular 16-minute bone-crunching showdown, this Hong Kong smash hit is “an entertaining action blowout” (Ross Chen, LoveHKFilm).
SPECIAL FEATURES
Feature commentary with star and action director Donnie Yen and Hong Kong cinema expert Bey Logan
Behind-The-Scenes Gallery Collateral Damage: The Making Of Flash Point
Behind-The-Scenes Gallery Flash Point Explored
Behind-The-Scenes Gallery Perpetual Motion
The Ultimate Fighters - Gladiators
The Ultimate Fighters - M.M.A. On Display
Promotional Gallery - On Dangerous Ground: An Exclusive Interview with Leading Man And Action Director Donnie Yen
Promotional Gallery - Gala Premiere
Promotional Gallery - Trailers Teasers and TV Spots
Deleted Scenes
Here's the Dragon Dynasty trailer for Flash Point: http://www.dragondynasty.com/films/show/104
The creators of Kill Zone take action to the next level with a breakthrough combination of hard-hitting mixed martial arts battles and nail-biting tension. Kung fu legend Donnie Yen (Hero, Seven Swords) returns as the police force’s most dangerous detective, building a case against a vicious trio of drug smuggling brothers. When evidence is destroyed and witnesses are murdered, he takes the fight directly to his enemies – no holds barred. Climaxing with a spectacular 16-minute bone-crunching showdown, this Hong Kong smash hit is “an entertaining action blowout” (Ross Chen, LoveHKFilm).
SPECIAL FEATURES
Feature commentary with star and action director Donnie Yen and Hong Kong cinema expert Bey Logan
Behind-The-Scenes Gallery Collateral Damage: The Making Of Flash Point
Behind-The-Scenes Gallery Flash Point Explored
Behind-The-Scenes Gallery Perpetual Motion
The Ultimate Fighters - Gladiators
The Ultimate Fighters - M.M.A. On Display
Promotional Gallery - On Dangerous Ground: An Exclusive Interview with Leading Man And Action Director Donnie Yen
Promotional Gallery - Gala Premiere
Promotional Gallery - Trailers Teasers and TV Spots
Deleted Scenes
OH HELL YEAH!
"Come drink with me" is finally coming!
http://www.dvdactive.com/news/releases/come-drink-with-me.html
:heart: Chang Pei Pei :heart:
"Come drink with me" is finally coming!
http://www.dvdactive.com/news/releases/come-drink-with-me.html
:heart: Chang Pei Pei :heart:
Warhammer
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I was at Wal-Mart an hour ago, and I was about to buy The City of Violence and Flash Point. Then I had second thoughts, looked in the 5 dollar bin, and ended up buying A Fistful of Dollars and The Good, the Bad, and the Ugly instead. If anyone has seen The City of Violence or Flash Point, I am wondering how good were they? I am considering going back to Wal-Mart, and buying those shiznits like I should have.
Movies205
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I've yet to see Flash Point but City of Violence was pretty mediocre from what I remember. I own it and I remember watching half of it and falling asleep. Typical current asian martial arts flick which is all flash and no substance like New Police Story
I'd pass on it... Police Story is where its at 
Warhammer
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I've yet to see Flash Point but City of Violence was pretty mediocre from what I remember. I own it and I remember watching half of it and falling asleep. Typical current asian martial arts flick which is all flash and no substance like New Police Story
Mediocre? The action wasn't top notch, either? Btw, I love Police Story and Police Story 2.
Movies205
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Mediocre? The action wasn't top notch, either? Btw, I love Police Story and Police Story 2.
To be honest its been a while since I've seen it, I'm sure the action was decent. It reminded me quite a bit of Killzone, with the over-the-top story etc... But on the otherhand I really liked Killzone.
deathshead2
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I want a Dragon Dynasty Supercop(He's the cop that can't be stopped)
Love me some Jackie Chan. He better be doing that third Operation Condor.
Love me some Jackie Chan. He better be doing that third Operation Condor.
City of Violence kicks ass, Movies!
The story is very cliche, but I still had a lot of fun (especially if you know about Korean culture, slang, etc...which I do
).
The action choreography by Jung Doo Hong is amazing, this guy is my favorite modern action director, his action feels so fresh.
The story is very cliche, but I still had a lot of fun (especially if you know about Korean culture, slang, etc...which I do
).The action choreography by Jung Doo Hong is amazing, this guy is my favorite modern action director, his action feels so fresh.
Wolfwood
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I saw a commercial recently for the Dragon Dynasty films and at the end they said "..With commentary from The Rza!" And no disrespect towards Rza, cause I know he knows this stuff, but that still made me laugh my ass off. 
Anyways I just got Hard Boiled, I'm ashamed to say I had never seen it before. Now I know why everyone considers this one of the best action movies ever. That was some crazy ****.
Anyways I just got Hard Boiled, I'm ashamed to say I had never seen it before. Now I know why everyone considers this one of the best action movies ever. That was some crazy ****.
Warhammer
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블라스;14886489 said:City of Violence kicks ass, Movies!
The story is very cliche, but I still had a lot of fun (especially if you know about Korean culture, slang, etc...which I do
The action choreography by Jung Doo Hong is amazing, this guy is my favorite modern action director, his action feels so fresh.
Is it good enough to rent or buy?
I saw a commercial recently for the Dragon Dynasty films and at the end they said "..With commentary from The Rza!" And no disrespect towards Rza, cause I know he knows this stuff, but that still made me laugh my ass off.
Anyways I just got Hard Boiled, I'm ashamed to say I had never seen it before. Now I know why everyone considers this one of the best action movies ever. That was some crazy ****.
You should also check out The Killer. That's some damn good stuff right there.
Movies205
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Is it good enough to rent or buy?
You should also check out The Killer. That's some damn good stuff right there.
I think A Better Tommorrow is my favorite John Woo film, I haven't seen the sequals though...
ABT 1 is great.
ABT 2 is not as coherent story-wise, but the action, my God, the action is insane, and quite gory by Woo's standards. The finale is worth the price, IMO.
ABT 3 sucks! It was not directed by Woo and it's more of a lame prequel
Warhammer
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I've seen that. It's a great movie.
블라스;14890852 said:
Ahh, gotcha.
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