HammerDown
“The Wasteland's Golden Rule”
- Joined
- Apr 13, 2015
- Messages
- 11,021
- Reaction score
- 6,246
- Points
- 103
Reviews have started to drop.
No, they wouldn't. Because it's subtle. Most people didn't even think about it when they watched Matrix and they only know it because they read about it somewhere.
Its not subtle, i dont know what you watch but even back in the day it was pretty clear.
But it helps get the point across.
You dont have the incel boys screaming and making 25325 bad youtube videos about it, so of course you think it was just subtle.
I mean did it really not occur to you that there is a reason why many LGBT or Gender fluid people were flocking to Matrix that much?
Im surprised that a certain group of people hasnt picked up on Matrix way earlier, given how not so subtle the messages are.
Embargo lifts in 13 minutes.
Yes. That’s how anti-woke people learn to whine. They read about it in the internet.No, they wouldn't. Because it's subtle. Most people didn't even think about it when they watched Matrix and they only know it because they read about it somewhere.
Because Matrix wokeness was subtle, that's the difference.
No, they wouldn't. Because it's subtle. Most people didn't even think about it when they watched Matrix and they only know it because they read about it somewhere.
I've seen the Matrix as many things, I think even Lana Wachowski said she wants people to view the films and think whatever they want to about them, she's just glad people are still talking about them. I can see how it could be a trans-inspired story, just as I could see it being a more Christian inspired story, which I dig.
67% with 45 reviews now. It could be worse tbh.
That's much better than I was expecting. I'm excited!67% with 45 reviews now. It could be worse tbh.
Certainly a divisive movie. David Ehrlich from IndieWire loves it.
‘The Matrix Resurrections’ Review: The Boldest and Most Personal Franchise Sequel Since ‘The Last Jedi’
One is a safe plastic monument to the solipsism of today’s studio cinema; an orgiastic celebration of how studio filmmaking has created a feedback loop so powerful that it’s programmed audiences to reject anything that threatens its perfection (and to clap like seals for anything that reaffirms it, even if that means cheering for the “unexpected” return of heroes and villains they were once eager to leave behind). The other is a jagged little red pill of a blockbuster that exhumes its intellectual property with such a pronounced sense of déjà vu that the comforts of its memory start to feel like the bars of a cage, and the perfect circle of its feedback loop blurs into a particle accelerator spinning faster and faster in order to create something new and romantic. One is a crowd-pleasing testament to the idea that even (or especially) the biggest fictions can shrink our imaginations. The other is a fun, ultra-sincere, galaxy brain reminder that we can only break free of the stories that make our lives smaller by seeing through the binaries that hold them in place — us vs. them, real vs. fake, corporate product vs. personal art, reboot vs. rebirth, etc. vs. etc.
70%. This could actually end up being Lana Wachowski's best-reviewed film since The Matrix Reloaded.
