Octoberist
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- Joined
- May 13, 2005
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Do you guys think WB should drop Berlanti if there are more Green lantern films? Or drop his team who are working on the Flash?

Do you guys think WB should drop Berlanti if there are more Green lantern films? Or drop his team who are working on the Flash?
Do you guys think WB should drop Berlanti if there are more Green lantern films? Or drop his team who are working on the Flash?

WB needs to be cut from the decision making entirely. If you want to know why Marvel Studio's have been so successful (so far anyway) it's because they call the shots.
I've said this for years now and it falls on deaf ears. Run Legendary Pictures with full autonomy and WB should only be used as a distributor. WB has too many suits making bad decisions that should be made by the producers and directors.
WB needs to be cut from the decision making entirely. If you want to know why Marvel Studio's have been so successful (so far anyway) it's because they call the shots.
I've said this for years now and it falls on deaf ears. Run Legendary Pictures with full autonomy and WB should only be used as a distributor. WB has too many suits making bad decisions that should be made by the producers and directors.
wondering what went wrong?
i thought martin cambell was more than a decent director he is actually quite good
wondering what went wrong?

Warners needs to cut DC (and Geoff Johns & Co.) from decision making. We don't need another "Marvel Studios", which pulls out bland, editor-driven products. They gotta go back approaching movies like they always did. Looking for a right director, it's gonna click at one point or another!
Look at animation: Bruce Timm and others have their freedom in making their movies and series, without comic book editors and writers looking over their shoulders, saying "that's not right there. That wasn't in the comics".
wondering what went wrong?
i thought martin cambell was more than a decent director he is actually quite good
Warners needs to cut DC (and Geoff Johns & Co.) from decision making. We don't need another "Marvel Studios", which pulls out bland, editor-driven products. They gotta go back approaching movies like they always did. Looking for a right director, it's gonna click at one point or another!
Look at animation: Bruce Timm and others have their freedom in making their movies and series, without comic book editors and writers looking over their shoulders, saying "that's not right there. That wasn't in the comics".
You have a wrong idea of Marvel StudiosWarners needs to cut DC (and Geoff Johns & Co.) from decision making. We don't need another "Marvel Studios", which pulls out bland, editor-driven products. They gotta go back approaching movies like they always did. Looking for a right director, it's gonna click at one point or another!
Look at animation: Bruce Timm and others have their freedom in making their movies and series, without comic book editors and writers looking over their shoulders, saying "that's not right there. That wasn't in the comics".
Campbell has always been a hit and miss director. For every Goldeneye and Casino Royale, there's a Vertical Limit and Legend of Zorro.
I didn't even know Fassbender went up for the role until I read it a couple weeks agoIt was intentional. Fassbender was my favorite for the role.
I could buy him as a level headed straight-laced hero, with a darkness buried deep within.
Though he wouldn't have aligned well with this goofy take on the character.
While I disagree about Marvels movies being bland, editor-driven products I do agree perhaps they have something to learn from the animation side of the films.Warners needs to cut DC (and Geoff Johns & Co.) from decision making. We don't need another "Marvel Studios", which pulls out bland, editor-driven products. They gotta go back approaching movies like they always did. Looking for a right director, it's gonna click at one point or another!
Look at animation: Bruce Timm and others have their freedom in making their movies and series, without comic book editors and writers looking over their shoulders, saying "that's not right there. That wasn't in the comics".
I'm afraid you might be right. Maybe if a writer/director has more control, they won't be told they have to have certain things in the movie, and it has to get to point A to point B etc. Hector Hammond may be an example of this, the need to include the character, maybe because the Joker was so successful in TDK, or because the DC guys felt he had to be there.