Killgore
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Other Side
Written by Jason Aaron and penciled by Cameron Stewart
Other Side takes place in 1967 and tells parallel accounts of soldiers, the reluctant American Bill Everette and patriotic Vietnamese Vo Binh Dai, as they leave their homes and families and move toward the battlefield where each of them hopes to kill the enemy during the Vietnam War.
Throughout the book, the narrative switch its focus between Billy and Vo Dai, as does the colors, textures, and line weight. Stewarts impressionistic art allows for a casual acceptance of some elements of the story which, in a different medium, might derail ones suspension of disbelief. One such instance occurs when, while in basic training, Billys rifle begins to speak to him. In a novel, this would be the point when many readers would set the book down feeling horribly embarrassed for the author. But, in The Other Side, when Billys rifle suddenly has its own speech balloon and says, I want to (eff) your brains out, the reader instantly beings scanning for its next line of dialog.
In an after word, Jason Aaron acknowledges his cousin, writer Gustov Hasford as an inspiration and primary source for the book. Hasford was the author of The Short-Timers, which was the basis of Stanley Kubricks Full Metal Jacket. Aaron likewise credits other Vietnam writers like Philip Caputo and Tim OBrien. After decades of movies and books about Vietnam, particularly by Kubrick and Copolla, theres nothing shocking in The Other Side. So much can be taken for granted, theres no pressure to drill into our heads the horror of that war. The result is that Aaron and Steward are able to tell a story which focuses on their characters, Billy Everett and Vo Binh Dai.
Written by Jason Aaron and penciled by Cameron Stewart
Other Side takes place in 1967 and tells parallel accounts of soldiers, the reluctant American Bill Everette and patriotic Vietnamese Vo Binh Dai, as they leave their homes and families and move toward the battlefield where each of them hopes to kill the enemy during the Vietnam War.
Throughout the book, the narrative switch its focus between Billy and Vo Dai, as does the colors, textures, and line weight. Stewarts impressionistic art allows for a casual acceptance of some elements of the story which, in a different medium, might derail ones suspension of disbelief. One such instance occurs when, while in basic training, Billys rifle begins to speak to him. In a novel, this would be the point when many readers would set the book down feeling horribly embarrassed for the author. But, in The Other Side, when Billys rifle suddenly has its own speech balloon and says, I want to (eff) your brains out, the reader instantly beings scanning for its next line of dialog.
In an after word, Jason Aaron acknowledges his cousin, writer Gustov Hasford as an inspiration and primary source for the book. Hasford was the author of The Short-Timers, which was the basis of Stanley Kubricks Full Metal Jacket. Aaron likewise credits other Vietnam writers like Philip Caputo and Tim OBrien. After decades of movies and books about Vietnam, particularly by Kubrick and Copolla, theres nothing shocking in The Other Side. So much can be taken for granted, theres no pressure to drill into our heads the horror of that war. The result is that Aaron and Steward are able to tell a story which focuses on their characters, Billy Everett and Vo Binh Dai.



