Small week, and next week will be even smaller. I await the wallet buster to end May.
DREAD'S BOUGHT/THOUGHT FOR 5/8/13:
ARCHER & ARMSTRONG #0: Valiant Entertainment has been on an upward climb to relevance since 2005, when it was reorganized after being shut down for a year, and having been mostly off the stage since the mid 1990's. The relaunch of several of their comic book franchises last summer has been a success, at least in relative terms for "third party" publishers. Among them is "Archer & Armstrong" as revived by writer Fred Van Lente, who employs the same magic he utilized on Marvel Comics' "Incredible Hercules" with this title. April ended the series' second arc, and this issue is a standalone story drawn by the series' first artist, Clayton Henry (alongside colorist David Baron). It is a "zero issue" perhaps for promotion, even though this issue in terms of its narrative places itself between issue nine (the previous) and the tenth (the next). It would make more sense to just make this the tenth issue and kick off the third arc with an eleventh, although issue numbering shenanigans have become popular by the big two.
After saving the world (again), the immortal super strong poet Armstrong and the teenage martial arts prodigy (from a fundamentalist Christian theme park) Archer have settled in Vegas to catch their breath. Archer is seeking to educate himself with tomes he was previously forbidden to read, which include the first major narrative ever told, "the epic of Gilgamesh". As it turns out, Armstrong has a stronger connection to the story as anyone believes as it proves to have been a fictionalized account of he and his brothers seeking out "the boon" back in the B.C. era. While we have met Armstrong's younger and more violent brother Gilad, this tale gives readers more of a look of his elder brother, the intelligent Ivar. Sent on a quest by the king of Ur, they wind up finding the secret of immortality, as well as fight against dinosaurs and strange monks.
At heart this is a simple adventure story which embellishes Armstrong's past a bit, but it is the execution which sells this. Van Lente's script properly mingles amusing dialogue among the brothers along with high adventure, and Henry's artwork as usual works well to enhance it. It is easy to see the roots of "Incredible Hercules" in this tale, only this work seems free of Marvel crossovers or tacky relaunches and has become its own beast. "Archer & Armstrong" has been a consistently good if not excellent series for almost a year, and it is severely under appreciated.
FEARLESS DEFENDERS #4: Cullen Bunn's latest team series at Marvel Comics continues with its opening arc involving Valkyrie's new origin and her impromptu band of shield-maidens. The art is by Will Sliney and colored by Veronica Gandini, and they get a bit to do as this is a strict action issue. While Marvel have solicited this title up to an eighth issue, sales in April indicated it was selling at the bottom of the top 90 with its third issue - and Marvel are rarely shy with cancellation orders. It was perhaps folly to launch a new "Defenders" series mere months after higher profile writer Matt Fraction failed to make one last a year despite some decent promotion. At any rate, Valkyrie has stumbled upon an alliance with Misty Knight, Dani Moonstar, Hippolyta (the revived queen of the Amazons), and Misty's archaeologist ally Annabelle Riggs against the vicious Doom-maidens. Much like Kieron Gillen's run on "Thor" from several years ago, this adds another "class of ancient Valkyries Odin banished" to Asgard's history, although in fairness this is being used to further Valkyrie's character. Marvel's been historically hesitant to use their version of Hippolyta considering DC Comics' "Wonder Woman" franchise, Bunn shows no such qualms and she's actually quite fun. The heroines have to make a tactical retreat, and next issue seems to promise more recruiting. Bunn makes a reference to the last "Heroes for Hire" series and this title seems to have fallen into a middle ground of being neither terrible nor terrific, which may account for the low sales.
UNCANNY AVENGERS #8: Rick Remender and the latest regular artist Daniel Acuna continue along the second arc of the kick off series from the "Marvel NOW" editorial push. The enemies of the month are Eimin and Uriel, the latest heirs of the legacy of the X-Men villain Apocalypse dubbed the "Apocalypse Twins". To this end Remender continues to play with dangling plot threads from his long run on "Uncanny X-Force" over the years. Having been raised by Kang in a hellish future and given a cosmically powerful ax that Kang tricked Thor into making in ancient times, they have successfully destroyed the S.W.O.R.D. space station and are bringing further chaos to the world. The new team of random Avengers and X-Men members are split up and secrets continue to divide them. Thor and Sunfire get the most to do in this issue, saving Rio De Janeiro and tracking down the villains. Remender employs a heavy narration style akin to Chris Claremont, as well as playing with far out sci-fi concepts and continuity to some extreme directions. This action has a lot of action and spectacle, and Remender does his best to not lose his characters to it. However, this arc seems very much to have drawn from previous works, which readers who missed them could find confusing. The merger of the X-Men and Avengers universe may be long overdue, but at least Remender has the imagination to keep it from being predictable.