What Marvel fans want is a general breakdown of these cost increases. Where were the most significant increases in the cost of producing comics in the last year? Shipping, printing, creative talent - can you tell us anything about that?
And what are you thinking after seeing fan reactions to the apparent incongruity?
Joe Quesada: People will always want to look for conspiracies where there are none so there's little to nothing that I can ever say to appease those that feel that way. Nor do I feel like trying because it'll be a losing battle and nothing I say will ever convince them otherwise.
As for giving a breakdown of costs and increases, that's something that I'm just not going to do -- ever! One of the major reasons I'm never going to do that is because as a competitive business, we would never want our competition knowing what we're paying or what our costs are. Wouldn't DC love to know how much we're paying our artists? Wouldn't every publisher? How about video game companies, advertising agencies, etc? I'm sure other companies wouldn't be too eager to do divulge that kind of info either, because if they did, trust me, I'd be taking notes. That's all a part of being competitive. Sorry, I'm not going to tell you what I pay our creators or our printers or our distributors, I'm just not.
Jonah Weiland: Weve got a new round of questions on pricing, starting with Nick1980, who asked, "In a recent column you addressed the $3.99 price increase and said 'If we cut prices then everything from paper stock to coloring to the creative teams on these books [would be cut too.]' I don't see why you have to cut everything including the creative teams. As bad as the economy is I think most fans would be perfectly happy to just deal with a decrease in paper stock to keep the price at $2.99. Why isn't that an option?
Joe Quesada: Because the truth of that matter is that that wouldnt be enough to make a significant enough difference in the price. These days the price of crappy paper is almost as expensive as the good stuff so the minor savings versus the major loss in quality doesnt even remotely add up.
Let me also add that while some fans say it wouldnt make a difference in their purchasing habit of comics, it absolutely would. Sure some would be happy to get it in no matter what quality, but many more would care, as would creators who dont want to see their work produced in the worst way possible. This is a very high gloss, fully rendered CGI entertainment world we live in. If comics went down to printing and coloring as we had back in the olden days, it would absolutely affect peoples desire to buy our product versus other things they can spend their money on.
Bells and whistles do matter and the shiny penny gets picked up. We have to continue to keep up with the modern world and lowering our standards or production would not help in any way. It would be like suggesting that we go to black and white. While there would be cost saving on that end, it would kill our industry.
Now, lets say Im a top 10 artist working at Marvel and we manage to kick BCs ass in sales almost every month of the year because Marvel does its best to have the very best creators in the world working within its doors. But now Im seeing that my work is being produced like crap on the worst stuff possible with very poor coloring and production values, and I look over at BC and notice their books look great. Well, when it comes time to look for work, Im going to start looking at BC as will many of my fellow artist pals. Before you know it, all the great artists that you pay good money for are at BC and their books are $3.99.
Oh wait, hang on, theres more. All the great writers have now moved to BC because they want to work with the great artists and the best colorists who have all moved as well.
Before you know it, as a consumer youd rather pay the $3.99 to get the best creators doing their best work along with the best production values imaginable for the price and those $2.99 Marvel books will be dying on the shelves and looking like yesterdays comics.
This is the world of competitive publishing, this is the world of competitive business, this is the world that I live in on a daily basis. We do our very best to keep things reasonably price, but at the same time we must always remain competitive with an eye towards whats next.