• The upgrade to XenForo 2.3.7 has now been completed. Please report any issues to our administrators.

The WB is No More!!

For those interested in more of the business end of the WB/UPN merger and its ramifications, here's a lengthy article from today's Daily Variety:


1/25/06

Secret's out as rivals elope
WB, UPN will tie one on
By MICHAEL LEARMONTH

And then there were five

CBS Corp., Warner Bros. Entertainment and Tribune Co. surprised the TV biz Tuesday by shuttering two struggling outlets -- the WB and UPN -- and merging the two into a new -- now fifth -- web called the CW Television Network.

Move will unite shows from both nets -- such as UPN's "Everybody Hates Chris" and "Veronica Mars" and WB's "Gilmore Girls" and "Smallville" -- in a bid to create a dominant player in the 18-34 demo.

"The CW is going to be a real competitor -- a destination for young audiences and diverse audiences and a real favorite among advertisers," said CBS chief exec Leslie Moonves, who made the announcement with Warner Entertainment chairman-CEO Barry Meyer and Tribune Co. CEO Dennis FitzSimons.

New net is structured as a 50-50 joint venture of CBS and Time Warner and will be distributed on CBS- and Tribune-owned stations reaching 95% of the country.

With the announcement, WB chairman Garth Ancier and Frog Entertainment prexy David Janollari are both out of a job.

Dawn Ostroff, current president of UPN, will become prexy of entertainment of the new entity, and WB chief operating officer John Matta will become COO at the new net.

WB sales president Bill Morningstar will assume similar duties at the CW.

In a memo to Frog staffers, Ancier said he will stick around to help with the transition but has opted to depart to focus on new-media ventures.

"I have had the genuine honor of being an architect of two successful startup broadcast networks over the past 20 years and am yearning to try something different," he said.

As for the entertainment presidency, Warner Bros. TV Group prexy Bruce Rosenblum said choosing between Janollari and Ostroff was the merger's "toughest decision."

"We have a great fondness for David," he said. "Dawn has done a great job at UPN, and the decision was for the benefit of the network long term."

It's unclear where Janollari will land, but Rosenblum said he hoped to find a way to keep the exec somewhere in the Warner Bros. camp.

The merger of the two entities --which had been considered off and on since they were both founded in 1995 -- is an admission that while there may be room for a fifth broadcast net, there wasn't enough ratings mojo or advertising dollars for a sixth, especially when both were pursuing the same younger, female audiences.

The WB and UPN came close to merging in 1995 -- even coming up with a plan on how to divide up their stations. But UPN's co-owner at the time, Chris-Craft, nixed the deal. It took 11 years, but the merger finally happened.

Moonves and Meyer began talking about the deal at Thanksgiving, quickly tapping CBS' Nancy Tellem and Rosenblum to spearhead the merger.

"We realized this was a unique moment in time. If we didn't do something now, we'd regret it later," Meyer said.

Execs noted that the timing was serendipitous -- the WB's affil agreement with its chief station group, Tribune, was expiring in August, at the same time UPN's pact with News Corp. -- which owns the net's key stations -- was also up.

Rosenblum said both sides realized that there was ultimately only room for a fifth net.

"The opportunity to build a true fifth network and make it competitive with the Big Four is an opportunity neither company wanted to pass up," he said.

The merger confirms rumors that had been swirling for months that Warner Bros. had been looking to merge the WB with another operation (Daily Variety, Dec. 19). Speculation had previously focused on a strategic alliance with a net such as ABC or NBC or merging back-door duties with Warner Bros. TV.

"We explored a lot of different business arrangements," Rosenblum confirmed.

Meyer said that while he never contemplated shutting down the Frog, "We were looking at cutting back original programming (and running) more repeats."

Meyer, Moonves, Tellem and Rosenblum have known one another for decades, dating back to when they were all execs at Warner Bros.

Close relationships between CBS and WB suits will help, but Meyer said "some structural answers" were built into the deal to help avoid potential problems.

For one thing, any shows from Warner Bros. TV or CBS Par Network TV will immediately become co-productions if greenlit to series. Studio that developed it will take the lead in producing.

What's more, "If we ever have an irreconcilable difference, we have set up (a system for) binding arbitration," Meyer said. "It's draconian, but it's the surest way to ensure we never have to use it. It's not something we're worried about."

Tellem said that while the CW will operate as a stand-alone net, CBS will give guidance to the new net in areas such as marketing, research and business affairs -- though she said the new net will not use the Eye's infrastructure.

Both UPN and the WB targeted young female viewers, but UPN skewed more toward urban viewers with its Monday comedy block targeted at African-American viewers, while the WB skewed more suburban. Both have significant audience overlap, as well as significant challenges. Neither was profitable.

"This new network makes sound business and creative sense at every level -- for our viewers, advertisers, affiliates and for the shareholders of our companies," Meyer said.

Net will be staffed by a combination of UPN and WB execs, and an undisclosed number at their respective Brentwood and Burbank headquarters will be laid off as a result of the merger.

The CW also plans to build a new HQ rather than move into either existing digs.

Going forward, network management will have to start making some tough decisions on whom to take along to the CW.

"Hopefully, it will be a blend of best of senior executives of both networks," Rosenblum said.

Move comes as the WB has struggled in the ratings and watched as UPN -- the perennial sixth place net --targeted its young, female demo and moved ahead of it in the ratings.

But with merged schedules, Ostroff said the network will have a No. 1 or No. 2 show each night in the 18-34 demo, making the CW a bigger player in the battle for advertising dollars.

"I think what people are going to find is all the programming appealing to this one demo is now going to be under one roof," Ostroff said. "It's going to be one-stop shopping."

As for the name itself, the execs said they weren't married to the CW -- and that the network moniker could change before its September launch.

Tribune's 22.5% stake in the WB will be liquidated when the weblet is shuttered in exchange for a 10-year affiliation agreement for Tribune's 14 former WB stations.

The shutdown of the UPN and the WB will set affiliates not owned by CBS or Tribune scrambling. Fox TV Stations Group owns nine UPN affils -- including WWOR in Gotham, KCOP in L.A. and Chicago's WPWR -- and will have to find other sources of programming for the fall.

The new CW execs expect to have a schedule ready to present to advertisers at the May upfront negotiations, where broadcasters make bids for roughly 80% of their advertising for the coming year.

But advertisers cautioned that there's no way to know whether viewers will follow their shows to a new network and what the impact of mixing the two will be on audiences.

"Advertisers are obsessed with the young demos," said Brad Adgate, senior VP of research at Horizon Media. "If they can keep the core viewers that the two networks enjoyed, advertisers and viewers will be happy with that."

The subtraction of a network will also reduce the amount of commercial inventory for sale, which may benefit network ad rates or accelerate migration of dollars to cable.

The co-ownership structure has plenty of precedence. But most 50/50 partnerships have fizzled through the years, as two competing congloms usually wind up at odds over their differing agendas.

Chris-Craft and Viacom got into a legal tussle over the ownership of UPN before Viacom finally took it on solo; other nets with two parents, such as USA Network and Comedy Central, also saw those arrangements come to a close eventually.

But Rosenblum said he doesn't think the CW will encounter that same kind of dysfunctional ownership.

"There are a handful of things that make this different," he said. "We have a close alignment of interests -- a desire to service content for both CBS Corp. and Warner Bros."

(Josef Adalian and Michael Schneider in Hollywood contributed to this report.)


http://www.variety.com/story.asp?l=story&a=VR1117936727&c=18
 
I just hope these guys dont do anything & team up with Networks say FOX if this Network is a Success. Now if only they can team up with ABC. Would be great all my shows one Network :up: But NEVER team up with FOX. They live to cancel good shows
 
For those of you who're interested, Defamer has the contents of Garth Ancier's memo to fellow WB employees:

http://www.defamer.com/hollywood/wa...arth-ancier-says-goodbye-to-the-wb-150505.php
Dear Colleague,

A few moments ago in New York at a joint press conference, Warner Bros., CBS Broadcasting, and The Tribune Company announced the formation of a new broadcast network that will launch in September ’06.

This new and historic venture will be an equal partnership between Warner Bros. and CBS Broadcasting, and will draw upon the best programs, stations, and executive minds from both The WB Television Network and UPN. The company will be called The CW Television Network, reflecting the monikers of the corporate partners.

Indeed, three talented executives are named in today’s announcement, which you just received from Barry Meyer. They are John Maatta, who will be Chief Operating Officer, Dawn Ostroff, who will serve as President of Entertainment, and Bill Morningstar, who will lead Sales. John and Dawn will report to a board of directors equally drawn from Warner Bros. and CBS Broadcasting.

As Dawn and John select their new team, I am confident that you will find many, many longtime colleagues from The WB serving with them.

The decision to combine the best of these networks was not made lightly. We all realized that in today’s more competitive environment for all broadcasters and networks, neither The WB or UPN could reach the ambitious goals we had collectively envisioned when the two networks launched 11 years ago this month.

By contrast, all of us believe that The CW can grow into a fully competitive fifth network. Moreover, we felt that the opportunity to do this now – while both The WB and UPN could both provide rich program assets and solid balance sheets to draw upon – was too compelling an opportunity to overlook.

Late this afternoon, upon their return from New York, Barry Meyer and Bruce Rosenblum will be here at the ranch to answer your questions.

As for myself, while I have been actively engaged in forming this new venture – and am excited by the exhilarating times that lie ahead for many of you - I had made clear to Barry Meyer and Bruce Rosenblum early in the discussions my desire to explore and expand my own experiences in this new age of digital opportunity. I have had the genuine honor of being an architect of two successful start-up broadcast networks over the past 20 years, and am yearning to try something different.

I will, however, continue to manage The WB with you over the coming months, and that leads me to perhaps the most important part of this note.

All of us at The WB need to keep this network as vibrant as it has always been at serving the American public from today through the launch of the new network this fall. We have exciting programs like “PEPPER DENNIS” to launch, new pilots like “AQUAMAN” to develop, immensely popular series like “SMALLVILLE” and “GILMORE GIRLS” to protect, and farewells to audience favorites like “7th HEAVEN” to manage. We will need all of you to keep your focus on these critical goals through September.

A final note, a bit more personal. I recognize that there is an inevitable emotional sadness to ending The WB Television Network. We have accomplished much over these past 11 years. We have put more series into successful syndication than just about any other network during this period, helped launch the careers of countless feature film stars, and built an American brand that is ubiquitous. We all did this together, and we should be genuinely proud of these accomplishments.

I believe that history will look very kindly on the little network that, against all odds, beckoned us to move to Dawson’s idyllic Creek, be a part of the Camden family, believe in the power of 3 Charmed sisters, gave us the chance to watch Clark Kent grow up, hunt vampires with Buffy and Angel, go to college with Felicity, see ourselves in the father/son and mother/daughter relationships of Everwood and Star’s Hollow, and laugh with Reba, Jamie, Steve and the Mowry twins. It has been quite a ride.

The new network announced today would certainly not have been possible without the accomplishments and legacy of The WB Television Network.

With gratitude,

Garth Ancier

Chairman

The WB Television Network
 
I'm not sure which thread is most appropriate for this one.. but we'll try this one.:)
http://www.hollywoodreporter.com/thr/television/feature_display.jsp?vnu_content_id=1001918697

Again.. I think they are mistaken in one part. Unless I'm unaware of Tom appearing in "Chasing Amy".. I think they meant "Judging Amy," and I have no clue where the cute pizza boy reference came from..

"When Tom Welling walked into the casting office, all we had was a tape where he played the cute pizza boy in (the 1997 movie) 'Chasing Amy,' I think it was," Tollin says. "He had a sparkle and charm and a screen presence, but he was a little concerned with diving in and playing a young Superman because, let's face it, this town is littered with people who have taken that on and found it was a dead end. To his credit, he wasn't a young actor who got stars in his eyes and said, 'This is my shot' -- we had to talk him into the role."
 
It better be on my dish company, or i'm changing my provider.
 
Thanks for posting that Serene. I hadn't seen that quote before, nor did I realize Tom was a pizza boy in 'Chasing Amy'. Hmmmm. He certainly seems like a humble, amazing person.
 
It look likes he was in Chasing Amy in a cameo.......to think at the time that was made the director Kevin Smith was writing the script for the aborted Superman Lives movie....
 
confused.gif


I *think* they're referring to "Judging Amy." Welling was barely 20 years old when that film was shot. He was still modeling at the time, unless I'm mistaken.

Where's James? :p
 
Welling was not in Chasing Amy, I've seen that movie about 100 times (grew up right next to Red Bank, NJ) and surely wouldve noticed him of all people. He was a karate instructor on "Judging Amy" not the pizza guy. LOL :D
 
Some more fallout about the CW merger from Variety. Also, a bit of info on just how much SV means to WB affiliates. The other interesting bit is that 'The CW' might still get a new name:

http://www.variety.com/article/VR1117936854?categoryid=14&cs=1

Fallout for Fox
CW birth raises affil questions

By ELIZABETH GUIDER, JOHN DEMPSEY

The smoke hasn't yet cleared, but already stations, producers and syndicators are coming to grips with the fallout from Tuesday's stunning announcement of a hookup between the WBthe WB and UPNUPN netlets.

So all eyes Wednesday were on Fox, the company most affected by the CW deal announced Tuesday.

Execs at that company were practically invisible Wednesday in Vegas, but that didn't keep the NATPE floor from speculating on what might happen next.

The powerful station group now under the direct control of Murdoch maven Roger Ailes will lose nine UPN affiliates in top-25 markets including New York, Los Angeles and Chicago -- and how those stations get rebranded, reprogrammed and repitched to advertisers is the quandary of the hour, almost certainly through the May sweeps.

"It doesn't seem sensible to promote a network that no longer exists, so there is no point in our spending money to brand it," said News Corp. spokesman Andrew Butcher.

Fox had other reasons to be infuriated about being left in the dark about the tie-up.

Had the station group known it would suddenly need programming, it might have stepped up just last week and bought the rights to "American Idol Rewind," the syndiesyndie hybrid being pitched by distribdistrib Tribune. As it turned out, Fox threw in its hand and the project went to the Tribune stations.

Smaller stations were variously irked as well, with many around the country pulling their UPN and WB logos from the screen Wednesday and scratching the logo from their promotional materials.

Hearst-Argyle KQCA in Sacramento -- one of the top-rated WB affils -- put out a "to hell with the WB" statement Wednesday.

"The strength of KQCA is not solely dependent on the WB Network programming for success. We will develop a new strategy for the station, which will include new programming, new content and anew station identity," said general manager Elliott Troshinsky.

As for how to turn the disenfranchisement into an opportunity, syndicators large and small mulled their options on Wednesday.

Among the more likely scenarios:

Ailes will finally manage to expand the capacity of the Fox news machine and program news and information in primetime on those newly disenfranchised stations.

Or Fox's distribution sibling Twentieth TV could jump in with its English-lingo trio of telenovelas, offering them as a one-hour primetime strip. Along with the sudsers, Twentieth could provide a second daily run of its court shows "Judge Alex" and "Divorce Court" in the other primetime hour.

Obviously other syndicators -- most pertinently Sony, which by law can't own its own station group -- want to get in on the action as well.

A meeting already is scheduled for Monday between Sony toppers, including production-distribution bigwig Steve Mosko, and the Fox phalanx, captained by Ailes and station group head Jack Abernathy.

Sony boasts a 7,000-title inventory of movies, as well as innumerable dramas and laffers in development that could be fast-tracked for these nine stations.

Idea here would be that the programming provided to these nine influential Fox stations would be picked up by the 150-odd other dispossessed stations, which were formerly either branded as WB outlets or UPN affils.

"What does all this mean for us?" was the most common question heard among station execs as the news of their changed status hit home.

Not that there was panic, because stations traditionally buy and shelve more than they can ever utilize on air.

"I expect we'll see a lot of 4 p.m. shows get an upgrade to primetime," is how one station programmer put it Wednesday.

Indies, too, are bent on getting in on the action.

Carsey-Werner, one of the few remaining viable indie distribs in the bizbiz, already is thinking about offering "That '70s Show""That '70s Show" as a primetime fix for one night.

"FX is the model for vertically playing 'That '70s Show,' " said C-W distrib prexyprexy Jim Kraus. "On most Fridays in primetime it beats other shows on three broadcast nets in males. If it works for FX, it should work for these newly minted indies."

Amusingly, the newly styled UPN-WB fifth network is dubbed CW, which could be confused with both Carsey-Werner and the country-western niche. Bets are on that the name will be changed by the summer, as other elements of the new network come into focus.

For the disenfranchised, losing the cachet of shows like "Smallville""Smallville" (on the WB) and "Everybody Hates Chris" (on UPN) to the new CW network may not be as debilitating as it seems at first.

Ad spots in "Desire" or "That '70s Show" wouldn't go for the same advertising dollars that "Smallville" commands, but as indies, these stations would retain more advertising time to sell. There'd be no split with the network, because their network has vanished.


The next few months will see a lot of horse-trading as to which station in a given market actually ends up as the CW affilaffil and which becomes the neo-indie.

In Kansas City, for example, Hearst-Argyle operates a UPN affil and Meredith owns a WB affil. That Meredith owns six other CBS affils could end up the decisive factor.

But it could also come down to cash. "Who's going to give me the most money in a market?" speculated one station exec.

Small operators -- those with just a few UPN or WB affil in tiny markets -- could end up muscled out and will see their programming costs rise if they operate as indie stations. They also will see their market cap fall, as indie status is not the same as affil status in the eyes of investors.

What all this will do for stations that are planning to be bought or sold is even dicier.
 
In any case SV appears to be safe lets hope it remains as such.
 
The Incredible Hulk said:
Welling was not in Chasing Amy, I've seen that movie about 100 times (grew up right next to Red Bank, NJ) and surely wouldve noticed him of all people. He was a karate instructor on "Judging Amy" not the pizza guy. LOL :D
Maybe he meant the Frat guy on Undeclared? I have no idea, lol
 
Raku have you got double jinxed gremlins in your computer today? :rolleyes:
 
A perfect example of how the WB/UPN merger will help show like Smallville.
From the Richmond Times Dispatch:

http://www.timesdispatch.com/servlet/Satellite?pagename=RTD%2FMGArticle%2FRTD_BasicArticle&c=MGArticle&cid=1137833629003&path=!business&s=1045855934855
Merger to bring WB to area TV
Struggling network will unite with UPN to form CW this fall

BY DOUGLAS DURDEN
TIMES-DISPATCH STAFF WRITER

Jan 25, 2006

Great news, Richmond TV viewers. We're finally getting the WB, or, rather, what's left of it after the WB and UPN networks merge.

CBS, which owns UPN, and Warner Bros., which owns the majority stake in WB, announced yesterday that the two mini-nets would merge, with a new network -- CW -- to launch this fall.

Initially, the new network will air 30 hours of programming, half of it aimed at young or teen viewers to air Saturday mornings and weekday and Sunday afternoons. CW's prime time will consist of 8 to 10 p.m. Monday through Friday and three hours on Sunday nights.

Currently, UPN airs 10 hours of prime time; WB, 15 hours. Obviously, not all shows will make the cut.

Though UPN and the WB went on the air 11 years ago, they have been unable to make much of a dent against the more established networks.

In announcing the merger, executives didn't identify which shows from each network would be part of the new CW.

But specific shows were mentioned as assets, according to Gerald Walsh, general manager of Richmond's UPN affiliate, WUPV-Channel 65.

Included were UPN's "America's Next Top Model," "Girlfriends," "Veronica Mars," and "Friday Night SmackDown!" and the WB's "Beauty and the Geek," "Smallville," "Gilmore Girls," "Supernatural" and "Reba."

In TV markets that have both UPN and WB affiliates, the merger will leave one station as an independent and scrambling for programs.

That's not the case here.

Richmond has a UPN affiliate but has been without a primary WB affiliate since 1997, when Channel 65 switched affiliation from WB to UPN.

WWBT-Channel 12, Rich- mond's NBC affiliate, carries most of WB's schedule late night or early morning, making WB hits like "Smallville" and "Gilmore Girls" difficult to locate.


Barry Meyer, the head of Warner Bros., said at a news conference his company had anticipated a "challenged" environment ahead for smaller networks, and said the new venture had a good chance of being profitable as soon as it launches. He said the companies would operate more efficiently as one, but he declined to say how much savings they expected to get or how many jobs might be cut.

"Looking down the road, this was much better than keeping UPN alive," Leslie Moonves, the chief executive of CBS, said. CBS became a separate company from Viacom Inc., the owner of MTV and VH1, at the beginning of the year.

"Without a question, it's a win for Richmond," Walsh said. Though it's too soon for CW to announce its new affiliates, Walsh is confident Channel 65 will be among them.

"We're the fifth signal, and there's nowhere else to go," said Walsh, referring to Richmond's CBS, ABC, NBC and Fox affiliates as the four other signals. "We're the only broadcast alternative, and we have a long and prosperous relationship with Viacom and UPN.

"We believe we have the ability to move forward as that affiliate. We think it's a great opportunity. UPN is lighter in the amount of hours. So this will add depth. We're being told it's going to be the best of WB and UPN -- a supernetwork."

CBS shares rose $1.08, or 4 percent, to $26.90 in trading yesterday on the New York Stock Exchange. Time Warner's shares rose 18 cents, or 1.1 percent, to $17.27.

Contact staff writer Douglas Durden at [email protected] or (804) 649-6359.
The Associated Press contributed to this report.
 
Looks like they're confident in being picked up.

Season 5 of Smallville will end with another cliffhanger, executive producer Al Gough told The Continuum.

The show, coming off its 100th episode on Thursday, has ended each season with a cliffhanger.

Smallville hasn't officially been renewed yet, but figures to be back for a sixth season on the new merged network, The CW.

"If we have a cliffhanger and don't get picked up, it will be terribly frustrating," Gough said, laughing. "But we're going in with that assumption (of Season 6). That's our plan."

Asked about more DC Comics characters appearing on Smallville after Cyborg's appearance in February, Gough replied, "There may be someone in the season finale."

In other Smallville notes:

* James Marsters' Brainiac will return beginning in the season's 16th episode. "His nefarious plan to release Zod from the Phantom Zone has not seen its last day," Gough said.

* Dean Cain, who starred in Lois & Clark: The New Adventures of Superman, still looms as a possible guest-star, Gough said.

"There have been a lot of rumors about him," Gough said. "We continue to talk to Dean. Again, we don't want to bring anybody on to the show until we can find the right role. We don't want to have them on just to have them on. Will it happen this season? I don't know, perhaps. It's something we're always talking about."

* Look for some synergy with the upcoming Superman Returns movie this spring, perhaps in the form of a preview like the Batman Begins preview with Season 4's finale. "I know the network is talking with the film side," Gough said. "If we can make it happen, that'd be great."
 
Two interesting articles from B&C...

The Math Behind The CW
Does combining two struggling networks equal one success?
By John M. Higgins -- Broadcasting & Cable, 1/30/2006

Time Warner is the largest media company, not just in the country but in the entire world. Its Warner Bros. Television dominates the TV-production industry, supplying more shows to broadcast networks than anyone. Yet, for all that clout, Time Warner executives couldn't manage to successfully program The WB for two prime time hours, six nights a week.

Viacom and its new spawn, CBS Corp., are smaller but did no better with UPN.

After a decade on the air, the networks are folding, with the pieces combined into a new channel, The CW network.

The inability of such powerful companies to make even modest channels work on the air speaks volumes about the state of TV networks. Consolidation is a classic response of companies stuck in a mature business, and every network is stuck. The broadcast networks' revenue growth averaged an unimpressive 4% over the past five years, and the next five look no better. If the ad market is slow and programmers can't chisel audience from rivals, combining operations is often the only way to squeeze some earnings growth.

"A major, major change"

Irwin Gottlieb was a little bit alarmed by the shrinking number of major broadcast networks. The CEO of Group M - who controls ad-buying firms that spend $20 billion of clients' ad dollars - suggests rewinding five years: "Would you have ever contemplated that we're going from six networks to five, instead of going from six networks to seven? We haven't taken a step back in a long time. We've always moved ahead."

He adds, "For the first time, we are contemplating the ability to economically produce content for six networks; we are clearly questioning the ability of the [ad] market to support six networks. That's a major, major change."

Univision and Pax would no doubt object to their exclusion from Gottlieb's network headcount. (Indeed, Univision instantly protested The CW proclaiming itself "the fifth network" since the Spanish-language network's audience already exceeds both The WB's and UPN's.) But Gottlieb's point is clear: Broadcasters' profits are imperiled, nibbled away by cable and further threatened as viewers and advertisers are distracted by the Web.

CBS and Time Warner will be 50-50 partners in The CW, but no money changes hands. Tribune Co. will surrender its 22% stake in The WB (which analysts believed was worthless, anyway) in exchange for an affiliation agreement to The CW for 16 of its old WB stations. CBS Corp. CEO Leslie Moonves says CBS' Paramount Television and Warner Bros. will co-produce programming that appears on CW.

The deal may initially look like a merger of The WB and UPN, but it's carefully crafted in a different way. The two networks are being shut down and some of their assets drawn upon to create what CBS and Time Warner tout as "the new fifth network." That's more than mere hype. Executives believe that closing the old networks frees them of obligations to angry former WB and UPN affiliates not chosen for The CW. That's a contentious issue roiling station groups, even big ones like Fox TV Stations.

The deal is being driven by years of losses. The WB and UPN were launched for the same reason, providing a TV platform for their studio parents. Executives at Warner Bros. and UPN parent Paramount worried that loosening federal rules would have the networks developing more of their own entertainment programming or strong-arming studios for a big piece of backend sales. So The WB and UPN were started to ensure that the studios' TV factories always had a ready outlet.

But it has been an expensive outlet. Securities filings show that The WB has burned through about $600 million; Morgan Stanley media analyst Rich Bilotti estimates that UPN has lost at least $500 million. The studios have had few giant hits to make up those losses through syndication or DVD sales.

Without detailing any numbers, Moonves says, "These two networks would have closed or would have continued to stumble along." But by cherry-picking the strongest shows - like The WB's Smallville and Gilmore Girls plus UPN's Veronica Mars and America's Next Top Model - The CW should be profitable from the start.

"You keep the best of both networks," Moonves says. "That's a pretty good way to start a network."


However, there is no guarantee that combining the leavings of two troubled networks will breed success.

Is cable next?

Moonves dismisses the notion that the deal is driven by maturity of the whole broadcast-network sector. These netlets aren't in decline; they never really gelled to begin with as they fought it out behind the Big Four networks.

"Five networks was probably the right number of networks all along, even way back when," Moonves says.

Perhaps. But maybe broadcast networks are simply in the same maturity slump that's gripping TV stations. Local broadcasters are stuck with average revenue growth around 4%, and there's no end in sight. Station groups generally complain that ownership restrictions - particularly those limiting duopolies - keep them from following the natural course, consolidation.

That's the path you see in slow-growth industries around the country from department stores to telephone companies.

Could cable programming be next? Major basic networks are generally growing now, but the easiest gains are from increasing distribution and raising license fees paid by cable and DBS operators. Meanwhile, smaller networks peck away at the top 10 channels, limiting their audience and advertising growth.

Nobody likes to grow old.

http://www.broadcastingcable.com/article/CA6302852.html

A New Script
How CBS and Time Warner Brass plan to build The CW
By Ben Grossman -- Broadcasting & Cable, 1/30/2006

Dawn Ostroff’s life took a dramatic turn on Jan. 24.

That’s when the rest of the world found out what the UPN president had known for a while: The WB and UPN would become one network, and she would be a big part of it.

Now that the secret is out, the CW entertainment president plans to assemble a team of executives and develop a strategy the new crew can execute in a reasonable time. Next, she’ll identify pilots for the new network’s first development slate. Perhaps just as important as the quality of the product is the brand, which has to be crafted from scratch and then sold to two sets of constituents: advertisers in May, the viewers leading up to the fall launch.

And it all has to happen fast. May and the upfronts are only three months away. Between now and then, Ostroff, who was promoted to UPN president in February 2005, will try to build a schedule that will specifically target the 18-34 demo, something both The WB and UPN shows did with only modest success.

The schedule for now is up for grabs. As much as 10 hours of the 13-hour prime time schedule will be made up of current UPN and WB hits. Ostroff likes her Monday UPN lineup, which includes Girlfriends and One on One, so a slate of African-American-targeted comedies is a good bet. New CW ad-sales chief Bill Morningstar, who will join from The WB, which skewed to a younger audience, likes the idea of an all-African-American night. "I think it is a really smart programming strategy," he says.
Female-friendly Nights

Morningstar says he can envision a female-friendly Tuesday and Wednesday. For instance, a Veronica Mars/Gilmore Girls night makes sense, but don’t expect Ostroff to commute the death sentence for 7th Heaven, which she knows lost $16 million this season.

Thursdays could begin a shift to a male audience. With Smallville the top-rated 18-34 show in its time slot, keeping it on Thursdays at 8 p.m. ET would make sense, with thriller Supernatural a nice fit at 9. That would mean moving comedy Everybody Hates Chris to another night. Wherever it goes, Ostroff’s chief developmental task will be finding a companion piece for the sitcom. She says she may be looking for a single-camera comedy to go with Chris.

The male-centric Thursday would be helpful for promoting Friday night - a relatively safe bet to be filled with a two-hour WWE Smackdown!, which worked well on a night in which The WB struggled.

Sunday is decidedly up in the air, with an all-reality night a possibility up against ABC’s powerful lineup and NBC’s football in the fall. Ostroff has such assets as America’s Top Model and Beauty and the Geek in her reality arsenal, although Top Model may work better on one of the female-themed nights.

Although a network’s shows drive a brand, no new network has a second chance to make a good first impression. The first decision will be what to call the network. A name and logo were unveiled last week, but it was hard to find an executive from either camp who would guarantee that one or both would still be around in the fall. "A lot of this was put together [quickly], and we hope 'The CW’ will be the name of the network," says Ostroff, adding, "but anything could happen."

Whatever the logo looks like, the message will have to be crystal clear in a cluttered market: The CW is selling a network targeting 18- to 34-year-olds. And with a decidedly young target, marketing brass will have to be nimble about going to wherever the demo spends its time. "Whether it’s People magazine or someone’s blog, we’ll need to be there," says CBS Marketing Group President George Schweitzer.

While the shows will bring a modest built-in audience and upgrading affiliates in certain markets will help, Schweitzer is also bullish about the combination of CBS’ media properties and Warner Bros.’ sales prowess. "Between our media power and their entertainment-marketing experience on the theatrical side and with home video," he says, "there is a lot going on."
Parental Help

The new network will tap its parents’ assets for help. Field reps for CBS’ recently acquired College Sports TV network will be asked to do viral marketing for The CW, including setting up screenings for programming.

Morningstar, who has been with The WB since its inception in 1995, will have the chance to go back to what his network got away from: pinpointing the young demo. "We’ll go in under the traditional networks from a competitive standpoint and chasing viewers and marketing. There is a huge generation coming in, the babies of baby boomers."

Morningstar estimates that The WB and UPN combined took in about $900 million in upfront ad revenues this year but adds that it’s too early to guess how much of that the new network can retain come spring.

Ad buyers see an opportunity for the new network to re-focus on the target audience that The WB had let slip away when it tried to broaden its audience recently. "It’s imperative it stays 18-34," says Steve Grubbs, CEO of media-buying agency PHD North America. "That’s where the opportunity is."

http://www.broadcastingcable.com/article/CA6302850.html
 
Supernatural moving to Thursday night's starting March 16.

http://tvguide.com/news/entertainment/

WB SHAKES THINGS UP:
To hell with waiting for the CW. WB has gone ahead and announced several midseason schedule changes, including the oft-predicted relocation of Supernatural to Thursdays at 9 pm/ET, where it will follow Smallville (beginning March 16).

http://www.thefutoncritic.com/cgi/pr.cgi?id=20060131wb02

Replacing BEAUTY AND THE GEEK on Thursdays will be SUPERNATURAL, beginning March 16 (9:00-10:00_ p.m. ET). This move should advantage the first-year hit, pairing it with the compatible and über-successful SMALLVILLE (8:00-9:00 p.m. ET), which is enjoying its best season ever, both creatively and in the ratings.
 
yeah as the season has worn on, I had a feeling that was coming. Supernatural isnt a bad little show, I just always forgot when the hell it was on. I have a feeling a lot of people did the same. Only problem with it on Thurs at 9 PM now is that it's up against My Name is Earl and The Office....

Another thing, is that I think Smallville may still be on it's second hiatus on March 16th. They usually break for most of March and the first couple weeks of April, and then run the table with new eps until right before Memorial Day. Who knows though? Maybe the "24 episodes" that Gough talked about wasnt a mixup :confused:
 
The Incredible Hulk said:
yeah as the season has worn on, I had a feeling that was coming. Supernatural isnt a bad little show, I just always forgot when the hell it was on. I have a feeling a lot of people did the same. Only problem with it on Thurs at 9 PM now is that it's up against My Name is Earl and The Office....
I'll probably Tivo SV, Earl, and The Office, and watch Supernatural live.

I'm happy about this switch. There are SO many crossover fans for SV and Supernatural.
 
Serene said:
I'll probably Tivo SV, Earl, and The Office, and watch Supernatural live.

I'm happy about this switch. There are SO many crossover fans for SV and Supernatural.

Tivo SMallville without watching it live? :eek: :confused: Blasphemy! ;)
 

Users who are viewing this thread

Back
Top
monitoring_string = "afb8e5d7348ab9e99f73cba908f10802"