Haha. It's the 'Patrick' Power Anthem.
Doyle certainly wasn't kidding in his interview. Although, it's definitely better than many similar stylistic themes to come directly from Remote Control.
I would rather have that theme, than no themes at all. Just like I would rather have a modern synth/orchestral RCP approach with a Zimmer crafted identifiable theme, than have a traditional Doyle approach with plenty of old school bombast, yet entirely devoid of any themes, through fear of the music calling too much attention to itself by being overwrote and too big for the film it's supposed to be serving, ultimately facing inevitable rejection in the process. Themes/motifs etc in an orchestral based score such as this have always come first for me before anything else.