Key is detirmined to be in every musical Hollywood produces from here on out, it seems.
I strongly agree when it comes to chocolate river, but replace sewer water with hot water used to wash hardened chocolate from a glass.1. The set design. The chocolate river actually looks like chocolate this time instead of just brown sewer water.
2. The songs. I know the original songs have a more timeless quality, but I like what they did with setting each song to a popular style of music from different decades in the remake.
Also; Willy gives the impression he enjoys the torture the kids experience.
He has a certain level of cruelty, I'll agree with that.To be fair, the Wilder version came off as pretty sadistic as well.
I love how the tour basically starts with him practically ready to light up a cigarette enjoying the moment:To be fair, the Wilder version came off as pretty sadistic as well.
Wait is this a prequel to the Wilder film?
Heyman was quick to emphasize that his movie won't just be another rehash of the same familiar tale:
It's not a remake. They've done two films, quite different. But it's possibly an origin story. We're just in the early stages of it, working with a writer called Simon Rich, which is wonderful.
But with two high-profile Willy Wonka movies already in existence, why bother returning to that same character? Heyman continued:
I'm a huge Roald Dahl fan. I've been trying to work on Dahl material for quite some time but they're all tied up. So when this was suggested, I didn't take a moment to pause and want to jump right in.
It's challenging because you don't have Dahl, you don't have a Dahl book, and yet you have a Dahl character. But I think there's a lot in his character that suggests who he is and also where he might come from or what his childhood or his middle age might have been like. So we're exploring that. We're discussing it. We're in the very early stages and very excited about what lies ahead.
It’s not an easy thing to come by in London, where he’s been in rehearsals for Wonka, an original movie musical that will serve as a prequel of sorts to Charlie and the Chocolate Factory, following the titular chocolatier as a young man. He just spent a weekend recording music for the film at Abbey Road. “I felt out of my league,” he says of working in that legendary space. “Like I was desecrating history!” But working on this project has been good for him. “It’s not mining the darker emotions in life,” he says. “It’s a celebration of being off-center and of being O.K. with the weirder parts of you that don’t quite fit in.”